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Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
August Robert Ludwig Macke was an eminent German expressionist painter, founder and member of the Blue Rider association. His very colorful and individual style is today referred to as the Macke style, characterized by a harmonious combination of colors and the play of light effects. His favorite subjects of his works were sketches from the life of the city, as well as nature and man. The paintings of August Macke give an impression of joy and lightness.
Jean-Jacques Sempé was a French cartoonist. He is known for the series of children's books he created with René Goscinny, Le Petit Nicolas, and also for his poster-like illustrations, usually drawn from a distant or high viewpoint depicting detailed countrysides or cities. For decades, he created covers for The New Yorker.
Friedrich Schiemann was a German abstractionist painter.
He attended the art academy in Dusseldorf and traveled to European countries. Schiemann's expressionist paintings are full of vivid colors.
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Hans-Peter Feldmann is a German visual artist. Feldmann's approach to art-making is one of collecting, ordering and re-presenting.
Hans-Peter Feldmann is a figure in the conceptual art movement and practitioner in the artist book and multiple formats.
Félix Vallotton, a Swiss-born French graphic artist and painter, is recognized for his distinctive woodcuts and paintings of nudes and interiors. Vallotton's journey into art began in Paris, where he attended the Académie Julian, fostering a unique style that broke from traditional norms. His early works, characterized by extreme realism, were showcased at the Salon des Artistes Français and the Paris Universal Exposition of 1889. This period also marked Vallotton's encounter with Japanese prints, notably those by Hokusai, profoundly influencing his artistic direction.
In 1892, Vallotton joined Les Nabis, a group of avant-garde artists including Pierre Bonnard, Maurice Denis, and Édouard Vuillard, which led to a significant evolution in his style. His paintings from this era, such as "Bathers on a Summer Evening" and "Moonlight," exhibited at the Kunsthaus Zürich and the Musée d'Orsay respectively, reveal a departure from realism towards a more symbolic and abstract representation. The works from this period are characterized by flat areas of color, hard edges, and simplified details, mirroring the style he developed in his woodcuts.
Vallotton's woodcuts, like "Intimités" (Intimacies), a series published in 1898, showcased his mastery in capturing the nuances of human relationships, particularly the tensions between men and women. His graphic art, which included depictions of domestic scenes, bathing women, and street crowds, was not just celebrated in Europe but also influenced artists like Edvard Munch, Aubrey Beardsley, and Ernst Ludwig Kirchner.
Towards the end of his career, Vallotton continued to innovate, combining elements of realism and abstraction, evident in paintings like "La Malade" (The Sick Girl) and "Clair de lune" (Moonlight). His works remain a testament to his ability to merge technical precision with a poignant exploration of human emotions and societal themes.
For art collectors and experts, Vallotton's body of work offers a rich and diverse exploration of early 20th-century art movements, especially his role in the development of modern woodcut techniques and his contribution to the Nabis movement. His works are a study in the fusion of realism and symbolism, marked by a distinctive style that makes his art enduringly relevant and compelling.
For those interested in discovering more about Félix Vallotton and staying updated on related product sales and auction events, signing up for updates is a great opportunity. This subscription will exclusively alert you to new sales and events pertaining to Vallotton's works, ensuring you remain informed in the dynamic world of art and antiques.
Georg Engst was a German sculptor.
Engst preferred to work in wood, stone and bronze, but also in aluminium, concrete and glass. Much of his artistic work from the mid-1950s onwards is abstract-geometric in character, initially in the form of inlaid panels and inlaid walls made of wood, for example for a commission for the conference room of the Regional Church Office in Hanover in 1957.
