Animalistic Symbolism
Alfred Kubin was an outstanding Austrian engraver, illustrator and writer, and a prominent representative of the Symbolic and Expressionist trends in the visual arts in the first half of the 20th century. Alfred Kubin's works are full of phantasmagoric and grotesque depictions of dreams, motifs of desolation and fear.
Pieter Cornelis de Moor, a Dutch artist, stands out as a versatile and innovative figure in the art world. His education at the Academy of Visual Arts in Rotterdam and the Drawing Academy in Antwerp laid the foundation for a career marked by diversity and creativity. De Moor's achievements, including a silver medal in the Prix de Rome in 1887, underline his early recognition and the promise of his artistic journey.
De Moor's artistry was not confined to a single medium; he was adept in drawing, etching, painting, watercolor, producing lithographs, and working as an illustrator. His artworks, ranging from "Dancing Women" to "Poultry on a Yard" and "An Elegant Lady Feeding Peacocks," showcase his broad thematic interests and technical skills. Notably, his works are held in prestigious collections, including the Rijksmuseum and the Dordrechts Museum.
The artist's life was rich with experiences, having worked across Europe and eventually settling in the United States. His legacy, punctuated by exhibitions in museums such as Museum Boijmans Van Beuningen and the Drents Museum, continues to captivate art enthusiasts and collectors.
For collectors and art experts, delving into the works of Pieter Cornelis de Moor offers a unique glimpse into the evolution of Dutch art. His contributions, particularly in the realm of Symbolism, highlight an era of artistic exploration and innovation.
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Lee Man Fong (Chinese: 李曼峯; pinyin: Lǐmǐnfēng) was a Chinese-born Indonesian artist known for his striking large-format genre portraits and animalistic scenes. His work is represented in a large number of prestigious art museums and collections around the world.
Emile Gallé was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.
Dylan Lewis is a South African painter and sculptor based in Stellenbosch.
Dylan Lewis, who began his career as a painter, later turned his full attention to sculpting the wildlife of Africa. Lewis conveys his fascination with the habits and movements of wild animals and especially big cats: jumping and pulling, resting and hunting - their expressive physical forms are mesmerizing in the sculptor's works.
Over time, Lewis's works become more abstract, although they remain recognizable: he gradually switched to human figures. Naturalism receded into the background, giving way to the mystical. Some sculptures are missing heads and legs, others are masked, others have grown wings - it is obvious that the artist is trying to show the commonality of all life on Earth.
Dylan Lewis has created a unique sculpture garden where some of his most famous bronze pieces can be seen in their natural environment.
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
Gabrielle Montald (Canivet) is a Belgian painter. Nothing is known of the artistic training of Canivet, obviously a self-taught artist. On August 9, 1892, Canivet married Constant Montald in Ghent. At that time, Montald was already a renowned painter who won several prizes with his canvases and murals. Unlike Montald, Canivet painted on silk and exhibited only briefly, between 1906 and 1934. Her presence in the art world was rather limited and she was invariably linked to her husband. Canivet knew different materials and techniques such as textiles, pencil, book binding and painting on silk and ceramics. She is known for her paintings on fabric, which she transforms into clothing accessories, but at the same time she also paints porcelain dishes. Mainly during the First World War, she worked on a series of ornamental fish, mushrooms and birds on silk, according to a process known only to her and which allows the fabric to retain all its flexibility. His compositions often include exotic flowers and a snail, which is almost his signature. Symbolism and Art Nouveau, which reached their peak at the end of the century, had a major influence on the conception of his work. His style therefore presents similarities with the idealistic aspirations of the art of the time.
Nikolai Stepanovich (Nikas) Safronov (Russian: Ни́колай Степа́нович (Никас) Сафро́нов) is a Soviet and contemporary Russian artist and teacher, the founder of the school of painting in Moscow. He works in different genres, directions and styles and invents new formats in art. Safronov is sometimes called the "Russian Salvador Dali" for his outrage and love of experimentation.
Nikas Safronov is known as the author of psychological portraits of famous politicians, actors, pop stars. In a number of his paintings modern personalities turn into heroes of ancient works. Safronov's animalistic works, depicting half-cats, half-dogs and other representatives of fauna with human features, are also widely known.
Safronov created his own special direction in the fine arts - Dream Vision. It is a synthesis of classical painting and subconscious feelings, visions of the artist, in which it is difficult to catch the boundary between reality and fantasy. Some paintings are reminiscent of Impressionist works: the blurred details make up a coherent impression.
Gyorgy Stefula is a German painter, illustrator, costume designer and stage designer.
Stefula studied at the Academy of Fine Arts in Hamburg and the Higher School of Painting in Altona, and married Dorothea Hüter, who became his creative collaborator. After World War II, he participated in numerous exhibitions in Germany and abroad. Together with Dorothea, they frequently exhibited their work and collaborated on several projects, including stage and costume design for the National Opera in Munich.
Among Stefula's unique works in the spirit of Henri Rousseau or Pittura Metafisica are imaginary, fantastical landscapes and incredible portraits, magical still lifes and animals; they are full of symbolism and mythological references.
