Contemporary Edition

GEORGE CONDO (B. 1957)The Insane Clownetching with drypoint, 2019, on wove paper, signed and dated in pencil, numbered 30/30, published by Tate, London, printed by Burnet Editions, New York, with their blindstampPlate 451 x 400 mm.Sheet 572 x 508 mm.

AFTER JEAN-MICHEL BASQUIAT (1960-1988)Wolf Sausage, King Brand, Dog Leg Study, Undiscovered Geniusthe complete set of four screenprints in colours, 1982-83/2019, on Somerset Satin paper, each stamped, signed and dated by the administrators of the Estate of Jean-Michel Basquiat Lisane Basquiat and Je...

AFTER JEAN-MICHEL BASQUIAT (1960-1988)Libertyscreenprint in colours, 1982-83/2017, on Somerset Satin paper, stamped, signed and dated by the administrators of the Estate of Jean-Michel Basquiat Lisane Basquiat and Jeanine Heriveaux on the reverse, numbered AP 16/20, additionally signed and numbered ...

TSCHABALALA SELF (B.1990)Chokerscreenprint and inkjet print in colours, 2017, on Somerset Satin Enhanced paper, signed and dated in pencil, numbered 13/25Image 420 x 316 mm.Sheet 520 x 395 mm.

CINDY SHERMAN (B. 1954)Untitled (Self-Portrait with Sun Tan)chromogenic print, 2003, on photographic paper, signed, dated and numbered 72/350 in black marker on the reverse, published by the Serpentine Gallery, London, on the occasion of the artist's retrospectiveImage 657 x 402 mm.Sheet 760 x ...

ALEX KATZ (B. 1927)Pas de Deuxthe set of five screenprints in colours, 1993-94, on Arches Cover White paper, each signed in pencil, numbered 39/150, 27/150, 12/150, 15/150 and 17/150, respectively (there were also eighteen artist's proof sets), published by Chalk and Vermilion Fine Arts, Greenw...

ALEX KATZ (B. 1927)Yi, from: Black Dressscreenprint in colours, 2015, on wove paper, signed in pencil, numbered 4/35, published by Lococo Fine Art, St. Louis, Missouri, with their inkstamp on the reverseImage & Sheet 2030 x 764 mm.

ALEX KATZ (B. 1927)Cecily, from: Black Dressscreenprint in colours, 2015, on wove paper, signed in pencil, numbered 4/35, published by Lococo Fine Art, St. Louis, Missouri, with their inkstamp on the reverseImage & Sheet 2030 x 764 mm.

ALEX KATZ (B. 1927)Oona, from: Black Dressscreenprint in colours, 2015, on wove paper, signed in pencil, numbered 4/35, published by Lococo Fine Art, St. Louis, Missouri, with their inkstamp on the reverseImage & Sheet 2030 x 764 mm.

STIK (B. 1979)Dancerdigital pigment print in black and red, 2011, on stiff wove paper, signed with the artist's stick figure insignia in pencil, numbered 199/250 (there were also ten artist's proofs), published by Squarity, London, with the artist's blindstampImage 460 x 213 mm.Sheet ...

STIK (B. 1979)Onbu (Piggyback) (Grey)ukiyo-e woodcut in black, white and grey, 2013, on laid rice paper, signed in pencil, numbered AP 3/10 , one of ten artist's proofs aside from the edition of fifteen, a very good impression with the woodgrain printing clearly in the background, printed at th...

STIK (B. 1979)Untitled & Untitleda pair of standing figures, pyrography and acrylic on wooden canvas wedges each signed and dated STIK 2014 (on the reverse) Executed in 2014 These are two works from an edition of six unique variants 69 x 29 x 4 mm. (overall) 160 x 212 x 33 mm. (frame)

JONAS WOOD (B. 1977)Untitled (Vase)lithographic monoprint in colours, 2010, on Coventry Rag paper, signed and dated in pencil, numbered V (one from a series of fifteen unique monoprints), published by Cirrus Editions, Los Angeles, with their blindstamp, inkstamp and workshop number 662C-JW10 in penc...

YAYOI KUSAMA (B. 1929)Pumpkin 2000 (Red)screenprint in black and red, 2000, on wove paper, signed, dated and titled in pencil, numbered 14/100 (there were also ten artist's proofs), published by the Serpentine Gallery, LondonImage 300 x 350 mm.Sheet 480 x 640 mm.

JONAS WOOD (B. 1977)Untitled (Vase)lithograph, screenprint and woodcut in colours, 2009, on wove paper, signed and dated in white pencil, numbered 49/50, published by Cirrus Editions, Los Angeles, with their blindstamp, inkstamp and workshop number 657C-JW09 in pencil on the reverseImage & Sheet...

WILLIAM KENTRIDGE (B. 1955)Dutch Iris (Trial Proof B)etching with aquatint in colours, 1993, on wove paper, signed and dated in pencil, inscribed Trial Proof B and with printer's instruction in pencil on the reverse, a unique variant before the edition of fifty, printed by Jack Shirreff at the ...

WILLIAM KENTRIDGE (B. 1955)Sleeper Red, from: Sleeper Seriesetching and aquatint with drypoint printed in black and red, 1997, on wove paper, signed and dated KENTRIDGE '97 in pencil, inscribed PROOF (twice), a printer's proof aside from the edition of fifty, published by David Krut, Johan...

WILLIAM KENTRIDGE (B. 1955)Dutch Iris (Trial Proof D) (BAT)etching with aquatint in colours, 1993, on Arches wove paper, signed and dated in pencil, inscribed Trial Proof D BAT change centre colour, a unique variant, the bon à tirer impression before the edition of fifty, printed by Jack Shirreff at...

YOSHITOMO NARA (B. 1959)Guitar Girllithograph in colours, 2003, on Japan paper laid to Arches wove paper (as issued), signed and dated in pencil, numbered 57/75, published by KIDO Press, Inc., Tokyo, with their blindstampImage 498 x 400 mm.Sheet 658 x 502 mm.

DAMIEN HIRST (B. 1965)Big Lovescreenprint in colours with glaze, 2010, on wove paper, signed in pencil, numbered 6/50 (there were also ten artist's proofs), published by Other Criteria, London, with their blindstampImage 1332 x 1345 mm.Sheet 1546 x 1511 mm.

JEFF KOONS (B. 1955)Balloon Swan (Yellow), Balloon Monkey (Blue) and Balloon Rabbit (Red)three metallic porcelain multiples, 2017, each with stamped signature, title, date and numbering on the underside, numbered 311/999, 239/999 and 214/999, respectively (there were also fifty artist's proof s...

DAMIEN HIRST (B. 1965)For the Love of God - Wonderscreenprint in colours with diamond dust, 2012, on wove paper, signed in white pencil, numbered 56/250, published by Other Criteria, LondonImage & Sheet 1000 x 750 mm.

HARLAND MILLER (B. 1964)In Shadows I Boogieetching with relief print in colours, 2019, on wove paper, signed in white pencil, numbered 46/75 on the reverse, co-published by Manifold Editions and White Cube, LondonSheet 1480 x 890 mm.

HARLAND MILLER (B. 1964)Thought After Filthy Thoughtetching with relief print in colours, 2019, on wove paper, signed in white pencil, numbered 46/75 on the reverse, co-published by Manifold Editions and White Cube, LondonSheet 1480 x 890 mm.

BRIDGET RILEY (B. 1931)Nineteen Greysthe complete set of four screenprints in shades of grey, 1968, on card, each signed, dated and titled in pencil, numbered 57/75 (there were also six artist's proof sets), printed by Kelpra Studio, London, with their inkstamp and serial numbers on the reverse...

BRIDGET RILEY (B. 1931)Untitled (based on Primitive Blaze)screenprint, 1962, on smooth wove paper, signed and dated in pencil, numbered 2/40. (there were also five artist's proofs)Sheet 457 x 455 mm.

BRIDGET RILEY (B. 1931)Ra (Inverted)screenprint in colours, 2009, on wove paper, signed, titled and dated 2009-1981 in pencil, numbered 57/85 (there were also ten artist's proofs)Image 1160 x 993 mm.Sheet 1360 x 1140 mm.

FRANK STELLA (B. 1936)Sinjerli Variationsthe complete set of six lithographs and screenprints in colours, 1977, on wove paper, each signed and dated in pencil (one plate with signature and date erased), numbered 75/100 (there were also twenty artist's proofs), published by Petersburg Press, New...

FRANK STELLA (B. 1936)Shards I, from: Shardslithograph and screenprint in colours, 1982, on Arches Cover paper, signed and dated in pencil, numbered 4/100 (there were also twenty artist's proofs), published by Petersburg Press, New York Image & Sheet 1150 x 1010 mm.

FRANK STELLA (B. 1936) Shards III, from: Shardslithograph and screenprint in colours, 1982, on Arches Cover paper, signed and dated in pencil, numbered 4/100 (there were also twenty artist's proofs), published by Petersburg Press, New York Image & Sheet 1150 x 1010 mm.