carthage
Louis-Simon Boizot was a French artist of the second half of the 18th and early 19th centuries. He is known as a sculptor of the neoclassical style. Boizot was widely famous for the production of busts of prominent people of France and multi-figure sculptural compositions of Sevres porcelain.
Louis-Simon Boizot is the most famous representative of the family dynasty of artists. His father Antoine Boizot was a painter and his younger sister, Marie-Louise-Adelaide Boizot, a draftsman and engraver. Louis-Simon Boizot enjoyed the special patronage of King Louis XVI and Queen Marie-Antoinette, while the Russian Empress Catherine II personally ordered original porcelain pieces from the master.
Boizot was also often engaged in the manufacture of sculptural decorations for the public buildings of Paris - churches and palaces. He mastered the techniques of processing a variety of materials and created masterpieces not only of marble, but also of porcelain and bronze.
In 1805 Boizot was appointed head of the French National Academy of Arts.
Georges Mathieu was a French abstract painter, art theorist, and member of the Académie des Beaux-Arts in Paris. He is considered one of the fathers of European lyrical abstraction, a trend of informalism.
André Breton was a French writer, poet, and anti-fascist, renowned as the principal founder and leading theorist of Surrealism, an influential movement that sought to release the creative potential of the unconscious mind. Born in Tinchebray, France, in 1896, Breton's work was deeply influenced by the theories of Sigmund Freud and was characterized by a fascination with dreams, the irrational, and the workings of the mind. As a cultural icon, his contributions extended beyond literature into the realms of art, sculpture, and painting, making him a pivotal figure in 20th-century artistic movements.
Breton's seminal work, the "Manifesto of Surrealism" (1924), outlined the principles of the movement, advocating for the expression of the subconscious and the importance of dreams as a source of artistic inspiration. His leadership and writings not only shaped Surrealism but also had a lasting impact on the broader culture of art, influencing countless artists, painters, and sculptors. Breton's ability to merge poetry with visual arts led to collaborations with prominent artists like Salvador Dalí, Max Ernst, and Joan Miró, further cementing his legacy as a central figure in modern art.
Notably, André Breton's works and personal collection, which included art pieces and surreal objects, have been displayed in museums and galleries worldwide, showcasing his eclectic taste and profound influence on the art world. His Paris apartment was a gathering place for artists and intellectuals, becoming a hub of Surrealist activity and thought. For collectors and experts in art and antiques, Breton's contributions represent a fascinating intersection of literary prowess and visual creativity, highlighting the enduring relevance of Surrealism.
For those interested in exploring the depths of Surrealism and André Breton's groundbreaking contributions, signing up for updates can provide exclusive access to new product sales and auction events related to this pivotal artist and thinker. This subscription is an invaluable resource for collectors and enthusiasts keen to deepen their understanding of Breton's influence and the broader cultural movements he shaped.
Nadia Kaabi-Linke is a Tunis-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture Flying Carpets. Her work has explored themes of geopolitics, immigration, and transnational identities. Raised between Tunis, Kyiv, Dubai and Paris, she studied at the Tunis Institute of Fine Arts and received a Ph.D. in philosophy of art from the Sorbonne. Kaabi-Linke won the 2011 Abraaj Group Art Prize, which commissioned Flying Carpets, a hanging cage-like sculpture that casts geometric shadows onto the floor akin to the carpets of Venetian street vendors. The piece was acquired by the New York Guggenheim in 2016 as part of their Guggenheim UBS MAP Global Art Initiative. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014 Art Basel Hong Kong. Her works have been collected by the Museum of Modern Art, Dallas Museum of Art, Burger Collection, and Samdani Art Foundation, and exhibited in multiple solo and group shows.
Henri Fantin-Latour was a French painter and lithographer renowned for his exquisite flower paintings and insightful group portraits of Parisian artists and writers. His artistic journey began in Grenoble, where he was born in 1836, but it flourished in Paris, where he moved at a young age to study art. Despite his associations with Impressionists like Édouard Manet and Claude Monet, Fantin-Latour carved his unique path, focusing on still life and portraiture rather than adopting the Impressionist style.
Henri Fantin-Latour's knack for capturing the essence of his subjects is evident in his group portraits, which were not just mere representations but insightful depictions of the artistic and literary circles of his time. His notable works like "A Studio at Les Batignolles" illustrate the camaraderie among artists like Manet, Renoir, and Monet, offering a window into the vibrant Parisian art scene of the 19th century. His still lifes, particularly his flower paintings, are celebrated for their realism and delicate precision, making them a favorite among collectors and art enthusiasts.
In addition to his painting, Henri Fantin-Latour's lithographs, inspired by classical music and imbued with a poetic and symbolic quality, reveal another dimension of his talent, showcasing his ability to transcend the boundaries of realism and delve into the realm of imagination.
For art collectors and experts, Henri Fantin-Latour's works offer a blend of technical mastery and a deep understanding of the interplay between art, music, and literature. His contributions to the art world are remembered and celebrated in museums around the globe, where his works continue to inspire and captivate audiences.
For those interested in exploring more about Henri Fantin-Latour's life and works, visiting exhibitions or keeping abreast of auctions featuring his art can provide valuable insights into his creative genius. To stay updated on related events and opportunities, consider subscribing to updates from art institutions or galleries specializing in 19th-century French art.
Albert Marquet was a French painter, renowned for his affiliation with the Fauvist movement, a group characterized by their use of wild, vivid colors to depict emotional expression. Unlike his contemporaries who embraced bright and violent colors, Marquet distinguished himself with a more subdued palette, employing less intense tones by mixing complementary colors to achieve a naturalistic style, primarily in landscapes. His work is celebrated for its simplicity in form and color, often focusing on serene water scenes, bustling city views, and the animated life of waterfront cities, particularly in North Africa and across various European locales like Naples and Venice.
Marquet's technique involved painting water as a broad area of simple tone, which cleverly held the plane of the water's surface without resorting to illusionistic perspective, allowing ships to emerge into a different plane with ease. This method, alongside his unique approach to color and composition, drew parallels with Japanese Shijo style work, emphasizing simplicity, movement, and the effective use of color to capture scenes' essence.
Throughout his career, Marquet frequently returned to favored subjects, capturing subtle variations in light and atmosphere. His landscapes, cityscapes, and maritime scenes are noted for their tranquility and the artist's keen observation of light and color. His works are housed in prestigious museums worldwide, including the Musée National d'Art Moderne, the Metropolitan Museum of Art, and the Pushkin Museum, showcasing his versatile talent in capturing the natural and urban environment.
Marquet's legacy is significant, admired for his astute sense of color and the ability to convey atmospheric mood with minimal elements. His influence extends beyond the canvas, impacting subsequent generations of artists and collectors who appreciate the subtlety and depth of his work. For collectors and experts in art and antiques, Albert Marquet represents a pivotal figure in modern art, whose works continue to inspire and captivate audiences with their serene beauty and emotional depth.
To stay informed about new sales and auction events related to Albert Marquet's works, signing up for updates can offer exclusive insights and opportunities to acquire pieces by this influential artist. This subscription is an invaluable resource for those keen to enhance their collection with works by one of the masters of Fauvism and modern landscape painting.
Desiderius Erasmus, also Erasmus of Rotterdam, or simply Erasmus (Latin: Desiderius Erasmus Roterodamus, Dutch: Gerrit Gerritszoon) was a Dutch humanist, philosopher, and the greatest scholar of the Northern Renaissance.
He was illegitimate and brought up under the name Gerhard Gerhards, later in Latin his name was dubbed Desiderius Erasmus. At the age of 13, the boy was sent to a monastery, where he later took the ministry. Erasmus read a lot, improving in Latin and Ancient Greek, studied oratory. A few years later he received the post of secretary to the bishop of the French city of Cambre. From 1493 to 1499 Rotterdam lived in Paris, then in London he was introduced to Thomas More, John Fisher, and John Colet.
Erasmus was constantly on the move, rarely staying in one place and traveling frequently between the Netherlands, Britain, France and Italy. In Turin he earned a doctorate in theology and was received by the Pope, then taught ancient Greek and theology at Cambridge. He corresponded with the rulers of various countries, popes and cardinals, and with statesmen, answering their questions of a scientific, political, and philosophical nature. As a true humanist, Erasmus of Rotterdam adhered to the ideas of a scientific spirit that favored research and true knowledge.
Among the merits of Rotterdamsky study of religious texts from a scientific position, critical interpretation of theology. Erasmus was able to lay the groundwork for historical-critical study of the past, especially in his studies of the Greek New Testament and the church fathers. His educational writings helped to replace the old school curriculum with a new humanistic emphasis on the classics.
In 1501, Erasmus produced a religious and ethical treatise, The Arms of the Christian Warrior, published in 1504. His work entitled "The Praise of Folly" was reprinted 40 times only during the author's lifetime, the book has been translated into all popular languages of the world. The series "Conversations in a Simple Way" (1518-1533) is among the most popular books on pedagogy. Erasmus promoted respect and care for children, opposing violence and corporal influence. He also promoted the idea that education should be compulsory for everyone.
