салонное искусство
Jusepe de Ribera, a Spanish painter, etcher, and draughtsman, was a notable figure in the world of art, renowned for his distinct style and contribution to Castilian tenebrism. Born in 1591 in Játiva, near Valencia, Spain, Ribera's early life and artistic origins are somewhat shrouded in mystery, with no definitive documentation on his initial training. However, it's speculated that he might have started his artistic journey in Valencia.
Ribera's career took a significant turn when he moved to Italy, where he spent the majority of his professional life, predominantly in Naples, a Spanish territory at that time. He arrived in Naples around 1616 and soon established himself as an important artist in the city. His marriage to Caterina Azzolino, daughter of Sicilian painter Giovanni Bernardino Azzolino, in November of the same year, further solidified his connections in the Italian art scene.
Ribera was deeply influenced by Caravaggio and is often described as one of Caravaggio's followers. His early works displayed a marked tenebrism, characterized by stark chiaroscuro and a robust, scratchy handling of paint. However, Ribera's style evolved over time, moving away from this intense tenebrism to incorporate more color and softer modeling in his later works.
His body of work is diverse, including altarpieces, religious subjects, mythological themes, and portraits. Ribera had a penchant for depicting scenes of martyrdom with graphic realism, as seen in works like the celebrated "Martyrdom of St Bartholomew." Yet, he was also capable of expressing great tenderness, evident in paintings such as "The Adoration of the Shepherds." His secular subjects often depicted philosophers as beggars or vagabonds, adding a unique dimension to the Baroque repertoire.
Ribera's influence extended beyond Naples to Spain and the broader European art scene. He played a foundational role in fostering a respect for individual humanity in Spanish art, a trend that continued with artists like Velázquez and Goya. His works were widely exported to Spain and had a significant impact on both Italian and Spanish art. Ribera remains a highly respected figure in art history, and his works are featured in prominent museums and galleries worldwide, showcasing his enduring legacy in the realm of art and culture.
For art collectors and experts, Ribera's works represent a crucial chapter in the development of European art, particularly in the context of the Spanish Baroque and the evolution of tenebrism. His innovative approach to subject matter and technique continues to inspire and captivate audiences, making his works highly sought after in the world of art and antiques.
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Émile Louis Picault was a French sculptor and medallist, a representative of symbolism in art. He is the author of works on historical themes.
Yevgeny Yevgenyevich Lanceray (Russian: Евгений Евгеньевич Лансере), a Russian artist renowned for his graphic art, painting, sculpture, mosaic work, and illustrations, has left an indelible mark on the art world. Born in 1875 in Pavlovsk, Russia, Lanceray's art journey began early under the tutelage of prominent artists at the Drawing School of the Imperial Society for the Encouragement of the Arts in St. Petersburg. His educational odyssey continued in Paris at the Académie Colarossi and Académie Julian, places where he honed his artistic skills between 1896 and 1899.
Lanceray's association with the Mir iskusstva, an influential Russian art movement, saw him immerse in the Rococo's "sparkling dust," often drawing inspiration from 18th-century Russian history and art. Despite the societal upheaval following the 1917 Revolution, Lanceray remained in Russia, diverging from many contemporaries who chose to leave. His work during this period reflects a profound infatuation with Oriental themes, inspired by his time in Dagestan and travels to Japan and Turkey.
Perhaps one of his most significant contributions is the murals at the Moscow Kazansky railway station, where Lanceray's penchant for monumental painting and the integration of tempera paint showcased his mastery. Despite facing challenges with the Soviet regime and its constraints on artistic expression, Lanceray's legacy as a muralist, illustrator, and theater designer is undisputed. His recognition came in the form of the Stalin Prize and the title of People's Artist of the RSFSR, honors that underscored his contributions to Russian and Soviet art.
For collectors and experts in art and antiques, Lanceray's work represents a unique fusion of historical inspiration and personal expression, embodying the transitionary period of Russian art from pre-revolutionary aesthetics to Soviet realism. His murals, illustrations, and theatrical designs not only reflect his artistic versatility but also offer a window into the cultural and political shifts of his time.
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