ex libris
Oskar Schlemmer was a German artist, painter, sculptor, choreographer and designer, and was associated with the Bauhaus movement.
Schlemmer studied at the Kunstgewerbeschule in Stuttgart before becoming a student at the Bauhaus in Weimar in 1920. He taught at the Bauhaus from 1923 to 1929, and was the director of the theater workshop from 1924 to 1929. During this time, he developed a unique style that combined elements of sculpture, painting, and dance.
Schlemmer's work often explored the relationship between the human body and space, and he created a number of abstract figures and costumes for dance performances. He also created a series of sculptures and paintings that explored the idea of the "human condition" and the role of technology in society.
Schlemmer's work was considered controversial by the Nazis, who saw it as "degenerate art." He was forced to leave the Bauhaus in 1929, and his work was removed from public collections in Germany. Despite this, his work continued to be exhibited in Europe and the United States, and he is now considered one of the most important artists of the 20th century.
Heinrich Vogeler was a German artist and philosopher, a representative of the German Art Nouveau. A versatile and talented artist, he painted, watercolored, composed poems, designed, designed and decorated. Over time, his style of art changed over a wide range.
During World War I, from 1914 to 1917, Vogeler was on the Eastern Front as a volunteer and made sketches, which resulted in his pacifist sentiments.
In the mid-1920s he visited the Soviet Union several times and his impressions resulted in paintings in his own "complex style: "Karelia and Murmansk" (1926), "Building a New Life in the Soviet Republics of Central Asia" (1927), and "Baku" (1927). In 1931 Vogeler received an invitation to work in the USSR. The coming to power of the Nazis in Germany made it impossible for him to return home, and after Hitler's invasion Vogeler among many was deported to the Kazakh SSR, where he died.
