anne russia
Marianne von Werefkin (Russian: Марианна Владимировна Верёвкина), born in Russia in 1860, was a distinguished artist whose innovative work bridged the realms of realism and expressionism. Known as the "Russian Rembrandt" in her early career, Werefkin's artistic journey began with realism, earning her acclaim within the Tsarist Empire. However, her move to Munich in 1896 marked a significant shift in her style and artistic affiliations, leading her to explore and eventually embrace expressionism.
Werefkin's life was marked by a pivotal relationship with fellow artist Alexej von Jawlensky, which greatly influenced her personal and professional trajectory. Despite pausing her painting to focus on Jawlensky's development, Werefkin's contribution to art went beyond her own creations. She founded the influential artist groups, including the New Association of Artists in Munich (NKVM) and later The Blue Rider, alongside luminaries like Wassily Kandinsky and Franz Marc.
Her return to painting saw a dramatic transformation in her style, characterized by bold, expressive strokes and a deep exploration of the emotional and spiritual aspects of her subjects. This period of her work is marked by significant pieces such as the "Self-Portrait" (1910), which is celebrated for its emotional depth and innovative use of color, encapsulating the essence of Munich-school Expressionism.
Werefkin's later years in Ascona, Switzerland, were devoted to capturing the natural landscape and its emotional resonances through a vibrant expressionist lens. Her works from this period reflect a continued engagement with human fragility and resilience, as seen in pieces like "Eternal Path" (1929).
Her oeuvre is a testament to her pioneering spirit and her role in shaping the course of modern art. Werefkin's works are held in esteemed collections, including the Museum of Modern Art in Ascona and the Städtische Galerie im Lenbachhaus in Munich, ensuring her legacy endures within the art world.
For collectors and experts in art and antiques, Marianne von Werefkin's life and work offer a rich field of study. Her contributions to the development of expressionism and her unique artistic voice make her a figure of enduring interest. To stay informed about new product sales and auction events related to Marianne von Werefkin, signing up for updates can provide exclusive insights and opportunities to engage with her remarkable legacy.
Yury Pavlovich Annenkov (Russian: Юрий Павлович Анненков) was a prominent Russian artist, renowned for his avant-garde book illustrations and portraits, as well as his work in theater and cinema. Born in 1889 in Petropavlovsk, Russian Empire, and passing away in 1974 in Paris, France, Annenkov's artistic journey was shaped by the tumultuous times he lived in. His work is celebrated for capturing the essence of an era marked by revolution and change, employing a style that is both dynamic and reflective of the Synthetism movement, emphasizing the synthetic essence of his subjects.
Annenkov's early years were spent in St. Petersburg, where he was influenced by prominent figures and movements of the time. He honed his skills in Paris, working in the studios of Maurice Denis and Félix Vallotton, and later, his talents led him to design iconic works for the Bolshevik government, such as the staging of "The Storming of the Winter Palace". His acclaimed book "Portraits," published in 1922, featured 80 pictures of key Russian art figures, showcasing his exceptional talent in capturing personalities through his art.
In 1924, Annenkov left Soviet Russia, eventually settling in Paris, where he continued to flourish as an artist, working on landscapes, female portraits, interiors, and achieving success in the film industry as a costume designer, notably receiving an Academy Award nomination for his work.
Among his notable works are "Dreams of a Provincial (Borovichi)," "Portrait of Elena Borisovna Annenkova," "June. Forest," "Portrait of Miron Abramovich Sherling," "Portrait of A.M. Gorky," and the "Illustration for the poem 'The Twelve' by A.A. Blok," each piece highlighting his ability to blend academic drawing with avant-garde techniques.
For collectors and art and antiques experts, Annenkov's works offer a glimpse into the rich tapestry of 20th-century Russian art, marked by its innovation, depth, and historical significance. His legacy continues to inspire and captivate audiences worldwide.
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Carl Fabergé (Russian: Карл Гу́ставович Фаберже́) was a 19th- and 20th-century Russian jeweler, entrepreneur, and artist of German descent. He ran a family jewelry company for almost 50 years, which became world-famous for its products - Easter eggs made of precious metals, stones, and enamel.
Carl Fabergé met the Russian Emperor Alexander III at the All-Russian Exhibition in Moscow in 1882, which was a landmark event in the jeweler's career. The emperor ordered an Easter egg from the master for his wife, which the empress loved. From this moment on Fabergé, who became the jeweller to the Court, became responsible for the annual production of Easter eggs for the imperial court. Members of the imperial family also ordered jewelry from Fabergé for their many European relatives. This turned the Fabergé family company into one of the leaders of the world jewelry market.
Fabergé produced not only high-end jewelry products, but also items for the average buyer. In 2005, at Sotheby's in New York, several stone figurines were sold for $850,000 to $1,800,000.
Carl Fabergé (Russian: Карл Гу́ставович Фаберже́) was a 19th- and 20th-century Russian jeweler, entrepreneur, and artist of German descent. He ran a family jewelry company for almost 50 years, which became world-famous for its products - Easter eggs made of precious metals, stones, and enamel.
Carl Fabergé met the Russian Emperor Alexander III at the All-Russian Exhibition in Moscow in 1882, which was a landmark event in the jeweler's career. The emperor ordered an Easter egg from the master for his wife, which the empress loved. From this moment on Fabergé, who became the jeweller to the Court, became responsible for the annual production of Easter eggs for the imperial court. Members of the imperial family also ordered jewelry from Fabergé for their many European relatives. This turned the Fabergé family company into one of the leaders of the world jewelry market.
Fabergé produced not only high-end jewelry products, but also items for the average buyer. In 2005, at Sotheby's in New York, several stone figurines were sold for $850,000 to $1,800,000.
Prince Paolo Petrovich Troubetzkoy (also known as Pavel or Paul; Russian: Павел Петрович Трубецкой) was an artist and a sculptor who was described by George Bernard Shaw as "the most astonishing sculptor of modern times". By birth, he was a member of the ancient House of Trubetskoy.
