Art contemporain et Design - vente en ligne
Robert Indiana (born Robert Clark) was an American artist associated with the pop art movement.
His iconic image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes for the Virgil Thompson and Gertrude Stein opera The Mother of Us All. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
Georges Mathieu was a French abstract painter, art theorist, and member of the Académie des Beaux-Arts in Paris. He is considered one of the fathers of European lyrical abstraction, a trend of informalism.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Mathieu Matégot was a Hungarian / French designer and material artist. He was one of the most renowned French designers of the 1950s.
Following the war, Matégot established a workshop for making handcrafted furniture using a variety of materials such as metal, rattan, glass, formica, and perforated sheet metal. The workshop made chairs, tables, sideboards, desks and other objects that he had designed. At first based in Paris, the workshop later moved to Casablanca. All the furniture and other objects had clever, practical and amusing designs. Distributed to decoration shops in editions of 200, his work was extremely successful.
Lucio Fontana was an Argentine-Italian artist known for his pioneering work in the field of Spatialism, an artistic movement that explored the relationship between space and art.
Fontana studied sculpture at the Academy of Fine Arts in Milan, Italy. In the 1940s, he began experimenting with a technique he called "Spatial Concept," in which he punctured or cut holes into the canvas to create a sense of depth and dimensionality.
Throughout the 1950s and 1960s, Fontana continued to explore the possibilities of Spatialism, creating works in a variety of media, including sculpture, ceramics, and painting. One of his most famous series of works is the "Tagli" (Cuts), which consist of monochromatic canvases with one or more slashes or punctures.
Fontana's work had a significant influence on the development of the Arte Povera movement in Italy, as well as on the development of Minimalism and Conceptual Art. He exhibited his work widely in Europe and the United States, and his legacy continues to be celebrated by artists and critics today.
Fontana's innovative approach to art and his exploration of the relationship between space and form continue to be a source of inspiration for artists working in a wide range of media.
Jacques Villon, birth name Gaston Duchamp, was a French painter and printmaker. In 1907 he changed his name to Jacques Villon. He was the brother of artists Marcel Duchamp and Raymond Duchamp-Villon.
Villon began his career as a painter and his early work was influenced by the Impressionists and Post-Impressionists. He later became interested in Cubism and, together with his brother Raymond, became a member of the Putot group, a collective of artists who experimented with Cubist techniques.
In addition to painting, Villon was also a skilled engraver. He worked in various engraving techniques, including etching, aquatint and dry glass, and his prints are known for their intricate lines and geometric shapes.
Villon's work continued to evolve throughout his career, experimenting with different styles and techniques. In his later years, he returned to a more traditional style of painting, creating landscapes and portraits with bright colors and expressive strokes.
Villon's works were exhibited in major museums and galleries around the world, including the Museum of Modern Art in New York and the Pompidou Centre in Paris. He is considered to be one of the most significant figures of the Cubist movement and his contribution to modern art is still celebrated today.
Mathieu Matégot was a Hungarian / French designer and material artist. He was one of the most renowned French designers of the 1950s.
Following the war, Matégot established a workshop for making handcrafted furniture using a variety of materials such as metal, rattan, glass, formica, and perforated sheet metal. The workshop made chairs, tables, sideboards, desks and other objects that he had designed. At first based in Paris, the workshop later moved to Casablanca. All the furniture and other objects had clever, practical and amusing designs. Distributed to decoration shops in editions of 200, his work was extremely successful.