Holy Roman Empire 18th century
Balthasar Augustin Albrecht was a German painter of the first half of the 18th century. He is known as a painter who worked in portrait, historical and religious genres.
Albrecht began his career in 1719. He was appointed court painter at the court of the Elector of Bavaria and inspector-custodian of the Picture Gallery in Munich. In addition to portraits and paintings, he created frescoes and altarpieces in churches in Munich and other German cities.
Johann Gerhard Huck was a German artist of the late eighteenth and early nineteenth centuries. He is known as a painter, draughtsman, graphic artist and copperplate engraver.
Huck early in his career worked at the Academy of Arts in Düsseldorf, then studied with the famous engraver Valentine Green in London. The master founded the Academy of Art in Hanover and was court engraver to the Hanoverian royal court. He was also a member of the Chalcographic Society of Dessau. Among his famous works is a portrait of Baron and patron of the arts Friedrich Moritz von Brabach.
Ferdinand Jagemann was a German painter of the first quarter of the 19th century. He is known as a painter and graphic artist, especially famous in portraiture.
Ferdinand Jagemann created many portraits of famous personalities of his time, including several portraits of Johann Wolfgang Goethe painted in 1805, 1806, 1817 and 1819, as well as Friedrich Schiller, whom he portrayed on his deathbed.
Ferdinand Kobell was a German painter of the second half of the eighteenth century. He is known as a painter, graphic artist, printmaker and landscape painter.
Kobell painted landscapes inspired by the style of Nicholas Berchem. His oil paintings are in many German galleries, but he was much more skillful, according to critics, in conveying the states of nature with an engraving needle. Kobbel is considered a master of landscape etchings, which are recognized as some of the best of the 18th century.
Kobell had seven children, including Wilhelm von Kobell, who also became a landscape, animalist and battle painter.
Franz Kobell was a German painter of the late 18th and early 19th centuries. He is known as a painter, draughtsman, architectural landscape painter, landscape painter, and brother of the artist Ferdinand Kobell.
Franz Kobell was court painter to the Elector Maximilian III of Bavaria. In addition to a small number of oil paintings, he produced more than 20,000 drawings of architectural landscape subjects, possessing the ability to work quickly and easily with pen and watercolor. His works ended up in various public and private collections.
Georg Emanuel Opiz was a German painter of the first half of the 19th century. He is known as a painter, graphic artist, printmaker and author of historical novels, publishing under the pseudonym Bohemius.
Opiz began his career with portraits, but from 1807 moved on to genre subjects. He became famous for his watercolors and gouaches depicting daily life in Paris during the Napoleonic I era. His series of lithographs "Cossacks in Paris", executed from life in 1814, became very famous. In 1819 he published a series of 24 color prints "Scenes of Characters from Life in Paris". In the 1820s, Opiz created a series of watercolors, presumably inspired by trips to Russia and the Ottoman Empire.
Ludovike Simanowiz was a German portrait painter celebrated for her classical style and intimate depictions of her contemporaries. Born into a military family, her artistic talent was nurtured from an early age, despite the challenges women faced in accessing formal artistic education during the late 18th century. Through private lessons with Nicolas Guibal and later studies under Antoine Vestier in Paris, Ludovike Simanowiz honed her skills, enabling her to capture the essence of her subjects with sensitivity and depth. Her journey was marked by resilience; after fleeing Paris due to the revolution, she continued her art while supporting her family through teaching and commissions.
Ludovike Simanowiz's works, primarily portraits, are known for their emotional depth and technical precision, reflecting her experiences and the cultural milieu of her time. Her portraits of Friedrich Schiller and his family, alongside self-portraits and depictions of other notable figures, remain significant contributions to classical portraiture, capturing the intellectual and cultural vibrancy of her era. Despite the personal challenges she faced, including caring for her paralyzed husband, Simanowiz's legacy as a pioneering female artist endures, with many of her works residing in private collections and commemorated in the Municipal Museum of Schorndorf.
Her story is not just one of artistic achievement but also of perseverance in the face of societal constraints, making her an inspiring figure in the history of art. Collectors and art experts continue to value her contributions to the European art scene, recognizing her as a significant figure in late 18th-century art.
For collectors and experts in art and antiques, Ludovike Simanowiz's oeuvre offers a fascinating glimpse into the artistic and cultural history of her time. Her life's work demonstrates the remarkable ability of art to capture the human spirit, making her portraits highly sought after for both their historical significance and artistic merit.
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Maria Elisabeth Vogel (née Maria Elisabeth Timmermann) was a German painter of the last quarter of the 18th and early 19th centuries. She is known as a portrait painter of the classicist era.
Maria Elisabeth Vogel is most famous for a generational portrait of the poet Friedrich Gottlieb Klopstock, which she exhibited in Hamburg after his death in 1803. The painting was acquired by the "Patriotic Society" and is now in the Hamburg History Museum. The artist also created paintings with religious content for churches.
Christian Leberecht Vogel was a German painter of the late eighteenth and early nineteenth centuries. He is known as a painter, draughtsman, and art theorist.
Vogel was particularly famous for his skill in creating portraits of children. He also painted portraits commissioned by aristocratic families and taught painting at the Academy of Art in Dresden. His artistic legacy is preserved in the Dresden Art Gallery. Vogel is still appreciated for his humanistic approach to depicting human feelings in his works, which are characterized by expressiveness and sensuality.
His son Carl Christian Vogel von Vogelstein also became court painter of Saxony and received a noble title for his services.
Wilhelm von Kobell was a German painter of the first half of the 19th century. He is known as a landscape painter, animalist and battle painter.
Von Kobell initially produced landscapes and animal paintings, but later focused mainly on battle painting. He visited Vienna and Paris between 1809 and 1810 to study this genre. His battle paintings, based on extensive research, are characterized by striking realism. They are important for the study of military history.
Friedrich Georg Weitsch was a German painter of the late 18th and early 19th centuries. He is known as a painter and printmaker.
Weitsch created landscapes, historical and religious subjects, but a special place in his work was occupied by portraits of aristocrats, as well as ordinary people. His works are in various museums, including the Braunschweig City Museum, the Braunschweig Land Museum, and the Duke Anton Ulrich Museum of Braunschweig-Wolfenbüttel.