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Regina Nieke is a contemporary german artist. Regina Nieke is most frequently exhibited in Germany, but also had exhibitions in United Kingdom, Spain and elsewhere. Nieke has at least 10 solo shows and 25 group shows over the last 14 years. Nieke has also been in no less than two art fairs.
Hans-Peter Zimmer was a German painter and sculptor. He was born in Berlin and studied at the Academy of Fine Arts, Munich.
He formed Gruppe SPUR in 1957 with the painters Heimrad Prem, Helmut Sturm and the sculptor Lothar Fischer. After a joint exhibition at the Pavillon im Alten Botanischen Garten in Munich, they met the Danish artist and philosopher Asger Jorn, who linked them up with the Galerie Van de Loo which exhibited them.
Hermann Dischler was a German painter.
He studied at the Grand Ducal Art School in Karlsruhe and opened his own studio in Freiburg in 1896. In 1907 he built his "artist's house" in Hinterzarten, where he organized permanent art exhibitions.
As a basis for his works, Dischler used his own photographs, which he projected directly onto canvas and then painted landscapes. He was most successful with his snowy winter paintings. Due to their documentary nature, these works have historical value today.
Hermann Dischler was a board member of the Baden Free Artists Association. In 1917 he was awarded the title of professor and in 1926 he became an honorary member of the regional association Badische Heimat.
Leopold Rottmann was a German painter of the mid-nineteenth century. He is known as a landscape painter who worked in oil painting and watercolor.
Leopold Rottmann was a proponent of naturalistic and heroic-historical painting. He was the drawing teacher of the future King Ludwig II of Bavaria. Later commissioned by Ludwig, who was inspired by Richard Wagner, Rottmann created the artwork for the production of the composer's opera Lohengrin in 1861.
Joos van Cleve, also known by his real name Joos van der Beke, was a prominent Netherlandish painter, active mainly in Antwerp from about 1511 until his death in 1540 or 1541. His work predominantly centered around religious subjects and portraits, including notable commissions for the French King Francis I during his time at the French court. His artistic oeuvre reflects a blend of traditional Netherlandish painting techniques with contemporary Renaissance styles, showcasing his direct knowledge of local art combined with an awareness of Italian developments.
Van Cleve's work was characterized by its elaborate detail, particularly in his altarpieces which often incorporated portraits and landscapes, demonstrating his refined painting style. His success in Antwerp was significant, and he was also recognized at the French court, indicating his high regard as a portrait artist. Notably, Van Cleve had the opportunity to paint members of the royal court, including King Francis I and Queen Eleanor of Austria, underscoring his skills in portraiture.
His paintings are recognized for their sensitivity to color and a unique solidity of figures, with some works showcasing the popular style of Antwerp Mannerism. Van Cleve was an innovator in introducing broad world landscapes in the backgrounds of his paintings, a technique that became popular in sixteenth-century northern Renaissance paintings. Despite his contributions to the Renaissance art movement, Van Cleve also produced works that were highly eclectic, drawing on the styles of earlier Netherlandish masters as well as Italian influences, particularly in his use of sfumato, evident in his Virgin and Child compositions.
For art collectors and experts, Joos van Cleve's legacy offers a rich exploration into the transition from medieval to Renaissance art in Northern Europe. His body of work, found in prestigious collections such as the National Gallery in Prague, the Louvre, and the Royal Museums of Fine Arts of Belgium, remains a testament to his versatility and skill as a painter of both religious narratives and royal portraits.
To delve deeper into the fascinating world of Joos van Cleve and to stay informed about exhibitions or sales featuring his work, consider signing up for updates from art institutions and auction houses. This subscription will ensure you remain at the forefront of developments and opportunities related to this influential artist's oeuvre, enhancing your collection and understanding of Renaissance art.
