photography china
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
John Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate — and, in many cases, combine — the narrative potential of images and the associative power of language within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the U.S. and Europe. His work influenced that of Cindy Sherman, David Salle, Annette Lemieux, and Barbara Kruger among others.
Fortunato Depero was an Italian futurist painter, designer, sculptor and poet. In 1913 Depero comes to Rome, where he meets the futurists Giacomo Balla and Umberto Boccioni.
In the early 1920s, Fortunato Depero tries his hand as an artist in commercial advertising, designs theatrical costumes, works for magazines and as a room decorator, and participates in many art exhibitions.
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Zhang Xiaogang (Chinese: 张晓刚, pinyin Zhāng Xiǎogāng) is a famous contemporary Chinese surrealist painter and sculptor. He gained his literary youth during the Cultural Revolution in China, which has had a profound influence on his work. Among his best-known works are his series of paintings entitled Ancestry, Amnesia and Memory, and Tiananmen Square. Since 1997 his works have been exhibited in New York, Paris, Tokyo, Prague and other cities.
Edward Burtynsky is a Canadian photographer and artist known for his large format photographs of industrial landscapes. His works depict locations from around the world that represent the increasing development of industrialization and its impacts on nature and the human existence. It is most often connected to the philosophical concept of the sublime, a trait established by the grand scale of the work he creates, though they are equally disturbing in the way they reveal the context of rapid industrialization.
