Kingdom of Saxony (1806-1918) 19th century
Carl Gustav Carus was a German painter of the first half of the 19th century. He is known as a landscape painter, as well as a scientist, physician (gynecologist, anatomist, pathologist, psychologist) and a major theorist of Romanticism in art.
Carus created idyllic landscapes depicting moonlit nights, mountains, forests, Gothic architecture and ruins. In his work, according to critics, he combined a romantic view of nature with the classical ideal of beauty, understood the beautiful as a triad of God, nature and man. Noteworthy are his small-format, spontaneously created landscape sketches with images of clouds. The master is the author of "Nine Letters on Landscape Painting" - one of the main theoretical works that laid the foundations of the German Romantic school of painting.
Friedrich Dürck was a German (Saxon) painter of the mid-nineteenth century. He is known as a painter and graphic artist, portraitist and genre painter.
Dürck gained recognition after a public exhibition of his painting in 1828 in Munich. In 1836 he traveled to Italy, working in Rome and Florence. After returning to Munich, the artist portrayed members of society and the Bavarian court, including King Ludwig I. In 1849 he received an invitation from the Swedish court and in 1854 from the Austrian court. From 1860 he worked more on genre and costume paintings. Some of his works are in the Weimar Art Collection.
Thomas Theodor Heine was a German-Swedish artist of late nineteenth and early twentieth centuries of Jewish origin. He is known as a painter, draftsman, illustrator and writer.
Heine co-founded the popular German satirical weekly Simplicissimus, where he printed his drawings and caricatures. He also collaborated with the magazines Flying Pages and Youth, illustrated books, and created advertising posters and erotic drawings. After the Nazis came to power, the artist fled to Sweden, where he obtained citizenship. His works were presented at a retrospective anniversary exhibition in Stockholm in 1947, a year before Heine's death.
Max Pechstein, a German Expressionist painter and printmaker, was a significant figure in the art world known for his vibrant use of color and dynamic compositions. Born in Zwickau in 1881, Pechstein's journey into the realms of expressionism began with his training as a decorator's apprentice before moving to Dresden to further his studies at the Kunstgewerbeschule. His career took a pivotal turn in 1906 when he met Erich Heckel and joined the Die Brücke group, alongside other notable artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, which marked the beginning of his foray into revolutionary art and expressionism.
Pechstein's art was not just confined to painting; he was also a master printmaker, with a prolific output that included 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, predominantly etchings. His works often depicted scenes from nature, social gatherings, and elements of primitive art, reflecting his interest in the raw and unrefined aspects of culture and humanity. This diverse body of work was recognized for its bold innovation and unique perspective, which significantly contributed to the expressionist movement.
The Nazis' rise to power in 1933 had a profound impact on Pechstein's career. His works were deemed degenerate, and he faced severe repression, including the removal of 326 of his paintings from German museums and his dismissal from his teaching position at the Preussische Akademie der Künste. Despite these challenges, Pechstein's legacy endured, and after World War II, he was reinstated to his teaching post and received numerous accolades for his contributions to art.
Pechstein's works are held in high esteem in museums and galleries worldwide. Notably, his etchings, which depicted the grim realities of war, are housed in the Imperial War Museum in London, showcasing his ability to convey profound emotional and psychological experiences through art. Additionally, his painting "Summer in Nidden," which captures the idyllic beauty of the Baltic coast, is part of the collection at the Museo Nacional Thyssen-Bornemisza in Madrid, illustrating his love for natural landscapes and vibrant, expressive use of color.
For collectors and experts in art and antiques, Hermann Max Pechstein's works offer a fascinating glimpse into the early 20th-century expressionist movement, characterized by a bold exploration of color, form, and social commentary. His contributions to modern art are invaluable, providing insight into the cultural and historical context of his time.
To stay informed about new product sales and auction events related to Hermann Max Pechstein, we invite you to sign up for updates. This subscription will ensure that you are the first to know about opportunities to acquire works by this influential artist, allowing you to add to your collection of significant expressionist art.
Eugène Pluchart (Russian: Евгений Александрович Плюшар) was a Russian painter and photographer of French descent, born in 1809 in Saint Petersburg and passed away around 1880 in Dresden. Initially trained at the Beaux-Arts de Paris under Louis Hersent, he further honed his skills at the Academy of Fine Arts in Munich. Pluchart's artistry blossomed during a study trip to Italy, which significantly influenced his style.
Pluchart is renowned for his portrait work and frescoes, notably contributing to the décor at Saint Isaac's Cathedral during the 1840s. His mastery in capturing the essence of his subjects is evident in his portraits of notable figures such as the composer Karol Lipiński, which earned him the title of full Academician by the Imperial Academy of Arts. His works also include a notable portrait of the composer that further solidified his reputation.
After a prolific period in Russia, Pluchart moved to Dresden in the early 1860s. His later years were quieter, with his contributions to the arts remaining influential, particularly in Russia and Germany. His works are part of the collection in prominent institutions like the Hermitage Museum and the Alte Nationalgalerie.
For those interested in the works and life of Eugène Pluchart and future auction events related to his art, consider subscribing to updates [insert link here]. This subscription will keep you informed about new product sales and auction events specifically related to Eugène Pluchart, ensuring you stay connected to the latest offerings in his artistic legacy.
Friedrich August Moritz Retzsch was a German painter of the first half of the 19th century. He is known as a painter, graphic artist and printmaker, known for his illustrations of books, as well as his painting The Chess Players.
Moritz Retzsch worked mainly in lithography and was widely popular for his portraits, allegorical and mythological paintings, drawings and engravings. He illustrated the works of German writers and created a new style of publication based on illustrations with text serving as an introduction and commentary to each engraving. His editions always used the Gothic typeface.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Carl Christian Vogel von Vogelstein was a distinguished German painter, celebrated for his portraiture, as well as religious and landscape themes. Born in 1788 in Wildenfels, Saxony, he was initially educated by his father, Christian Leberecht Vogel, before pursuing formal studies at the Dresden Academy. His career took him across Europe, including significant periods in St. Petersburg and Rome, where he developed a style that balanced classicism and romantic influences, drawing inspiration from masters like Raphael Mengs.
Vogel von Vogelstein's reputation was significantly enhanced by his appointment as a court painter in Dresden in 1824 and his ennoblement seven years later. He is especially known for his detailed and insightful portraits of European aristocracy and intellectuals, which are held in numerous German museums today. Notable works include portraits of figures such as Friedrich von Amerling and Joseph de Maistre.
After years of traveling and working across Italy and Central Europe, he settled in Munich in 1853, where he continued to paint and contribute to the local art scene until his death in 1868. His works often reflected the political and social tumult of his times, including the Napoleonic Wars and the shifting borders of the German states.
For collectors and enthusiasts interested in the works and legacy of Carl Christian Vogel von Vogelstein, staying informed about new exhibitions, auctions, and sales can be invaluable. To receive updates on these events, consider signing up for alerts related specifically to Vogel von Vogelstein. This subscription will ensure you're promptly informed about opportunities to acquire works or learn more about this influential artist.
Fritz von Uhde was a German painter of the last third of the 19th and early 20th centuries. He is known as a religious and genre painter, who combined realism and impressionism in his work.
Von Uhde, creating genre and religious paintings, sought to connect the New Testament with modernity, depicting as characters representatives of the lower strata of the population. He is considered the forerunner of modern church art. Critics and the public often dismissed his work for being "vulgar," but admirers compared his style to Rembrandt for its naturalness and connection to life.