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Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
![[FOSTER, George (fl. 1735-1740)] – Robert SAYER (1735-1794).](/assets/image/picture_4361590/74b5a/13dca103bbf8f022f3e8439e6036e3811733871600jpg__fix_374_244.jpeg)
![[FOSTER, George (fl. 1735-1740)] – Robert SAYER (1735-1794).](https://veryimportantlot.com/assets/image/picture_4361590/74b5a/13dca103bbf8f022f3e8439e6036e3811733871600jpg__fix_374_244.jpeg)
Sodoma (Italian: Il Sodoma), born Giovanni Antonio Bazzi, was an Italian painter of the Sienese school of painting.
Il Sodoma belongs to the outstanding masters of the High Renaissance and Early Mannerism.
Gaspare Diziani was an Italian late Baroque and early Rococo painter, decorator, draftsman, and engraver.
He painted a series of canvases and murals for churches, and worked as a set designer for theaters and opera houses in Venice, Munich, and Dresden. His engravings illustrate the 1757 edition of The Divine Comedy.
Gaspare Diziani was one of the founders of the Venice Academy of Fine Arts.
