Lot 348. Ziem, Félix. Venedig - Der the Channel of the Giudecca mit Santa Maria del Rosario (I Gesuati) im Abendlicht

Starting price:€ 30 000
Auction date:04.07.2018   14:00
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Lot 348Ziem, Félix. Venedig - Der the Channel of the Giudecca mit Santa Maria del Rosario (I Gesuati) im Abendlicht
Signed lower right. Oil on canvas, 55 x 85.5 cm. Min. rest. Framework min. dam. Félix Ziem is probably the most famous painter of Venice, views in the 19th century. Century. In 1842 he embarked on his first journey to Italy, which led him also - in addition to Florence and Rome to Venice. Early Ziem been unsuccessful, so that he could entertain several Ateliers, among others, in Paris, and later in Martigue, in 1850, he held his first exhibition in the Paris Salon. In the spring, the artist spent often in Barbizon, together with artists such as Millet, Rousseau, Diaz and Daumier, the bevozugten such as the plein-air painting. In addition, trips followed to Constantinople, Egypt, the South of France and back to Venice. Often Félix is referred to Ziem as a precursor of the Impressionists, in whose shadow he stood for a long time. Sure, he wasn't the only artist to the city of Venice to be one of his main Subjects with certain in - front of him, the Tradition of Canaletto or Guardi. It is one with certainty to the painters, the atmosphere of the Serenissima through his profound experience to See the best play in the situation. Félix Ziem is probably the most famous painter of Venice, views in the 19th century. Century. In 1842 he embarked on his first journey to Italy, which led him also - in addition to Florence and Rome to Venice. Early Ziem been unsuccessful, so that he could entertain several Ateliers, among others, in Paris, and later in Martigue, in 1850, he held his first exhibition in the Paris Salon. In the spring, the artist spent often in Barbizon, together with artists such as Millet, Rousseau, Diaz and Daumier, the bevozugten such as the plein-air painting. In addition, trips followed to Constantinople, Egypt, the South of France and back to Venice. Often Félix is referred to Ziem as a precursor of the Impressionists, in whose shadow he stood for a long time. Sure, he wasn't the only artist to the city of Venice to be one of his main Subjects with certain in - front of him, the Tradition of Canaletto or Guardi. It is one with certainty to the painters, the atmosphere of the Serenissima through his profound experience to See the best play in the situation. With a photo expertise from Anne Burdin Hellebranth, Les Chesnay, 1. August 2005. The painting will be included in the forthcoming Supplement of the catalogue raisonné. Cf. Burdin Hellebranth, Anne: Félix Ziem, 1821-1911. Catalogue raisonné of paintings and works on paper. Brussels 1998, Vol. I, p. 271, no. 679, Gondole devant les Gesuati, au clair de lune. Provenance: Southern German Private Collection.

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Preview28.06.2018 - 02.07.2018
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