Italy Naturalism
Leonardo Bazzaro was an Italian painter who worked mainly on landscapes and vedutas. He studied painting at the Brera Academy in Milan.
Leonardo Bazzaro is considered one of the leading representatives of Lombard naturalism.
Lodovico Carracci was a significant Italian painter and printmaker from Bologna, renowned for his contributions to Baroque art and the Bolognese school. He was a pivotal figure in reinvigorating Italian art, particularly fresco art, which had been overshadowed by the formalistic Mannerism of the late Renaissance period.
His works are distinguished by their emotional depth and spiritual intensity, often achieved through bold gestures and dramatic lighting. As an artist, he was instrumental in establishing the Carracci workshop and style, alongside his cousins Agostino and Annibale Carracci. Together, they founded an art academy in Bologna around 1585 that focused on a naturalistic approach to painting, emphasizing life drawing and a return to classical principles.
Lodovico Carracci was known for his skillful use of colour and his ability to create harmonious and balanced compositions. His works often depicted religious and mythological subjects and he was particularly famous for his frescoes, which adorned many churches and palaces in Bologna. He was also an influential teacher, with Guido Reni and Domenichino among his pupils.
Among Carracci's known works are notable religious compositions like "The Lamentation" and "Madonna and Child with Saints," which are now housed in prestigious museums such as The Metropolitan Museum of Art in New York. He also worked on significant fresco cycles in private palaces, such as the cycle depicting the story of Jason and the Argonauts in the Palazzo Fava, completed in 1584.
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Arturo Ferrari is an Italian landscape painter. He studied painting at the Brera Academy in Milan.
The main theme of Arturo Ferrari's work was urban views. In a short time the artist became the "architect of the poetic and sentimental reconstruction" of old Milan.
Herbert Chevalier Haseltine was an Italian-born French/American animalier sculptor, most known as an Equestrian sculptor.
He replicated many of his large works in table-top sizes. The author of a number of books on animalier art, Haseltine was well connected in American upper class society and did a three-year project to create a work for heiress Barbara Hutton. This project included two horses heads which were gilded bronze, with precious and semi precious stones. After her death the heads disappeared and resurfaced a few years ago at an auction in New York.
Bruto Mazzolani was an Italian painter. He studied painting at the Accademia di Belle Arti di Bologna.
Bruto Mazzolani is known for his luminous and atmospheric landscapes. Bruto Mazzolani is known for his luminous and atmospheric landscapes painted in plein air in the village of Lierna. He has participated in various exhibitions in Milan, Bologna and Ferrara.
Francesco Peluso was an Italian painter. He is known for his genre paintings and portraits, which were often inspired by everyday life and culture in Naples.
Peluso had a realistic and naturalistic approach to painting. His paintings often depicted scenes of everyday life in Naples, including street vendors, musicians and local festivals. Peluso was particularly adept at conveying the vivid colours and atmosphere of the city, and his works are known for their warm, sunny palette and sense of spontaneity.
In addition to genre paintings, Peluso also produced a number of portraits, many of which were commissioned by members of the Italian nobility. His portraits are noted for their attention to detail and psychological insight into the character and personality of the subject.
Salvator Rosa was a seventeenth-century Italian Baroque painter. He is also known as an engraver, poet and actor.
Salvator Rosa left a very diverse artistic heritage. He was interested in historical, religious, mythological and fantastic subjects, he painted landscapes, battle scenes, portraits, still lifes. Having joined the naturalists of the Neapolitan school of painting, Rosa, however, showed originality in his treatment of subjects. For example, in his paintings on historical themes he combined realistic images with fantastical composition.
The biography of Rosa himself, full of adventures, subsequently became the subject of legends, books, paintings and musical works.
Works of Salvator Rosa today are represented in many museums and private collections in Europe and Russia.
