1648
Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.
His paintings have an academic and idealist strain, even for a member of the Bolognese School of Painting. The sparse figures are severely arranged and often porcelain in features. He worked with a younger colleague, Donato Creti. His style is often classified as Barochetto, a mixture of baroque and rococo; but it also could be said the neoclassical influence of French artists was beginning to overtake the baroque tradition. Wittkower describes him as the "Bolognese Maratta"
Marcantonio Franceschini was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.
His paintings have an academic and idealist strain, even for a member of the Bolognese School of Painting. The sparse figures are severely arranged and often porcelain in features. He worked with a younger colleague, Donato Creti. His style is often classified as Barochetto, a mixture of baroque and rococo; but it also could be said the neoclassical influence of French artists was beginning to overtake the baroque tradition. Wittkower describes him as the "Bolognese Maratta"
Simone Cantarini, an Italian painter and etcher, is renowned for his significant contributions to Baroque art. His early artistic journey was shaped by local naturalism and Venetian influences, notably under Giovanni Giacomo Pandolfi and Claudio Ridolfi. Cantarini's work is distinguished by its blend of Bolognese classicism and a keen naturalism, drawing inspiration from the likes of Federico Barocci, Guido Reni, and Caravaggesque artists like Orazio Gentileschi.
Simone Cantarini's oeuvre spans religious subjects, reflecting the Counter-Reformation's influence, to expressive portraits and dynamic etchings. His art, which shows a fascination with light and color, evolved towards a more personal style over time, moving away from academic classicism to embrace a more naturalistic and lyrical approach.
His works, such as "The Holy Trinity in Glory" and "The Rest on the Flight into Egypt," showcase his ability to infuse traditional themes with a fresh perspective and emotional depth. Simone Cantarini's legacy continues to be celebrated in various collections worldwide, where his masterful blend of classicism and naturalism remains a subject of admiration and study.
For collectors and experts in art and antiques, understanding Cantarini's artistic journey and the distinct qualities of his work offers valuable insights. If you're keen on staying informed about Cantarini's works, exhibitions, and auctions, consider subscribing for updates. This subscription will keep you abreast of new findings and opportunities related to Simone Cantarini's art, enhancing your collection and knowledge in this specialized field.
Simone Cantarini, an Italian painter and etcher, is renowned for his significant contributions to Baroque art. His early artistic journey was shaped by local naturalism and Venetian influences, notably under Giovanni Giacomo Pandolfi and Claudio Ridolfi. Cantarini's work is distinguished by its blend of Bolognese classicism and a keen naturalism, drawing inspiration from the likes of Federico Barocci, Guido Reni, and Caravaggesque artists like Orazio Gentileschi.
Simone Cantarini's oeuvre spans religious subjects, reflecting the Counter-Reformation's influence, to expressive portraits and dynamic etchings. His art, which shows a fascination with light and color, evolved towards a more personal style over time, moving away from academic classicism to embrace a more naturalistic and lyrical approach.
His works, such as "The Holy Trinity in Glory" and "The Rest on the Flight into Egypt," showcase his ability to infuse traditional themes with a fresh perspective and emotional depth. Simone Cantarini's legacy continues to be celebrated in various collections worldwide, where his masterful blend of classicism and naturalism remains a subject of admiration and study.
For collectors and experts in art and antiques, understanding Cantarini's artistic journey and the distinct qualities of his work offers valuable insights. If you're keen on staying informed about Cantarini's works, exhibitions, and auctions, consider subscribing for updates. This subscription will keep you abreast of new findings and opportunities related to Simone Cantarini's art, enhancing your collection and knowledge in this specialized field.
![[Atlas Major], Dutch text, 1648-1664, 9 volumes](/assets/image/picture_3109202/a16cb/0grfsdppvzk3dpml6rtse7s-fdfiawp2leakzr3v3nh63nm87v5qrm6yf-iysvtj1694249789jpg__fix_374_244.jpeg)
![[Atlas Major], Dutch text, 1648-1664, 9 volumes](https://veryimportantlot.com/assets/image/picture_3109202/a16cb/0grfsdppvzk3dpml6rtse7s-fdfiawp2leakzr3v3nh63nm87v5qrm6yf-iysvtj1694249789jpg__fix_374_244.jpeg)
Jan (Joan) Willemsz. Blaeu was a Dutch cartographer, publisher and judge.
Jan was born into the family of the cartographer and publisher Willem Janszoon Blaeu (1571-1638). He studied in Leiden, where he earned a doctorate in law, and in Padua. He then began to assist his father, who was engaged in the manufacture of globes and maps. After his father's death, Jan, together with his brother Cornelius, continued his work, and succeeded him as cartographer for the Dutch East India Company.
In 1651 Blaeu was elected to the Amsterdam city council and later appointed as a judge. At the same time, he was engaged in his publishing business: he continued to publish volumes of Atlas novus, which contained maps of English counties and, for the first time, an atlas of Scotland, as well as one volume of maps of the Far East.
Blaeu did not have time to complete his most ambitious project, but it made him famous as the author of the famous 11-volume Dutch atlas. Based on his previous maps, Blaeu created the Great Atlas (Atlas Maior) - it contained nearly 600 maps and a total of 3,000 pages of Latin text - and was published in 1662. Blaeu's maps were groundbreaking for their time because they were created in accordance with the heliocentric theories of Nicolaus Copernicus.
In 1672, a great fire in Amsterdam destroyed Blaeu's workshop, and the cartographer died a year later, apparently never recovering from this stroke of fate.
Willem de Poorter was a Dutch Golden Age painter.
His surviving paintings today are mainly small historical allegories and still lifes with metal objects.
![Galileo Galilei (1564-1642) [and Marin Mersenne (1588-1648)].](/assets/image/picture_1385120/0d194/5c9e9762551134045c495e462543a9bd1618394400jpg__fix_374_244.jpeg)
![Galileo Galilei (1564-1642) [and Marin Mersenne (1588-1648)].](https://veryimportantlot.com/assets/image/picture_1385120/0d194/5c9e9762551134045c495e462543a9bd1618394400jpg__fix_374_244.jpeg)
