Animalistic Italy
Angelo Accardi is a contemporary Italian artist. He grew up surrounded by both modern and traditional art. Although he studied fine art at the Art Academy of Naples, he never completed his training. Angelo Accardi illustrates surreal visions of everyday life under realistic backdrops of urban and natural landscapes. There is never a single meaning, but a whole story behind each painting. Ironic, striking, and playful, Accardi’s unique perspective and avant-garde style is a result of his diverse inspirations.
Carl Daniel David Friedrich Bach was a German artist of the late eighteenth and early nineteenth centuries, the Baroque period. He is known as a painter, graphic artist and printmaker.
Bach worked in the historical genre, was a portraitist, animalist, created canvases on allegorical subjects in the spirit of his era. In his works he combined elements of baroque and classicism. The artist often worked in the etching needle technique.
Mirko Basaldella is an Italian and American sculptor and artist.
Born into a creative family, he displayed his talent from a young age and participated in the Italian Biennale. In 1957 Basaldella moved to Cambridge, Massachusetts, and was elected a Fellow of the American Academy of Arts and Sciences in 1962.
Mauro Bergonzoli is an Italian artist living and working near Munich.
Mauro showed a talent for drawing early on and found work quite quickly in advertising agencies in Milan. This was followed by a 25-year career as a creative director in commercial and animated films. It was only after that that Bergonzoli turned to pure art.
Bergonzoli is best known for his contemporary "canaletto-sketch" interpretations of Venice. In his signature neo-pop style, he shows the ancient trading city in all its splendor and splendor. The artist uses mostly acrylic paints, and his favorite chips - the all-seeing eye and the magic rabbit - give a twist to his creations.
Stefano Calisti is an Italian artist. His paintings, characterised by an unusually lively colour palette, have been widely acclaimed by audiences and critics alike. His favourite subjects include landscape, evoking associations with colour, matter and light.
Calisti's work is characterised by his attention to colour and texture, often creating a sense of movement and dynamism in his works. Behind an intense bordering on surrealist colour, a conceptual element emerges in which naturalness and artificiality are juxtaposed.
Throughout his career, Calisti has exhibited widely in Italy and abroad, including solo shows. He has also participated in group exhibitions at the Venice Biennale and the Museum of Modern Art in Rome.
Giovanni Battista Castello was an Italian historical painter. His best-known works are the paintings on the vault of the Basilica della Santissima Annunziata del Vastato. He was an architect and sculptor as well as painter. He painted of the Martyrdom of St. Sebastian in the monastery of San Sebastiano. He worked on various projects with his friend Cambiaso, including in a chapel for the Duomo di San Lorenzo.
Marie Collart-Henrotin was a Belgian artist who mainly painted landscapes and animals. Collart was primarily self-taught as an artist. She became a founding member of the Société Libre des Beaux-Arts in 1868. In 1870, she won a gold medal at the Salon des artistes français. She became the first women to be named a Chevalier in the Belgian Order of Leopold in 1880. Collart exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Her work is included in the collections of the Royal Museum of Fine Arts Antwerp and Royal Museums of Fine Arts of Belgium.
Cesare Dandini was an Italian painter of the Baroque period, active mainly in his native city of Florence. He was the older brother of the painter Vincenzo Dandini. He enrolled in 1621 in the Accademia del Disegno. His style has the polish and attention to draughtsmanship and design characteristic of Florentines like Carlo Dolci.
Giuseppe Maria Alberto Giorgio de Chirico, an Italian artist renowned for his profound influence on the Surrealist movement, stands as a seminal figure in 20th-century art. Born in Volos, Greece, in 1888, de Chirico was a visionary painter, sculptor, and writer whose works profoundly altered the landscape of modern art. His paintings, characterized by their dreamlike quality, enigmatic compositions, and the juxtaposition of classical and modern elements, delve into the mysteries of the subconscious, exploring themes of nostalgia, metaphysics, and the uncanny.
De Chirico's art is distinguished by its unique blend of classical motifs with surreal, dreamlike atmospheres, creating a sense of profound mystery and unease. His most famous works, such as "The Enigma of an Autumn Afternoon" and "The Melancholy of Departure," exhibit deserted cityscapes filled with elongated shadows, enigmatic figures, and classical architecture, which became hallmarks of his style. These paintings not only prefigured the Surrealist movement but also influenced countless artists with their exploration of the psyche, the distortion of space, and the play of light and shadow.
His impact on culture and art is undeniable, with his works housed in prestigious museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. De Chirico's ability to evoke the mysterious interconnection between the ancient and the modern through his art continues to captivate collectors and experts in the fields of art and antiques. His innovative approach to painting and sculpture has solidified his position as a key figure in the development of modern art.
For collectors and enthusiasts keen on exploring the depths of 20th-century art and the enigmatic world of Giuseppe Maria Alberto Giorgio de Chirico, staying informed about new discoveries, auction events, and sales of his works is essential. We invite you to sign up for updates to ensure you never miss an opportunity to engage with the enduring legacy of this remarkable Artist. This subscription is your gateway to the latest news related to de Chirico, focusing exclusively on product sales and auction events associated with his influential oeuvre.
Andrea del Verrocchio, a prominent figure of the Italian Renaissance, was a master of multiple disciplines including sculpture, painting, and goldsmithing. Born in Florence around 1435, Verrocchio was a versatile artist whose influence extended far beyond his own creations, most notably as the mentor to Leonardo da Vinci. His works span a range of media, showcasing his expertise in both the sculptural and painterly aspects of Renaissance art.
Verrocchio's studio was a fertile ground for the incubation of Renaissance artistic talent. Among his most celebrated works is the bronze statue of David, commissioned by the Medici, which displays a youthful victor standing over Goliath, emblematic of Florence's civic pride and cultural ambition. This piece, alongside his equestrian statue of Bartolomeo Colleoni in Venice, exemplifies Verrocchio's skill in capturing dynamic figures and his innovative approach to bronze casting.
In painting, Verrocchio's contributions, though fewer in number, are significant for their exploration of depth and perspective, hallmarks of Renaissance artistry. His Baptism of Christ, for example, is notable not only for its own merits but also for Leonardo da Vinci's participation, which, according to legend, led Verrocchio to never paint again, outshone by his pupil's talent. However, this story is often considered apocryphal.
Verrocchio's legacy is cemented by the breadth of his work and the generations of artists he influenced. His adeptness across multiple forms—sculpture, painting, and goldsmithing—places him among the Renaissance's most versatile and influential figures. His sculptures and paintings remain pivotal in understanding the evolution of Renaissance art, characterized by a deep understanding of human anatomy, a mastery over materials, and an innovative approach to traditional themes.
For collectors and experts in art and antiques, Verrocchio's works offer a fascinating insight into the mastery and creativity of the Renaissance period. His influence on subsequent generations of artists underscores the enduring value and appeal of his creations.
For those interested in staying informed about upcoming sales and auction events featuring works by Andrea del Verrocchio, signing up for updates can provide exclusive access to the latest offerings in this realm. This ensures that enthusiasts and collectors alike remain connected to the vibrant market for Renaissance art, celebrating the legacy of one of its most distinguished masters.
Karel Dujardin was a Dutch painter and printmaker of the Golden Age of Dutch painting.
He studied with Klaas Berchem and Paulus Potter, traveled to Italy, and lived in Lyon. In 1656 he participated in the founding of the Pictura Society in The Hague.
Dujardin painted mostly Italian landscapes, genre scenes, including scenes from rural life, portraits of elegant people and historical paintings.
Many of Dujardin's works are in the Louvre, the Hermitage (St. Petersburg), as well as in Amsterdam, The Hague, Kassel, and Berlin.
Giorgio Duranti was an Italian painter and cleric of the Baroque period, mainly active in Brescia. An entry in Dandolo's study of the late Venetian Republic states a 1755 as year of death, and that many of his works were in the Royal Gallery of Turin, which was the nucleus of the Sabauda Gallery.
Alberto Garutti is an Italian painter and sculptor, the foremost representative of public art in Italy.
He lives and works in Milan, combining creativity with teaching at the Brera Academy. Garutti's works are installed in many public places in Italy.
Jean-Louis André Théodore Géricault was a French painter and lithographer, celebrated for his pivotal role in the Romantic movement. Born in Rouen, France, in 1791, and educated among the elite in Paris, Géricault developed a profound connection with art from a young age, influenced by his training under notable figures like Carle Vernet and Pierre-Narcisse Guérin. This foundation set him on a path that diverged significantly from the classical traditions of his time.
Géricault's artistry is best known for its vibrant energy and emotional intensity, characteristics that marked a departure from the Neoclassical style predominant in the early 19th century. His most famous work, "The Raft of the Medusa" (1818–19), is a monumental canvas that dramatizes the tragic aftermath of the French shipwreck, Méduse, capturing the public and critical imagination for its raw portrayal of human despair and resilience. This painting not only criticized the French government but also showcased Géricault's masterful handling of drama, becoming an iconic symbol of Romanticism.
Throughout his career, Géricault remained deeply engaged with contemporary issues and the human condition, exploring themes of mental illness, social injustice, and the raw power of nature versus human vulnerability. His series of portraits depicting patients with mental illnesses, created towards the end of his life, highlighted his empathy and innovative approach to capturing human emotion and psychological depth.
Géricault's fascination with the dynamic forms and emotional potential of horses also led to some of the most stirring equestrian art of his time, reflecting his personal passion for horseback riding and his exceptional understanding of equine anatomy. This interest is evident in works like "A Horse Frightened by Lightning", showcasing his ability to capture motion and emotion in both human and animal forms.
Despite his premature death at the age of 32, Géricault's legacy endures, with his works residing in prestigious institutions like the Louvre in Paris. His artistic vision and dedication to portraying the realities and turbulences of his era have cemented his status as a pioneer of Romanticism, influencing subsequent generations of artists, including his contemporary and friend, Eugène Delacroix.
For collectors and experts in art and antiques, Géricault's oeuvre offers a profound insight into the Romantic spirit, embodying the tumult, passion, and innovation of an era on the cusp of modernity. His works continue to inspire and captivate audiences, reminding us of the power of art to provoke thought and evoke deep emotional responses.
To stay updated on exhibitions and auction events featuring Géricault's works, sign up for updates. This subscription will keep you informed on new discoveries and sales related to this influential artist, ensuring you never miss an opportunity to engage with the legacy of Jean-Louis André Théodore Géricault.
Ernst Moritz Geyger was a German artist known for his work in sculpture, painting and engraving. His work is included in the collections of the Los Angeles County Museum of Art, the Carnegie Museum of Art and the Fine Arts Museums of San Francisco.
Piero Gilardi is an Italian painter and decorator. A catalytic figure in the Arte Povera movement centred in Turin in the late 1960s, Gilardi's utopian and selfless commitment to the association of neo-avant-garde artists from Western Europe and North America made him one of the most influential artistic figures of the period.
Piero Gilardi became internationally renowned and witnessed the influence of Pop Art in Europe. An itinerant artist, theorist and organiser, he contributed to the birth of Arte Povera, especially working to establish relationships with other similar initiatives that were simultaneously taking place outside of Italy.
Much of Gilardi's later work is united by a theme or interaction between the work and the viewer. The master has devoted more than a decade to his most ambitious project, Parco Arte Vivente (Park of Living Art or PAV). A collaborative effort that grew out of Gilardi's design, the PAV is a monumental undertaking that has transformed an abandoned plot of land in the heart of Turin's working-class Lingotto district into a six-acre green space dedicated to public, environmental and artistic interests.
Herbert Chevalier Haseltine was an Italian-born French/American animalier sculptor, most known as an Equestrian sculptor.
He replicated many of his large works in table-top sizes. The author of a number of books on animalier art, Haseltine was well connected in American upper class society and did a three-year project to create a work for heiress Barbara Hutton. This project included two horses heads which were gilded bronze, with precious and semi precious stones. After her death the heads disappeared and resurfaced a few years ago at an auction in New York.
Francesco Ladatte was an Italian sculptor. At birth, his surname was somewhat different - Ladetti. The name Ladatte was the result of "Frenchization" after Francesco moved from Italy to Paris. He is sometimes referred to as François Ladatte.
Filippo Lippi, a Florentine painter of the Early Renaissance, emerged as a pivotal figure in the second generation of Renaissance artists. His life, marked by both artistic brilliance and personal controversy, is a testament to the vibrant cultural milieu of 15th century Italy. Born around 1406 in Florence, Lippi's journey into art was shaped by his early exposure to the frescoes of Masaccio in the Brancacci Chapel, fostering a style that balanced the devotional traditions of religious art with the burgeoning humanist ideals of the Renaissance.
Lippi's work is renowned for its distinctive clarity of expression and the incorporation of narrative depth into religious themes. Among his most celebrated works are the frescoes in the cathedral of Prato, including the intricate narratives of St. John the Baptist and St. Stephen. These frescoes are particularly noted for their emotional depth and the dynamic portrayal of figures like Salome, hinting at the later developments in Renaissance art by artists such as Sandro Botticelli and Lippi's own son, Filippino Lippi.
His unconventional life, replete with tales of abduction by pirates and romantic liaisons that defied his monastic vows, did little to overshadow his artistic legacy. Lippi's relationship with Lucrezia Buti, a novice at the monastery where he was commissioned to paint, resulted in two children, including Filippino Lippi, who would follow in his father's artistic footsteps. Despite the controversies, Lippi enjoyed the patronage of the powerful Medici family, securing his position within the artistic circles of Florence.
Significant works by Lippi are housed in esteemed institutions such as the Uffizi Gallery and the National Gallery, London, allowing contemporary audiences to witness the mastery of his craft. His paintings, like "Madonna with the Child and two Angels," demonstrate a profound understanding of human emotion, rendered with a grace and sensitivity that elevate them beyond their religious subject matter.
For collectors and experts in art and antiques, Filippo Lippi's oeuvre represents a fascinating convergence of artistic innovation, personal narrative, and historical context. His contributions to Renaissance art continue to captivate and inspire, underscoring the timeless appeal of his work.
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Jan Baptist Lodewyck Maes was a Belgian genre painter active in Italy. Maes studied at the Academy of Ghent. He exhibited for the first time at that city's fair in 1810. He won prizes in all the competitions he entered and in 1820 received a grant from the city of Ghent. Thanks to the Belgian Rome Prize received in 1821, he first visited Paris and then went on to Italy. In 1822 he copied works by old masters in the Uffizi Museum. In 1824 he settled in Rome. Maes kept in touch with his hometown and regularly sent works to Belgian salons. He was a corresponding member of the Royal Netherlands Academy of Sciences.
Maurizio Savini is an Italian artist and sculptor specializing in the use of chewing gum as a material for his artworks, living and working in Rome.
His sculptures are whimsical and surreal at the same time, underpinned by social and political aspects that refer to a broader reflection on the ecological consequences caused by human actions. For his work, Savini uses pre-packaged finished product from factories.
Francesco Simonini was an Italian Baroque painter.
He studied painting at the Francesco Monti School, which specialized in battle scenes, and visited Rome, Bologna and Venice. Simonini worked in his own style with bright colors, which he developed under the influence of the Venetian school. He painted many battle scenes, most of them with cavalry.
Massimiliano Soldani or Massimiliano Soldani Benzi was an Italian baroque sculptor and medallist, mainly active in Florence. Soldani developed into one of the finest bronze casters of his time in Europe. Though first specialising as a medallist, Soldani also produced bronze reliefs, bronze vases and free-standing figures and busts.
Lazzaro Tavarone was an Italian painter of the late-Renaissance and Mannerist period, active mainly in his native Genoa and in Spain. He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter.
Alfredo Tominz was an Italian painter who specialized in scenes with horses.
The painter showed the power of these beautiful animals, the dynamics and speed of the races, the drama and impetuosity of the cavalry attack.
Tominz also painted domestic sketches from everyday life in the city. Alfredo Tominz's father was the artist Augusto Tominz.
Pieter van Laer was a Dutch painter of the Golden Age, a talented genre painter and printmaker. Pieter van Laer introduced a new genre of painting, bambocciade (after his nickname of bamboccio, little boy). These are paintings depicting scenes from everyday life of ordinary people. In his works, Pieter van Lahr depicted with humor, and sometimes with grotesque and sarcasm, the everyday life of the lower classes of society. Pieter van Lahr is also known for his landscapes and animal representations - he created two series of engravings with animals. He also painted several battle scenes.
Hendrik Voogd is a Dutch painter and printmaker.
He lived and worked for a long time in Italy, known for his landscapes with lush tree crowns through which the sun's rays tear through. He was obviously interested in the light effects of a sunset or pre-thunder sky. He also depicted grazing cattle in idyllic scenes.
Jacopo Zucchi, or Jacopo di maestro Pietro Zucca, was an outstanding Florentine painter, a representative of Mannerism, who left a significant mark on 16th-century art. A pupil of Giorgio Vasari, Zucca participated in the decoration of the Studiolo and the Salone Cinquecento of the Palazzo Vecchio. He later moved to Rome and undertook prestigious projects for Cardinal Ferdinando de' Medici. Among his masterpieces are the stunning oil paintings The Golden Age and The Silver Age, now in the Uffizi Gallery.
Working with his brother Francesco, Zucchi decorated the apse and dome of the Santo Spirito in Sassia with a stunning fresco depicting Pentecost. His legacy is continued by his brother Francesco, known for his mosaic work.