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Edward Hopper was an American painter renowned for his skill in depicting the solitude of modern life with evocative uses of light and shadow. Born in 1882 in Nyack, New York, Hopper's early exposure to art came from his supportive parents who nurtured his talents. He began formal art studies at the New York School of Art, learning under influential teachers like William Merritt Chase and Robert Henri. Henri, in particular, encouraged his students to paint personal significance into their works.
Hopper’s style, characterized by its emphasis on solitude and the mundane aspects of American life, often featured settings such as diners, gas stations, and apartment interiors. One of his most famous works, Nighthawks, depicts patrons sitting in a brightly lit diner at night, each seemingly lost in their own thoughts—a perfect example of his theme of urban isolation.
Throughout his career, Hopper enjoyed considerable success and influence, culminating in several retrospectives, including a prominent one at the Museum of Modern Art. His approach to depicting light and his stark, realist views on everyday scenes influenced generations of artists and continue to captivate audiences today. His works are pivotal in understanding American realism and are held in high esteem in museums across the United States.
Lastly, for art collectors and enthusiasts keen on updates about exhibitions or sales featuring Edward Hopper's art, consider signing up for relevant newsletters or alerts. This ensures you remain informed about opportunities to appreciate or acquire works by this pivotal American artist.
Edward Hopper was an American painter renowned for his skill in depicting the solitude of modern life with evocative uses of light and shadow. Born in 1882 in Nyack, New York, Hopper's early exposure to art came from his supportive parents who nurtured his talents. He began formal art studies at the New York School of Art, learning under influential teachers like William Merritt Chase and Robert Henri. Henri, in particular, encouraged his students to paint personal significance into their works.
Hopper’s style, characterized by its emphasis on solitude and the mundane aspects of American life, often featured settings such as diners, gas stations, and apartment interiors. One of his most famous works, Nighthawks, depicts patrons sitting in a brightly lit diner at night, each seemingly lost in their own thoughts—a perfect example of his theme of urban isolation.
Throughout his career, Hopper enjoyed considerable success and influence, culminating in several retrospectives, including a prominent one at the Museum of Modern Art. His approach to depicting light and his stark, realist views on everyday scenes influenced generations of artists and continue to captivate audiences today. His works are pivotal in understanding American realism and are held in high esteem in museums across the United States.
Lastly, for art collectors and enthusiasts keen on updates about exhibitions or sales featuring Edward Hopper's art, consider signing up for relevant newsletters or alerts. This ensures you remain informed about opportunities to appreciate or acquire works by this pivotal American artist.
Edward Hopper was an American painter renowned for his skill in depicting the solitude of modern life with evocative uses of light and shadow. Born in 1882 in Nyack, New York, Hopper's early exposure to art came from his supportive parents who nurtured his talents. He began formal art studies at the New York School of Art, learning under influential teachers like William Merritt Chase and Robert Henri. Henri, in particular, encouraged his students to paint personal significance into their works.
Hopper’s style, characterized by its emphasis on solitude and the mundane aspects of American life, often featured settings such as diners, gas stations, and apartment interiors. One of his most famous works, Nighthawks, depicts patrons sitting in a brightly lit diner at night, each seemingly lost in their own thoughts—a perfect example of his theme of urban isolation.
Throughout his career, Hopper enjoyed considerable success and influence, culminating in several retrospectives, including a prominent one at the Museum of Modern Art. His approach to depicting light and his stark, realist views on everyday scenes influenced generations of artists and continue to captivate audiences today. His works are pivotal in understanding American realism and are held in high esteem in museums across the United States.
Lastly, for art collectors and enthusiasts keen on updates about exhibitions or sales featuring Edward Hopper's art, consider signing up for relevant newsletters or alerts. This ensures you remain informed about opportunities to appreciate or acquire works by this pivotal American artist.
Washington Irving was an American Romantic writer, historian, and diplomat.
Irving has been called "the first American writer" to be recognized in Europe. In 1815, he traveled to England on family business. A huge success in England and the United States was The Sketch Book, published in several installments during 1819-1820, which contained two of the author's most famous works, Rip Van Winkle and The Legend of Sleepy Hollow, and which made him a literary star in both England and the United States.
He continued his literary endeavors and worked at the U.S. Embassy of Great Britain. Returning to the United States in 1832, Irving visited some little-known territories near the western fringes of the country, and this journey inspired his works Journey on the Prairie (1835), Astoria (1836), and The Adventures of Captain Bonneville (1837). Late in life he published several historical and biographical works, including the five-volume Life of George Washington (1855-1859).
William Irving was the older brother of the famous writer Washington Irving and a U.S. Congressman.
William Irving was engaged in fur trading and other businesses, and wrote several essays and poems for the satirical magazine Salmagundi, which was published by Washington Irving as a periodical and later published as a book.
In 1813. William Irving was elected by Democratic-Republicans to represent New York's 2nd Congress in the U.S. House of Representatives.
James Kirke Paulding was an American novelist, playwright, and statesman.
At the age of 18 in New York, he became friends with his brothers William and Washington Irving, and together with them began to write in the periodical satirical publication created by them "Salmagundi"). Paulding wrote several novels and plays, as well as many poems.
Franz Radziwill was a German artist of the twentieth century. He is known as a landscape painter, graphic artist and printmaker associated with the artistic movement of "new materiality".
Franz Radziwill created paintings that are characterized by careful elaboration and the use of glaze techniques borrowed from the Old Masters. He used elements of industrial buildings and modern technology, including ships and airplanes, in his landscapes. The results of his work can be categorized as magical realism.
In 1933 Radziwill became professor of painting at the Düsseldorf Academy of Art, but in 1935 the Nazis stripped him of this position, declaring his work degenerate art.
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".
Georg Tappert was a German expressionist painter.
Tappert studied at the Academy of Fine Arts in Berlin and later joined the Berlin Secession, a group of artists who sought to break away from traditional academic art. His early work was influenced by the Art Nouveau movement, but he later became associated with German Expressionism.
Tappert's paintings are characterized by their vivid colors and expressive brushstrokes, which conveyed a sense of emotional intensity. He often depicted scenes of modern urban life, such as cafés, streets, and theaters, as well as portraits and still-life compositions. He also produced a significant body of graphic work, including woodcuts and lithographs.
Tappert's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Städtische Galerie in Munich. He was also awarded numerous honors and awards for his work, including the Villa Massimo Prize in Rome in 1911 and the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1955.
Abraham Willemsens was a Flemish painter of history and genre paintings. His genre scenes were reminiscent of the style of the Le Nain brothers. He also produced copies after the works of Rubens.
Sir William Douglas Hamilton was a British diplomat, archaeologist and volcanologist, a famous collector, and a Fellow of the Royal Society of London.
He served as British Ambassador to the Kingdom of Naples from 1764 to 1800, but most importantly, he was a passionate researcher of history, art and natural sciences and was a member of the Society of Dilettantes, established for the purpose of studying ancient art.
In Naples, Hamilton amassed a unique collection of antique vases and published an illustrated book about them. In parallel, Sir Hamilton studied the volcanoes Vesuvius and Etna, local volcanic and seismic activity, and the causes of earthquakes in the Neapolitan territory. As a corresponding member of the Royal Society, he sent the results of his research to London. His publications were very valuable for the time.
Pierre-François Hugues d'Hancarville, better known as Baron d'Hancarville, was an art historian, writer, and adventurer who lived most of his life in Italy.
To advance from the merchant class to high society, he studied mathematics, physics, history, literature, ancient languages, and English, Italian, and German. Traveling in Europe, he presented himself as an aristocrat under various names. Under the name Baron d'Hancarville, he was known as a connoisseur and art dealer, which is apparently why he was approached by Sir William Hamilton (1731-1803), who was ambassador to the British embassy in Naples and had amassed a large collection of ancient vases. Before selling this collection to the British Museum in 1772, Hamilton asked d'Hancarville for help in creating a complete catalog of it in descriptions and illustrations. The baron also wrote a detailed essay.
This catalog, entitled The Complete Collection of Antiquities from the Cabinet of Sir William Hamilton, is itself a neoclassical masterpiece in French and English. Antique vases have never before been depicted with such precision and aestheticism.
William Nicholson was a British painter of still-life, landscape and portraits. He also worked as a printmaker in techniques including woodcut, wood-engraving and lithography, as an illustrator, as an author of children's books and as a designer for the theatre.
William Chapman Hewitson was a British naturalist, entomologist and artist, a member of the Linnean Society.
After gaining financial independence, Hewitson devoted himself entirely to natural history, particularly the study of scales and birds. His rich collection of exotic butterflies contained over 4,000 species and was considered one of the finest. Hewitson published numerous works on entomology and ornithology and was an accomplished scientific illustrator. His principal work was Illustrations of new species of exotic butterflies, a richly illustrated encyclopedia to which Hewitson devoted the last thirty years of his life, expending enormous personal resources, personally drawing and coloring the figures. At his death he left his entire butterfly collection to the British Museum.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
William Daniell was a British landscape painter, marinist and aquatint printmaker, and a Royal Academician.
In his youth he traveled extensively in India with his uncle, the landscape painter Thomas Daniell (1749-1840), with whom he later worked on one of the best illustrated works of the time, Oriental Landscapes. In addition to sketches, William Daniell's diaries contain detailed and insightful descriptions of his travels in North and South India, which formed the basis of their subsequent publications and helped to shape a coherent British view of India.
Daniell was also a prolific engraver and produced countless illustrations for historical and travel works and volumes on the natural world. One of his most famous works was Journey Round Britain (4 volumes, 1814-1825).
William Daniell's work was exhibited at the Royal Academy and the British Institution, and he became a Royal Academician in 1822.
William Hogarth was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian".
