emperor maximilian i
Bernhard Strigel was a German painter of the Swabian school, one of the most important masters of the transitional period between the Gothic and the Renaissance.
Bernhard came from a family of artists from Memmingen. He painted works on religious and historical subjects, but became more famous as a portrait painter. The artist painted many portraits of noble citizens of his time in the spirit of the early Northern Renaissance.
Strigel enjoyed the patronage of Emperor Maximilian I and in 1515 became his court painter in Vienna. Here in the same year he created one of the earliest group portraits in Germany, a depiction of Maximilian I and his family. In the last years of his life he gave up religious work and devoted himself almost exclusively to portraiture.
Paolo Ricci (Italian: Paolo Ricci, Latin: Paulus Ricius, German: Paul Ritz), also known as Ritz, Riccio, or Paulus Israelita, was a humanist convert from Judaism, a writer-theologian, Kabbalist, and physician.
After his baptism in 1505 he published his first work, Sol Federis, in which he affirmed his new faith and sought through Kabbalah to refute modern Judaism. In 1506 he moved to Pavia, Italy, where he became a lecturer in philosophy and medicine at the university and met Erasmus of Rotterdam. Ricci was also a learned astrologer, a professor of Hebrew, philosophy, theology, and Kabbalah, a profound connoisseur and translator of sacred texts into Latin and Hebrew, and the author of philosophical and theological works.
Paolo Ricci was a very prolific writer. His Latin translations, especially the translation of the Kabalistic work Shaare Orach, formed the basis of the Christian Kabbalah of the early 16th century.
Paolo Ricci (Italian: Paolo Ricci, Latin: Paulus Ricius, German: Paul Ritz), also known as Ritz, Riccio, or Paulus Israelita, was a humanist convert from Judaism, a writer-theologian, Kabbalist, and physician.
After his baptism in 1505 he published his first work, Sol Federis, in which he affirmed his new faith and sought through Kabbalah to refute modern Judaism. In 1506 he moved to Pavia, Italy, where he became a lecturer in philosophy and medicine at the university and met Erasmus of Rotterdam. Ricci was also a learned astrologer, a professor of Hebrew, philosophy, theology, and Kabbalah, a profound connoisseur and translator of sacred texts into Latin and Hebrew, and the author of philosophical and theological works.
Paolo Ricci was a very prolific writer. His Latin translations, especially the translation of the Kabalistic work Shaare Orach, formed the basis of the Christian Kabbalah of the early 16th century.
Henry VIII was King of England and Ireland, who ruled from 1509 to 1547.
Henry VIII was one of England's most famous monarchs, he launched the English Reformation and broke with the Roman Church to form the Church of England. He had six wives, including Anne Boleyn.
Pietro Andrea Gregorio Mattioli was a 16th-century Italian physician, botanist and pharmacist.
Mattioli studied medicine in Padua and obtained a medical practice first in his hometown. Later, in the 1555-1560s, he served as personal physician to the imperial court of Ferdinand II, Archduke of Austria, and Emperor Maximilian II. This high position allowed him to test the effects of poisonous plants on prisoners for scientific purposes.
Mattioli published several scientific works in which he included many of his own observations on the flora of the Alps, including previously unexplored plants. These works, based on the study of books by predecessor scientists, gave impetus to the development of botany throughout Italy at the time. Mattioli kept up a lively correspondence with other researchers, describing specimens of rare plants received from them. The genus of flowering plants Matthiola is named after Mattioli.
Jan Bruegel the Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he painted the same subjects as his father in a style which was similar to that of his father. He regularly collaborated with leading Flemish painters of his time.
