марина
![Цветаева, М.И. Стихи к Блоку: [Машинопись] / Марина Цветаева.](/assets/image/picture_1592184/1debe/0-bgnu-yf6htcbeibvvjujkwfqugtvesnemq14i3oxur-yoopoe2ijpa8zvt8dr1625840334jpg__fix_374_244.jpeg)
![Цветаева, М.И. Стихи к Блоку: [Машинопись] / Марина Цветаева.](https://veryimportantlot.com/assets/image/picture_1592184/1debe/0-bgnu-yf6htcbeibvvjujkwfqugtvesnemq14i3oxur-yoopoe2ijpa8zvt8dr1625840334jpg__fix_374_244.jpeg)
![Цветаева, М.И. Собрание сочинений: в 7 т. / Марина Цветаева; [Сост., подгот. текста и коммент. А. Саакянц, Л. Мнухина].](/assets/image/picture_2314554/99d10/ogchfda6skz2mqu4rea64gcrvtwxklpxvqnntnmmk3kualccyswxzxvp8l8nc7k1660602864jpg__fix_374_244.jpeg)
![Цветаева, М.И. Собрание сочинений: в 7 т. / Марина Цветаева; [Сост., подгот. текста и коммент. А. Саакянц, Л. Мнухина].](https://veryimportantlot.com/assets/image/picture_2314554/99d10/ogchfda6skz2mqu4rea64gcrvtwxklpxvqnntnmmk3kualccyswxzxvp8l8nc7k1660602864jpg__fix_374_244.jpeg)
![Темкина, М. [автограф]. Каланча: [Гендер. лирика] / Марина Темкина.](/assets/image/picture_4215114/84024/oofc9vf7dfdlxqvnyoww9bi-mhlfwsu7zd7wc-rbqbb0wyooxjt2mx1facsmfmzl1726909508jpg__fix_374_244.jpeg)
![Темкина, М. [автограф]. Каланча: [Гендер. лирика] / Марина Темкина.](https://veryimportantlot.com/assets/image/picture_4215114/84024/oofc9vf7dfdlxqvnyoww9bi-mhlfwsu7zd7wc-rbqbb0wyooxjt2mx1facsmfmzl1726909508jpg__fix_374_244.jpeg)
![[Экз. из биб-к С.Я. Эфрона и Н.О. Лосского]. Федоров, Н.Ф. Философия общего дела: Статьи, мысли, письма / [Соч.] Николая Федоровича Федорова, изд. под. ред. В.А. Кожевникова и Н.П. Петерсона; биогр. очерк сост. А. Остромировым. — Изд. 2-е.](/assets/image/picture_1919728/b46d9/kqbdmy7zrnkhovrarxmw2jnbagvaiwnttmyhkggnquee71wbkten0npfuitod81640796680jpg__fix_374_244.jpeg)
![[Экз. из биб-к С.Я. Эфрона и Н.О. Лосского]. Федоров, Н.Ф. Философия общего дела: Статьи, мысли, письма / [Соч.] Николая Федоровича Федорова, изд. под. ред. В.А. Кожевникова и Н.П. Петерсона; биогр. очерк сост. А. Остромировым. — Изд. 2-е.](https://veryimportantlot.com/assets/image/picture_1919728/b46d9/kqbdmy7zrnkhovrarxmw2jnbagvaiwnttmyhkggnquee71wbkten0npfuitod81640796680jpg__fix_374_244.jpeg)
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
Marina Abramović is a Serbian conceptual and performance artist. Her work explores body art, endurance art, feminist art, the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art". She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body". In 2007, she founded the Marina Abramović Institute (MAI), a non-profit foundation for performance art.
