cordier
Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
Charles Cordier, full name Charles Henri Joseph Cordier, was a French painter and innovative sculptor.
Charles Cordier studied in Paris at the École des Beaux-Arts and during his studies met a black sitter, a former slave, this meeting and predetermined his future creative life. In 1848, when slavery was officially abolished in all French colonies, Cordier exhibited his first plaster bust of a Sudanese man and received his first success.
For fifteen years, from 1851 to 1866, Cordier was the official sculptor of the Musée National d'Histoire Historique in Paris, creating a series of busts for the ethnographic gallery. Collecting images and types of various ethnic groups, the artist traveled extensively throughout Italy, Greece, Egypt, and Algeria, as well as France itself. Cordier's works are notable for their striking naturalism, and he also made spectacular use of the colors of various materials - marble of different shades, onyx and bronze, silvering and enamel.
Cordier openly defended the advanced for that time the idea of equality of all races. "Each race," he declared, "has its own special type of beauty. The most beautiful black man is not at all the one who looks more like a white man than anyone else."
Cordier also worked on the sculptural decoration of the Paris Opera House, the Louvre, and the Paris Town Hall. His son was the sculptor Henri Louis Cordier.
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Girolamo Franzosi was an Italian physician and philosopher.
He was born in Polpenazza (now Polpenazze del Garda), near the Lombard lakeshore, in the late sixteenth and early seventeenth centuries. Franzosi was a student at Padua and became a convinced Aristotelian. He opposed the anatomists of the Neoteric Academy, which represented the new trends of medicine in Verona in contrast to the Galenic tendencies of traditional medicine.
Franzosi's other works, written under the influence of Girolamo Cardano and Agostino Nifo, deal with such wide-ranging topics as dreams, prophecies, imagination, and the medicinal properties of viper venom. He printed most of his works in Verona, calling himself "medicus and philosopher of Verona".
Jean Philippe Arthur Dubuffet, a pioneering French painter and sculptor, revolutionized the post-war art scene with his radical Matterism movement. He defied the conventional aesthetics of his time, championing "low art" and propelling a more genuine, humanistic image-making approach.
Dubuffet, born in Le Havre, France, in 1901, was a prominent figure at the Ecole de Paris and an advocate for Art Brut, or "raw art", which sought to capture art's purest form. His works were characterized by a rough, unrefined aesthetic, which eschewed academic norms in favor of spontaneity and authenticity.
Art enthusiasts and experts can view Dubuffet's innovative works at institutions like the Museum of Modern Art, where his legacy as a groundbreaking artist continues to be celebrated. His Matterism philosophy has left an indelible mark on the art world, inspiring generations of artists to embrace the beauty in the unconventional.
For those interested in the avant-garde and the legacy of Jean Philippe Arthur Dubuffet, sign up for our exclusive updates. This service is designed for connoisseurs and professionals in the art and antique sector, promising alerts on new insights and events strictly related to Dubuffet's profound influence.
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Miodrag Djuric (Montenegrin: Миодраг Ђурић), known as Dado, was an artist born in Montenegro who spent most of his life and creative career in France. He is particularly known as a painter but was also active as an engraver, draftsman, book illustrator and sculptor.
Enrico Bai was an Italian sculptor, painter, art theorist and anarchist.
Romare Bearden was an influential American artist, celebrated for his intricate collages that depict African American life. Born in 1911 in Charlotte, North Carolina, Bearden played a pivotal role in the Harlem Renaissance, associating with key figures like Duke Ellington and Langston Hughes. His artwork often explored themes of daily life, culture, and history through a unique blend of painting and collage, heavily influenced by Cubism and the Mexican muralists.
Bearden's most notable works include "The Block" and "Patchwork Quilt," both of which are praised for their vibrant narrative and depth, capturing the complexities of black urban life. His pieces are prominent in major museums like the Museum of Modern Art and the Metropolitan Museum of Art. Beyond visual arts, Bearden's legacy includes his contributions to literature and music, reflecting his diverse talents and intellectual interests.
For those interested in exploring Romare Bearden's art further, visiting collections where his works are held or reading more about his life and impact on American art and culture can be rewarding. For the latest updates on exhibitions and sales related to Bearden's work, sign up here [insert subscription link]. This will keep you informed about new opportunities to engage with Bearden's influential legacy.
André Breton was a French writer, poet, and anti-fascist, renowned as the principal founder and leading theorist of Surrealism, an influential movement that sought to release the creative potential of the unconscious mind. Born in Tinchebray, France, in 1896, Breton's work was deeply influenced by the theories of Sigmund Freud and was characterized by a fascination with dreams, the irrational, and the workings of the mind. As a cultural icon, his contributions extended beyond literature into the realms of art, sculpture, and painting, making him a pivotal figure in 20th-century artistic movements.
Breton's seminal work, the "Manifesto of Surrealism" (1924), outlined the principles of the movement, advocating for the expression of the subconscious and the importance of dreams as a source of artistic inspiration. His leadership and writings not only shaped Surrealism but also had a lasting impact on the broader culture of art, influencing countless artists, painters, and sculptors. Breton's ability to merge poetry with visual arts led to collaborations with prominent artists like Salvador Dalí, Max Ernst, and Joan Miró, further cementing his legacy as a central figure in modern art.
Notably, André Breton's works and personal collection, which included art pieces and surreal objects, have been displayed in museums and galleries worldwide, showcasing his eclectic taste and profound influence on the art world. His Paris apartment was a gathering place for artists and intellectuals, becoming a hub of Surrealist activity and thought. For collectors and experts in art and antiques, Breton's contributions represent a fascinating intersection of literary prowess and visual creativity, highlighting the enduring relevance of Surrealism.
For those interested in exploring the depths of Surrealism and André Breton's groundbreaking contributions, signing up for updates can provide exclusive access to new product sales and auction events related to this pivotal artist and thinker. This subscription is an invaluable resource for collectors and enthusiasts keen to deepen their understanding of Breton's influence and the broader cultural movements he shaped.
Romare Bearden was an influential American artist, celebrated for his intricate collages that depict African American life. Born in 1911 in Charlotte, North Carolina, Bearden played a pivotal role in the Harlem Renaissance, associating with key figures like Duke Ellington and Langston Hughes. His artwork often explored themes of daily life, culture, and history through a unique blend of painting and collage, heavily influenced by Cubism and the Mexican muralists.
Bearden's most notable works include "The Block" and "Patchwork Quilt," both of which are praised for their vibrant narrative and depth, capturing the complexities of black urban life. His pieces are prominent in major museums like the Museum of Modern Art and the Metropolitan Museum of Art. Beyond visual arts, Bearden's legacy includes his contributions to literature and music, reflecting his diverse talents and intellectual interests.
For those interested in exploring Romare Bearden's art further, visiting collections where his works are held or reading more about his life and impact on American art and culture can be rewarding. For the latest updates on exhibitions and sales related to Bearden's work, sign up here [insert subscription link]. This will keep you informed about new opportunities to engage with Bearden's influential legacy.
