Animalistic Austria
Carl Daniel David Friedrich Bach was a German artist of the late eighteenth and early nineteenth centuries, the Baroque period. He is known as a painter, graphic artist and printmaker.
Bach worked in the historical genre, was a portraitist, animalist, created canvases on allegorical subjects in the spirit of his era. In his works he combined elements of baroque and classicism. The artist often worked in the etching needle technique.
Arthur Brusenbauch was an Austrian painter. Arthur Brusenbauch learned from Johann Kautsky and then worked as a stage decorator himself. He studied in Vienna at the Staatsgewerbeschule and the Academy of Fine Arts, interrupted by military service and imprisonment. In 1920 he became a member of the Vienna Secession, and in 1939 he moved to the Künstlerhaus. In 1928 he had represented Austria in the art competitions of the 1928 Olympic Games. From 1937 to 1941 he participated in all major German art exhibitions in Munich with seven oil paintings. There, in 1939, Hitler acquired the picture of Melk an der Donau in festive decorations. Brusenbauch, who is attributed to late impressionism, dealt with fresco painting and graphics.
Alfred Kubin was an outstanding Austrian engraver, illustrator and writer, and a prominent representative of the Symbolic and Expressionist trends in the visual arts in the first half of the 20th century. Alfred Kubin's works are full of phantasmagoric and grotesque depictions of dreams, motifs of desolation and fear.
Georg Ehrlich was an Austrian and British sculptor and graphic artist.
At the School of Arts and Crafts in Vienna, Ehrlich mastered etching and lithography, and served in the Austrian army during World War I. He held his first solo exhibition in Munich in 1920 and won a reputation as a painter and printmaker. In 1920 he had his first solo exhibition in Munich and gained a reputation as a graphic artist working in an expressionist manner. Returning to Vienna in 1924, he began to work primarily as a sculptor in the realist style and actively participated in exhibitions.
In 1937 Ehrlich was awarded the Gold Medal at the World Exhibition in Paris, but in the same year he fled to England, and after the war, in 1947 he became a British citizen. Georg Ehrlich worked actively, creating numerous portrait and animalistic sculptures, as well as memorials, participating in numerous exhibitions. In 1963, Ehrlich became a Royal Academician.
Paul Flora was an Austrian cartoonist, graphic artist, and illustrator known for his skill with pen and ink.
Flora's work has appeared in the famous New York Times and The Observer newspapers, and his drawings have graced the stamps of Liechtenstein and Austria. Paul Flora has been one of Europe's most famous illustrators since the 1960s.
He also produced books, films and sets.
Sigmund Walter Hampel, born in Vienna in 1867 and passed away in 1949 at Nußdorf am Attersee, was an esteemed Austrian painter and draughtsman. The son of a glass painter, Hampel honed his artistic skills and knowledge of design, material, and technique in his father's workshop. His formal education at the Vienna Academy of Art under notable figures like August Eisenmenger and Heinrich von Angeli further refined his abilities, especially in delicate coloring and technical proficiency.
A significant period of Hampel's career was his membership in the Hagenbund, a Vienna-based artists' association, from 1900 to 1911. This association was known for its avant-garde approach and played a critical role in shaping modern art in Austria. Hampel's works are recognized for their diverse range of subjects and styles, including figurative works, still life, and portraiture.
Some of Hampel's notable works include "Interieur" (1903), "Zimmer In Einem Alten Forsthaus" (1905), "Spanische Tänzerin (Porträt der Mlle E.)" (1904), "Blumenstillleben" (1910), and "Der Zwerg und das Weib" (1902-1903). These artworks exemplify his versatile approach to art, capturing a range of emotions and narratives through his distinct artistic style.
Hampel's contributions to the art world, particularly in Austria, are significant. His works continue to be appreciated by art enthusiasts, collectors, and experts in art and antiques for their aesthetic value and historical significance.
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Carl Adolph Heinrich Hess was a German animalist, battalionist and teacher. He studied the works of the old masters at the Dresden Gallery.
Carl Adolph Heinrich Hess travelled extensively in Russia, Hungary, Turkey and Britain, studying different breeds of horses and achieved mastery in their portrayal.
He lived in Vienna from 1808, where he taught at the Academy of Fine Arts. In 1825 he published a collection of life-size lithographs of horse heads.
He was an honorary member of the Berlin Academy of Arts.
Adi Holzer is an Austrian visual artist, illustrator, draughtsman, painter, graphic artist, glass painter and sculptor of bronze sculptures and glass sculptures. He works alternately in his studios in Værløse in Denmark and Winklern in Austria. In Austria he is a member of the Carinthian Art Association.
Gustav Prucha (German: Gustav Prucha) was an Austrian painter who painted genre scenes of sleigh rides among winter landscapes.
Gustav Prucha made numerous study trips to Hungary and Croatia. He also worked in America under the pseudonym John Garvey.
Josef Anton Strassgschwandtner was an Austrian painter and lithographer, celebrated for his detailed hunting, military, and genre scenes. Born in Vienna in 1826, he exhibited artistic talent from an early age, which was nurtured despite being orphaned and raised in an orphanage. His formal education in art commenced at the Academy of Fine Arts Vienna between 1843 and 1845, where he studied under notable instructors like Leopold Kupelwieser and Franz Steinfeld.
Josef Anton Strassgschwandtner's works gained prominence for their vibrant depiction of military and hunting scenes, earning him the nickname "Austrian Raffet" after the French lithographer Auguste Raffet. His client base was diverse, including hunting associations, horse enthusiasts, and military personnel, which reflects his versatility and appeal across different circles. Despite his success, Strassgschwandtner's life took a tragic turn when he became mentally deranged in 1879 and was subsequently institutionalized until his death in 1881.
His legacy continues to be celebrated, with a street in Vienna named after him and his works featured in various exhibitions. For collectors and experts in art and antiques, Josef Anton Strassgschwandtner's pieces represent a unique blend of historical and artistic significance, offering a glimpse into the Austrian culture of his time.
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