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Louise Nevelson was an American sculptor, renowned for her innovative and monumental monochromatic, wooden wall pieces and outdoor sculptures. Born in Kiev, Russia (now Ukraine), she moved to the United States as a child, settling first in Rockland, Maine, before embarking on her storied career in New York City. Nevelson's work broke new ground in abstract art through her assemblages of found wooden forms and her exploration of space within room-sized environments. Her early life and artistic journey were marked by a continuous struggle for recognition in a male-dominated art world, eventually gaining attention in the 1950s for her unique constructions.
Nevelson's sculptures, often created from wood, were characterized by their puzzle-like complexity, with intricately cut pieces arranged into both wall sculptures and freestanding pieces. The works are typically painted in monochromatic black or white, emphasizing their textural and volumetric qualities. A key figure in 20th-century American sculpture, Nevelson's contributions extend beyond her artistic creations; she was also a pioneer in the realm of public art, engaging broader audiences with her monumental installations.
Her pieces are celebrated worldwide and can be found in museum and corporate collections across Europe and North America. Nevelson's legacy is that of a trailblazer who used her vision to transform everyday materials into profound expressions of space and narrative.
For collectors and experts in art and antiques, the exploration of Louise Nevelson's work offers an insightful glimpse into the evolution of American sculpture and the pivotal role she played in it. To stay informed about new sales and auction events related to Nevelson's work, sign up for updates and ensure you never miss an opportunity to engage with the history and future of this influential artist's contributions to the art world.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Louise Nevelson was an American sculptor, renowned for her innovative and monumental monochromatic, wooden wall pieces and outdoor sculptures. Born in Kiev, Russia (now Ukraine), she moved to the United States as a child, settling first in Rockland, Maine, before embarking on her storied career in New York City. Nevelson's work broke new ground in abstract art through her assemblages of found wooden forms and her exploration of space within room-sized environments. Her early life and artistic journey were marked by a continuous struggle for recognition in a male-dominated art world, eventually gaining attention in the 1950s for her unique constructions.
Nevelson's sculptures, often created from wood, were characterized by their puzzle-like complexity, with intricately cut pieces arranged into both wall sculptures and freestanding pieces. The works are typically painted in monochromatic black or white, emphasizing their textural and volumetric qualities. A key figure in 20th-century American sculpture, Nevelson's contributions extend beyond her artistic creations; she was also a pioneer in the realm of public art, engaging broader audiences with her monumental installations.
Her pieces are celebrated worldwide and can be found in museum and corporate collections across Europe and North America. Nevelson's legacy is that of a trailblazer who used her vision to transform everyday materials into profound expressions of space and narrative.
For collectors and experts in art and antiques, the exploration of Louise Nevelson's work offers an insightful glimpse into the evolution of American sculpture and the pivotal role she played in it. To stay informed about new sales and auction events related to Nevelson's work, sign up for updates and ensure you never miss an opportunity to engage with the history and future of this influential artist's contributions to the art world.
Saul Steinberg was a Romanian-American artist, best known for his work for The New Yorker, most notably View of the World from 9th Avenue. He described himself as "a writer who draws".
Saul Steinberg was a Romanian-American artist, best known for his work for The New Yorker, most notably View of the World from 9th Avenue. He described himself as "a writer who draws".
Joseph Cornell was an American visual artist and film-maker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artifacts. He lived most of his life in relative physical isolation, caring for his mother and his disabled brother at home, but remained aware of and in contact with other contemporary artists.
Lenore "Lee" Krasner, born Lena Krassner, was an American painter renowned for her significant contributions to abstract expressionism, a movement that revolutionized art in the mid-20th century. Krasner's work is distinguished by its vigorous abstract imagery, innovative use of color, and emotional depth, reflecting her personal experiences and the cultural shifts of her time. Despite facing challenges in a male-dominated art world, her talent, determination, and unique vision established her as a pivotal figure in the development of abstract expressionism.
Krasner's art evolved through several phases, each marked by distinct styles and techniques. In her early career, she experimented with cubist and neoclassical styles before moving towards abstraction. Her marriage to Jackson Pollock, another key figure in abstract expressionism, influenced her work, yet she maintained a distinct artistic identity. Krasner's later works, characterized by bold, organic shapes and a vibrant palette, earned critical acclaim and are featured in major museums and galleries worldwide, including the Museum of Modern Art and the Whitney Museum of American Art.
Her dedication to art extended beyond her own creations. Krasner played a crucial role in preserving and promoting Pollock's legacy while also navigating the challenges of being an artist in her own right. Her contributions to the art world were recognized posthumously, with retrospectives celebrating her innovative work and her influence on subsequent generations of artists. Krasner's legacy is a testament to her resilience, creativity, and impact on the cultural landscape of the 20th century.
For collectors and experts in art and antiques, Krasner's work offers a profound insight into the evolution of abstract expressionism and its enduring influence on contemporary art. Her pieces not only represent a pivotal moment in art history but also serve as a source of inspiration and contemplation. To stay informed about new product sales and auction events related to Lenore "Lee" Krasner, sign up for updates. This subscription is an excellent opportunity to deepen your appreciation of Krasner's art and ensure you are among the first to know about opportunities to acquire her works.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Agnes Martin was an American abstract painter. Her work has been defined as an "essay in discretion on inward-ness and silence". Although she is often considered or referred to as a minimalist, Martin considered herself an abstract expressionist and was one of the leading practitioners of Abstract Expressionism in the 20th century. She was awarded a National Medal of Arts from the National Endowment for the Arts in 1998. She was elected to the Royal Canadian Academy of Arts in 2004.