History painting Contemporary art


Victor Ashotovich Abramyan (Russian: Виктор Ашотович Абрамян) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school.
Victor Abramyan created portraits, landscapes, still lifes and genre paintings. He participated in exhibitions from the early 1970s in Leningrad. Among his famous works are "Blockade everyday life", "Still Life with a Centennial", "Leningrad. 1942. Women on Guard in the besieged city", "Young Guests" and others.
Abramyan's works are in museums and private collections in Russia and many other countries.


Georgy Nikolaevich Bibikov (Russian: Георгий Николаевич Бибиков) was a Russian and Soviet artist of the mid-20th century. He is known as a painter, graphic artist, illustrator, muralist and theater artist of the Leningrad school, working in the genres of landscape, portrait, still life and thematic painting.
Georgy Bibikov began participating in art exhibitions in 1920. Among his famous works are "Loaders", "Young Red Fleets Receive Uniforms", "Greetings to the Winners", "Trench Truth" and others. His works are in the State Russian Museum and in museums and private collections in Russia, Ukraine, Germany and France.


Rob Birza is a Dutch painter and sculptor living and working in Amsterdam.
Rob Birza studied at the Academy of Visual Arts Sint-Jost in Breda and at Atelier '63 in Haarlem. He initially painted paintings, gouaches, and watercolors and quickly gained recognition in the Dutch art scene. The artist combined medieval painting techniques with contemporary subjects borrowed from comic books and television series. In his work, he regularly referenced the works of modern masters, contrasting banality and high art. Figural canvases and abstract compositions alternate with colorful still lifes with flowers and large-format paintings depicting scenes of the Afghan war.
Since the 1990s, Rob Birza has also begun to create installations with figures made of styrofoam, papier-mâché and other materials. These figures often contrasted sharply with the paintings. Birza also combined furniture like chairs and lamps in his works.
Rob Birza's work has been widely exhibited in numerous solo and group exhibitions both nationally and internationally and is included in many private and public collections.


Nikolay Stepanovich Borovsky (Russian: Николай Степанович Боровский) was a Soviet Ukrainian artist of the second half of the twentieth century. He is known as a painter and teacher.
Nikolay Borovsky became famous for his portraits, landscapes and still lifes, as well as genre paintings. Some of his works were characterized by extraordinary realism. Since the early 1960s, he actively exhibited his works and in 1964 joined the Union of Artists of the USSR. For his painting "Worker. Year 1928" he received the prize of the Union of Artists of the Ukrainian SSR.
The master created a significant number of works that are in private and public collections, including a gallery of portraits of participants in the defense and liberation of Dnepropetrovsk.


Nikolai Yakovlevich Bout (Russian: Николай Яковлевич Бут) was a Soviet artist of the second half of the twentieth century. He is known as a painter and graphic artist, a master of the battle genre.
Nikolai Bout began painting from his teenage years and immediately showed an interest in depicting historical battles. Throughout his career as a professional artist, he lived in Moscow, and spent the summer months in Kerch, where the subjects of many of his paintings originated. He painted portraits, battle and genre paintings, and landscapes. His works include the cycle "Adzhimushkay. 1942", series of paintings "Slovak National Uprising", "Heroic Marines" and other works.
Bout was an artist of the M. B. Grekov Studio of Military Artists since 1958.


Isaac Aronovich Davidovich (Russian: Исаак Аронович Давидович) was a Soviet and Belarusian artist of Jewish origin of the second half of the twentieth century. He is known as a painter and graphic artist.
Isaac Davidovich worked in easel and monumental and decorative painting, as well as in easel and book graphics, he drew illustrations and posters. In the field of monumental art he created plafonds and panels.


Donald Harcourt De Lue is an American sculptor best known for his monumental public monuments. He studied at the Boston Museum of Fine Arts. In addition to creating sculptures, De Lue also did architectural work. He was also a prolific designer of medals and medallions. De Liu's work can be found in many museums in America.


Alexander Alekseevich Efimov (Russian: Александр Алексеевич Ефимов) was a Soviet artist of the mid-twentieth century. He is known as a battle painter, marinist and teacher.
Alexander Efimov participated in the Great Patriotic War and the main theme of his work was the history of the navy. He actively worked in the studio of marinists of the fleet, in his work he used the techniques of oil painting and watercolor. His works, including the paintings "Leningradki", "Sailors in the battles for Budapest", "Northern Fleet", became famous for their historical significance.
Efimov's works are in museums and private collections not only in Russia but also abroad.


Heinrich Ehmsen was a German expressionist painter and graphic artist.
Coming from a poor family, Ehmsen studied at the School of Arts and Crafts in Düsseldorf, worked as a decorator and painted. Gradually, revolution became the central idea of many of his paintings. After World War I, in which he participated as a mobilized man, his reflections on the war and the failed German revolution lead him to the realization that human existence is threatened. All this is reflected in his drawings and paintings.
After a six-month internship in the south of France in 1929 Emzen moved to Berlin, and 1932-1933 years the artist spent in the USSR. His works were exhibited in Moscow, and Soviet museums acquired his paintings. With the National Socialists coming to power in Germany in 1937, Heinrich Ehmsen was condemned as a degenerate artist, and his paintings were withdrawn from German collections.
After the war, Heinrich Ehmsen worked as deputy director and head of the painting class at the Academy of Fine Arts in West Berlin, but in 1950 he moved to the Academy of Fine Arts in East Berlin. In 1961, the artist won the GDR National Prize.


Salvatore Fiume is an Italian artist known for his diverse talents including painting, sculpture, ceramics and graphic design.
Salvatore Fiume's artistic style has evolved throughout his career, reflecting various influences. Fiume's paintings are characterised by vivid colours, dynamic brushwork and a sense of emotional intensity. He was also a skilled sculptor and created many sculptures in different materials.


Valery Arutyunovich Geghamyan (Russian: Валерий Арутюнович Гегамян) was a Soviet and Ukrainian artist of the mid-twentieth century of Armenian origin. He is known as a painter, graphic artist and teacher.
Valeriy Geghamyan became famous for his monumental canvases, large thematic cycles and graphic series. He also created portraits, landscapes and still lifes. Since the early 1960s he lived and worked in Odessa and founded the art and graphic arts faculty at the Odessa Pedagogical Institute, where he taught for more than 20 years. The master raised many famous artists, some of whom are also teachers, passing on the experience of their teacher.


Aleksandr Mikhailovich Gerasimov (Russian: Алекса́ндр Миха́йлович Гера́симов) was a Russian and Soviet painter, born on August 12, 1881, in Kozlov (now Michurinsk), in the Tambov Governorate of the Russian Empire. He is best recognized for his leading role in promoting socialist realism in visual arts, notably through his portraits of Joseph Stalin and other Soviet leaders. Gerasimov's education at the Moscow School of Painting, Sculpture, and Architecture honed his skills, guided by masters like K.A. Korovin, A.E. Arkhipov, and V.A. Serov. His style, a blend of academic realism with impressionistic influences, vividly depicted the Russian landscape, leaders, and the daily life of the Soviet era.
His works, rich in emotionality and composition mastery, span across various themes from state portraits to landscapes and still lifes, showcasing a deep love for the Russian landscape's innate beauty. Gerasimov's contributions to art include not only significant political portraits but also captivating scenes of nature and life in Russia, marked by their emotional depth and vibrant colors. His paintings like "Stalin and Voroshilov in the Kremlin" won him the Stalin Prize in 1941, cementing his status in Soviet art history.
Gerasimov's artistry extends beyond his political work; his landscapes and portrayals of Russian expanses convey a deep lyrical sentiment, reflecting his profound connection and love for his homeland. His mastery across various mediums—oil, watercolor, gouache, and more—allowed him to explore and express a wide range of subjects, from portraits and landscapes to still lifes, showcasing his versatility and depth as an artist.
For those interested in the intersection of art and history, Aleksandr Mikhailovich Gerasimov's work offers a fascinating window into Soviet-era Russia, its leaders, and its landscapes. To stay updated on exhibitions and sales of Gerasimov's works, sign up for updates specifically focused on new product sales and auction events related to this distinguished artist.


Ilya Sergeyevich Glazunov (Russian: Илья́ Серге́евич Глазуно́в) was a distinguished Soviet and Russian artist, born on June 10, 1930, in Leningrad, and passing away on July 9, 2017, in Moscow. Glazunov was not just a painter; he was a visionary and an educator who founded the Russian Academy of Painting, Sculpture, and Architecture in Moscow, where he also served as rector until his death. Glazunov's artistry was deeply rooted in historical and religious themes, as seen in masterpieces like Russia the Eternal, The 20th Century Mystery, and The Ruining of the Temple on Easter Night, along with his celebrated illustrations for Fyodor Dostoyevsky's works.
Glazunov's contribution to Russian art and culture was immense. He was a full cavalier of the Order "For Merit to the Fatherland," among other honors, acknowledging his significant role in the national art scene and education. Notably, during the 1970s, Glazunov played a key role in saving parts of Moscow's historic center from destruction due to proposed restoration plans, showcasing his commitment not only to the arts but also to preserving Russia's cultural heritage.
Collectors and experts in art and antiques admire Glazunov for his unique blend of artistic brilliance and dedication to cultural preservation. His works, which are held in high esteem across the globe, are a testament to his skill, vision, and unwavering love for his homeland. For those intrigued by Glazunov's legacy and wishing to explore his works further, subscribing for updates on new sales and auction events related to Ilya Sergeyevich Glazunov is highly recommended. This subscription is an invaluable resource for staying informed about opportunities to own a piece of Russian art history.


Gavriil Nikitich Gorelov (Russian: Гавриил Никитич Горелов) was a Russian and Soviet artist of the first half of the twentieth century. He is known as a painter, graphic artist and teacher.
Gavriil Gorelov studied at the St. Petersburg Academy of Arts under Ilya Repin and Franz Roubaud. He created historical canvases, genre paintings and portraits. During a study trip to Italy, he painted "Orgy in the apartments of Alexander VI Borgia". Returning to Russia, the artist became a member of the Association of Traveling Art Exhibitions. Among his famous works are "Pugachev's Trial of a Landowner", "Pugachev's Execution", "Bolotnikov's Revolt", "Minin's First Appeal to the People", "Dogs-Knights". He also participated in the creation of the panorama "The Storming of Perekop".


Anatoly Andreevich Gorpenko (Russian: Анатолий Андреевич Горпенко) was a Soviet artist of the mid-twentieth century. He is known as a painter and graphic artist, battle painter and portraitist.
Anatoly Gorpenko served as a war artist during the Great Patriotic War, creating propaganda posters and front sketches. His oeuvre includes pictorial works, including battle scenes and portraits of military figures. He also participated in the creation of dioramas and panoramas, and his works, including stained glass windows and mosaics, decorated monuments and buildings, including in Berlin.
Gorpenko also did graphics for publishers and magazines and created political posters.


Boris Nikolayevich Gushchin (Russian: Борис Николаевич Гущин) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter, graphic artist and author of diafilms.
Boris Gushchin created many diafilms, including "The Lonely White Sail", "Joke", and "Coats of Arms of Your Country". As a painter, he specialized in Russian landscapes, portraits and works dedicated to Pushkin, particularly illustrations for his works.


Richard John Haas is an American muralist.
In the mid-sixties Haas began creating small dioramas depicting interiors, and then with views of the streets of New York. He later became involved in the large-scale transformation of the city's exterior and interior environments.
Richard John Haas is known for his architectural murals in the trickster style (trompe-l'œil). He also utilizes almost every available technique in the opportunity to enhance and transform urban spaces. Both interior and exterior murals created by the artist on buildings are always based on historical events. During his artistic career, Haas has created many large-scale murals on public buildings in many U.S. cities. And his prints faithfully reproduce magnificent American facades and streetscapes.
Haas's work has been recognized with many awards, including the Medal of Honor from the American Institute of Architects; he became a Fellow of the National Academy of Design in 1994 and served as president of the Academy from 2009 to 2011.


Wenjue He is a famous Chinese painter whose work is inspired by films. In the internationally acclaimed series, the viewer is presented with abstract emotions that are achieved with quick strokes that create a mystical aura. Themes from various films in Wenjue He's works include war, politics, human nature, eroticism and culture. They depict social events and historical changes, which are the most important criteria for the artist when choosing his films.


Karl Horst Hödicke is a German artist, a pioneer of German Neo-Expressionism and new figuration, and one of the most important representatives of German post-war painting.
After moving to Berlin in 1957, Hödicke encountered the eventful history of Berlin - the construction of the Berlin Wall, the Cold War, and reunification - and reflected it in his paintings.


Schang Hutter was a Swiss painter and sculptor whose work was strongly influenced by the postwar reality. The abused person was the central theme of Hutter's work. He is known for his thin, stick-like figures and groups of figures installed in public places in cities. His works focus mainly on the suffering that people experience at the hands of others.


Jacob Armstead Lawrence was a pioneering American artist, renowned for his dynamic cubism and profound portrayals of African-American life and history. Born in 1917 in Atlantic City, he moved to Harlem at a young age, where he was deeply influenced by the Harlem Renaissance. This vibrant cultural period helped shape his unique artistic style, which combined abstract expression with narrative elements.
Lawrence gained national recognition at just 23 years old with his 60-panel series "The Migration of the Negro" (later known as "The Migration Series"), which depicted the mass movement of African Americans from the rural South to the urban North. This work was first displayed at Edith Halpert's Downtown Gallery in 1941, making him the first African American artist to be represented by a mainstream New York gallery.
His art often depicted both historical and contemporary themes, making significant contributions to the representation of African American history in modern art. His works are housed in prestigious institutions such as the Museum of Modern Art (MoMA) and the Phillips Collection. In addition to painting, Lawrence also dedicated much of his life to teaching, influencing generations of artists at institutions like the University of Washington.
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Konstantin Matveyevich Lomykin (Russian: Константин Матвеевич Ломыкин) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and graphic artist, People's Artist of the Ukrainian SSR.
Since 1951 Konstantin Lomykin actively participated in various exhibitions both in the USSR and abroad. His work covers a variety of genres, including thematic painting, portrait, landscape and still life. One of his most famous works was the painting "Bogdan Khmelnitsky's Oath over the Body of a Tortured Cossack", presented at the Republican Exhibition in 1954.
Lomykin's works can be found in art museums in Ukraine, as well as in private collections in various countries, including Japan, France, Greece, Germany, Italy and Portugal.


Sergey Vasilyevich Malyutin (Russian: Сергей Васильевич Малютин) was a distinguished Russian painter, architect, and designer, celebrated for his multifaceted contributions to the world of art and design. Born in Moscow in 1859 to a merchant family, Malyutin's artistic journey began after an exhibition by the Peredvizhniki inspired him to pursue art. His formal education at the Moscow School of Painting, Sculpture and Architecture honed his talents, leading to a diverse career that spanned painting, set design for operas and ballets, and architectural endeavors.
Malyutin is perhaps best known internationally for designing the first matryoshka doll in 1890, a seminal work that has become an iconic symbol of Russian culture. His involvement in the Arts and Crafts Movement influenced his work, integrating traditional Russian folk motifs into his designs and paintings. Notably, his architectural designs, including the Church of the Holy Spirit in Talashkino and the Pertsov House in Moscow, showcase his dedication to the Russian Revival movement, blending fantastic folk motifs with architectural creativity.
Throughout his career, Malyutin also played a significant role in education, teaching at the Moscow School of Painting, Sculpture and Architecture and advocating for Socialist Realism. His contributions to Russian art were not limited to his creations; he was instrumental in founding the Association of Artists of Revolutionary Russia, emphasizing the importance of art in societal development.
For those interested in exploring the legacy of Sergey Malyutin, his works offer a window into the fusion of traditional Russian art with the innovative currents of his time. Collectors and experts in art and antiques will find his contributions to Russian arts and crafts, especially his role in the creation of the matryoshka doll, to be of particular interest.
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Oleg Maslov (Russian: Олег Маслов) is a Russian neo-academic artist who lives and works in St. Petersburg.
He studied at the Penza Art School named after K. A. Savitsky. He studied at the Savitsky Art School in Penza and has been exhibiting since 1985. Maslov is also a member of numerous informal associations, in 1993, Oleg Maslov was awarded the title of professor of painting department of the New Academy of Fine Arts. From 1993 to 2005, he worked in a creative tandem with Victor Kuznetsov. In painting, Oleg Maslov and Victor Kuznetsov promoted neoclassical art, placing themselves in the antique subjects of their paintings. In addition to painting, Maslov actively participates in performances, theatrical productions, and photo shoots.


Alexander Petrovich Mozolev (Russian: Александр Петрович Мозолёв) was a Belarusian Soviet artist of the second third of the twentieth century. He is known as a painter, graphic artist and teacher.
Alexander Mozolev worked in easel painting and graphics - in landscape, portrait, everyday life and battle genres. Many of his thematic paintings were devoted to the Great Patriotic War, in which the artist participated. Among his creative heritage are also many sketches, studies and sketches.


Andrei Andreevich Mylnikov (Russian: Андре́й Андре́евич Мы́льников) was a Russian painter and educator, celebrated for his contributions to Soviet and Russian art. Born in Pokrovsk in 1919, Mylnikov's artistic journey led him to study and later teach at the prestigious Ilya Repin Institute of Painting, Sculpture and Architecture, embodying the spirit of Soviet artistry through his work and mentorship.
Mylnikov's art spans a range of genres, from portraits and landscapes to monumental art. His portraits, such as those of his wife, resonate with harmony and lyricism, drawing comparisons to the Russian Impressionist tradition. Landscapes, like "Summer" (1969) and "Venice" (1964), showcase his ability to blend realism with the symbolic, marked by a fresh palette and pure color. Noteworthy among his creations is the "Farewell" (1975), a painting that captures the emotional gravity of the Soviet people's wartime experiences, and the "Spanish Triptych," which reflects on themes of life, death, and the human spirit, earning him the Lenin Prize.
Mylnikov's works are held in high esteem, finding places in Russia's most prestigious museums and galleries, as well as international collections. His influence extends beyond his canvases, through his significant role in educating future artists and shaping the course of Soviet and Russian art.
For collectors and art enthusiasts, Mylnikov's oeuvre offers a profound glimpse into the soul of Russian art, blending technical mastery with deep emotional and philosophical exploration. His legacy continues to inspire admiration and respect among art lovers around the world.
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Georgy Grigoryevich Nissky (Russian: Георгий Григорьевич Нисский) was a Soviet painter, celebrated as one of the pioneers of the "severe style" in art, which emerged in Soviet Russia during the 1950s and 1960s. Born on January 21, 1903, in the Mogilev Governorate of the Russian Empire (now Belarus), Nissky's early experiences in the stark, industrial environment of a railway station deeply influenced his artistic direction.
Nissky's education in art began at the M. A. Vrubel Gomel Art Studio-School, after which he moved to Moscow to attend the Higher Art and Technical Studios (VHUTEMAS), a prominent art school where he was taught by notable artists like Robert Falk and Aleksandr Drevin. His style was characterized by its focus on landscapes that blend industrial themes with a stark, yet poetic realism, reflecting both the harsh realities and the inherent beauty of Soviet life.
Throughout his career, Nissky received numerous accolades, including the Stalin Prize in 1951 and the title of People's Artist of the RSFSR in 1965. His works, such as "Autumn. Semaphores," "Green Road," and "Moscow. Sorting," are notable for their unique portrayal of Soviet landscapes and have been widely exhibited, including in prestigious galleries like the State Tretyakov Gallery and the State Russian Museum.
For collectors and art enthusiasts interested in Soviet art and the severe style, Nissky’s works offer a profound glimpse into the industrial and pastoral scenes of mid-20th-century Soviet Union. To stay updated on exhibitions and sales featuring Georgy Nissky's influential art, sign up here. This subscription will keep you informed about new product sales and auction events specifically related to Nissky’s works.


Hughie O'Donoghue R.A. is a British abstractionist painter, member of the Royal Academy of Arts in London. His paintings are highly abstract representations of figures, this style may be called abstract expressionism. O'Donoghue also incorporates photographs in paint, often re-painting them, creating layered images. O'Donoghue's paintings resemble historical painting in their scale and subject matter.


Hermann Ober was a German abstractionist painter and graphic designer.
During World War II he produced many landscape sketches and watercolors of battlefields, then studied at the Academy of Fine Arts in Munich.
Besides painting in the abstract style, Hermann Ober experimented for many years with materials and forms and developed his own relief printing technique. In 1951 he was one of the founders of the Salzburg Group.


Horace Pippin was an African-American artist of the second quarter of the twentieth century. He is known as a self-taught artist who painted in the style of naive art.
Pippin painted in a variety of genres, from landscapes and still lifes to biblical subjects and political statements. Some of his work draws on personal military and family experiences, with subjects inspired by Pippin's service in the Army during World War I and the history of slavery and racial segregation in the United States.


Ernest Pizzotti was a Swiss painter-painter and graphic artist. His work was mainly influenced by the 1920s and 30s, when the key innovations of the early twentieth century continued to develop and evolve. Surrealism became the prevailing expressive fashion of the 1920s.


Wilhelm Rudolph was a German painter, graphic artist and teacher.
Rudolph studied at the Dresden Art School, fought in World War I and returned to art. He went from Post-Impressionism to Expressionism and later became a follower of the New Objectivity with a bias towards socially relevant subject matter. Rudolph's first successes and fame came from his graphic depictions of animals.
In 1932, Wilhelm Rudolph was appointed a professor at the Dresden Academy of Art, but with the National Socialists coming to power in Germany, the artist's works were classified as so-called degenerate art. Since 1937 he was forbidden to exhibit and sell his works, 43 of his paintings were confiscated, and in 1939 he was dismissed from the Academy.
At the end of the war, the artist created his major work - an extensive graphic series of 150 sheets on the theme of the bombing of Dresden by American aircraft on the night of February 13-14, 1945, as a result of which the city was completely destroyed. This essential work remains an unrivaled artistic record of that tragedy. Wilhelm Rudolph was a two-time winner of the GDR National Prize and worked actively until his old age.


Mikhail Andreyevich Savitsky (Russian: Михаил Андреевич Савицкий) was a Belarusian painter, born on February 18, 1922. His experiences in World War II, where he fought and was imprisoned, deeply influenced his artistic work, leading him to focus on themes of war, struggle, and the human spirit. Savitsky's education in art began after his military service; he graduated from Minsk Art College in 1951 and the Moscow Art Institute of Surikov in 1957. He dedicated much of his life to his craft, becoming a significant figure in Belarusian and Soviet art.
Savitsky is renowned for his powerful depictions of war and its impact on Belarus and its people. His works such as “Partisan Madonna” (1967) and “Leaving in the Night” (1980) are celebrated for their emotional depth and artistic mastery. “Partisan Madonna,” for instance, is viewed as a symbol of Belarusian defense during World War II, portraying a peasant mother as a figure of resilience and protection. On the other hand, “Leaving in the Night” explores the themes of sacrifice and maternal strength during times of conflict, representing the broader struggles faced by Belarus during the war.
Throughout his career, Savitsky received numerous accolades, including the title of People's Artist of the USSR in 1978 and the Hero of Belarus award in 2006. His works are a testament to the resilience of the human spirit in the face of adversity and are housed in various museums and galleries, notably the Minsk State Art Museum and the Gallery of Savitsky in Minsk.
For collectors and experts in art and antiques, Savitsky's oeuvre offers a profound insight into the Soviet and Belarusian artistic narrative, underlined by historical events and personal resilience. His legacy continues to inspire and resonate, providing a window into the experiences that shaped a significant era in Belarusian history.
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Mikhail Andreevich Sharonov (Russian: Михаил Андреевич Шаронов) was a Russian, Soviet and Ukrainian artist of the first half of the twentieth century. He is known as a painter, graphic artist and teacher.
As an artist, Mikhail Sharonov worked in the genres of portrait, landscape, still life and historical genre. He was also a professor and rector of the Kiev Art Institute. An important aspect of his life was art collecting; he amassed a significant collection of etchings by the Spanish artist Goya and donated 60 sheets from this collection to the Khanenko Museum in Kiev in 1941.


Pyotr Dorofeyevich Slyota (Russian: Пётр Дорофеевич Слёта) was a Ukrainian Soviet artist of the mid-twentieth century. He is known as a painter, famous for his thematic paintings and landscapes.
In his works, according to critics, Pyotr Slyota showed the best features of Soviet art - patriotism, humanism, love for nature. In his work an important place is occupied by works devoted to the history of Ukraine. In landscape works from different countries where the artist visited ("Street in Košice", "Charles Bridge", "Paris. Notre Dame"), he managed to reveal the national and social features of these cities.


Vasily Vasilievich Sokolov (Russian: Василий Васильевич Соколов) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and teacher, a representative of the Leningrad school of painting.
Vasily Sokolov worked in portrait, landscape, domestic and historical genres. Among his most famous historical paintings is "Stalin and Voroshilov on the Tsaritsyn front in 1918". Throughout his career, the artist combined creativity with pedagogical and public activities. He was twice elected chairman of the Leningrad Union of Soviet Artists.


Pavel Petrovich Sokolov-Skala (Russian: Павел Петрович Соколов-Скаля) was a prominent Russian artist, celebrated for his contributions to Soviet art and culture. Born in 1899, Sokolov-Skala's artistic journey was marked by his affiliation with the Communist Party of the Soviet Union, reflecting the political landscape of his time through his work. His legacy includes receiving prestigious awards like the Stalin Prize and the Medal "For Valiant Labour in the Great Patriotic War 1941–1945", acknowledging his influence and contribution to Russian art and history.
Sokolov-Skala's oeuvre is notable for its diversity, ranging from monumental historical paintings to poignant war posters, demonstrating his versatility and mastery across different mediums. His works, such as "The Clear Glade" and "A Heroic Deed of Captain Gastello," are celebrated for their powerful portrayal of Soviet themes, capturing the spirit and challenges of his era. These pieces not only underscore Sokolov-Skala's artistic prowess but also his commitment to depicting the Soviet Union's ideals and narratives.
His paintings and posters, often characterized by their bold use of color and dramatic compositions, provide insight into the socio-political context of the 20th century Soviet Union, making him a key figure in Russian art history. Despite his significant role, Sokolov-Skala's work invites audiences to explore the nuanced intersections of art, politics, and history, offering a complex portrait of Soviet life.
Collectors and experts in art and antiques have continuously shown interest in Sokolov-Skala's works, highlighting their historical value and artistic merit. His contributions remain a focal point of study and appreciation within both Russian and international art circles.
For enthusiasts looking to delve deeper into the world of Pavel Petrovich Sokolov-Skala or to add a piece of his legacy to their collection, signing up for updates can provide exclusive access to new product sales and auction events featuring his work. This is a unique opportunity to engage with the rich history and profound impact of Sokolov-Skala's art on contemporary culture.


Peter Stauss is a German artist, painter and sculptor who lives and works in Berlin. The peculiarity of the artist's works is that they combine important philosophical themes with questions of the genesis of form in painting and sculpture. Stauss' vivid sculptures and paintings combine images from historical, religious and philosophical sources to "recreate the fables of our time."


František Štorek was a Czech sculptor.
Štorek's father and uncle owned a forge that supplied ornate Art Nouveau decorative elements, and the future sculptor learned this science from childhood. He studied at the Higher Industrial School of Sculpture and Stonemasonry in Gorzyca and at the Academy of Arts in Prague.
At first Štorek worked with stone and wrought iron, but since 1967 he has been working with bronze and iron sculptures welded from thick plates. He created figures and human torsos in the spirit of magical realism, and interpreted ancient myths. He is the author of the third largest bronze statue in the Czech Republic - Icarus in front of the municipality in Ostrava, and he also sculpted the fountain in the Puchov Vekoše residential complex in Hradec Králové.


Pavel Fyodorovich Sudakov (Russian: Павел Фёдорович Судаков) was a Russian Soviet artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of socialist realism, a laureate of the Stalin Prize of the III degree.
Pavel Sudakov studied in the art studio of the Moscow Union of Artists, during his studies he went to the front, served in the people's militia. Upon his return, he headed the art studio of the border troops. He traveled extensively, creating works on historical, portrait and landscape themes. The master was a member of many art organizations. His paintings are kept in Russian and foreign museums.


Mikhail Arkadyevich Suzdaltsev (Russian: Михаил Аркадьевич Суздальцев) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter, heir to the traditions of Russian plein air painting.
Mikhail Suzdaltsev participated in exhibitions since 1948. He lived in Moscow, specialized in thematic and historical paintings, landscapes. Among the famous works of the artist are "A. M. Gorky and Y. M. Sverdlov on the Volga", "Power to the Soviets - Peace to the Peoples!", "The First Paycheck", "March. Moscow Region", "Volga. Windy Day". His works are kept in a number of Russian and world museums and private collections in Russia, Japan, USA, England, Germany and Norway.


Nikolay Alexandrovich Sysoev (Russian: Николай Александрович Сысоев) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter and graphic artist, heir to the traditions of the Russian realist school.
Nikolay Sysoev became famous as a portraitist, landscape painter, genre painter, master of still life. His oeuvre includes a picture "Leniniana". Among his most famous works are "Lenin and Krupskaya among the peasants", "Lenin on the Communist Saturday", "Collectivization", "Nationwide Holiday", "Mother" and others. Sysoev also founded an art gallery in the Lipetsk region of Russia, named in his honor.


Terry Taylor is an Australian artist, painter and drawer. "I am a painter of death, life and theater," Taylor says of herself. Her classical portraits and figurative compositions follow the ancient tradition of Memento Mori ("Remember Death") and 16th century Dutch Vanitas art; they are a story of life and death, humor and tragedy, truth and lies.


Nikolay Borisovich Terpsikhorov (Russian: Николай Борисович Терпсихоров) was a Soviet artist of the first half of the twentieth century. He is known as a painter, one of the most notable representatives of socialist realism.
Nikolay Terpsikhorov and his art were closely connected with the revolution and the history of the USSR. He created landscapes, portraits, watercolors, posters. His works devoted to revolutionary events, the happiness of Soviet childhood, the struggle against bourgeois vestiges, etc. were especially famous. The artist's works are kept in famous Russian museums, including the Tretyakov Gallery and the State Russian Museum, as well as in regional and foreign collections.


Aleksey Petrovich Tkachyov (Russian: Алексей Петрович Ткачёв), born on September 11, 1925, in Bryansk, USSR, was a Soviet and Russian artist and educator renowned for his contributions to graphic art and painting. His artistic journey, marked by collaboration with his older brother Sergei Tkachyov, led to the creation of a distinctive tandem known as the Tkachev Brothers. Their collective works, encompassing genre paintings, portraits, landscapes, and still lifes, are celebrated for embodying the essence of contemporary Russian art and socialist realism. This unique partnership yielded a multitude of canvases that have been integrated into the "golden" fund of Russian painting, with themes ranging from historical events to everyday life, reflecting the brothers' profound connection to their cultural heritage.
The Tkachev Brothers' oeuvre, notable for its rare focus on genre art within the context of modern Russian art, has achieved significant acclaim and demand. Their paintings are featured in leading Russian museums and have found places in private collections across the globe, including in Belgium, Britain, Germany, Italy, Canada, China, the Netherlands, USA, Taiwan, France, South Korea, and Japan. This widespread recognition underscores the universal appeal and historical significance of their work, bridging cultural and geographical divides through the universal language of art.
For collectors and experts in art and antiques interested in the legacy of Aleksey Petrovich Tkachyov and the Tkachev Brothers, their work represents not only an investment in fine art but also a connection to the rich tapestry of 20th-century Russian culture and history. To stay updated on new product sales and auction events related to Aleksey Petrovich Tkachyov, signing up for updates is highly recommended. This ensures access to exclusive information on available works and upcoming collections, allowing enthusiasts to further explore and appreciate the profound impact of the Tkachev Brothers on contemporary art and society.


Sergey Petrovich Tkachyov (Russian: Сергей Петрович Ткачёв), born in 1922 in the Chugunovka, Bryansk region of Russia, is a prominent figure in the Russian art scene, celebrated for his evocative village figure and genre paintings. Educated at the Surikov Institute in Moscow, Tkachyov graduated in 1952 and, alongside his brother Aleksei, has captured the essence of rural life in Russia through their art for over six decades. The brothers, sharing studios in both Moscow and the countryside, have collaboratively worked on many pieces, often on the same canvas, which has led them to be awarded prestigious titles such as "People's Artist of the USSR" and receiving accolades like the USSR State Prize and the Repin Prize of the Russian Federation .
Tkachyov’s works are notable for their deep narrative quality and emotional depth, focusing on genre and characterization. His early sketches, such as “A Lonely Fisherman” from 1948, evolved into more complex compositions like “Kids” created between 1958 and 1960, showcasing his ability to weave stories through his art. His and his brother's early works, influenced by the likes of Valentin Serov and Konstantin Korovin, laid a foundation for their unique artistic language that emerged in the late 1950s. This period marked the creation of significant works, differing in style but united in their rich narrative and visual texture.
Among the celebrated works of Tkachyov is “On the High Point,” which pays homage to the valor of soldiers during World War II, encapsulating the tension and heroism of a nocturnal assault on an enemy position. Another notable piece, “Portrait of Atamanov,” completed in 1995, delves into the personal, portraying a war veteran in a ceremonial style that meticulously captures the details of military honors, reflecting Tkachyov's own experiences and connections forged during the war. Additionally, “The School in Ovstug,” painted in 1984, is a historical piece reflecting on the educational legacy in a village, symbolizing the broader cultural and social narratives that Tkachyov seeks to preserve through his art.
Sergey Tkachyov’s body of work stands as a profound chronicle of Russian rural life and its people, marked by a dedication to realism, emotive storytelling, and a deep connection to the country’s history and culture. His paintings not only celebrate the beauty and hardship of rural Russia but also serve as a reminder of the nation's complex historical tapestry, making them invaluable to collectors and experts in art and antiques.
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Moses Ivanovich Toidze (Russian: Моисей Иванович Тоидзе) was a distinguished Georgian Soviet artist and educator, known for his significant impact on art during the early to mid-20th century. Born and passed away in Tbilisi (February 2, 1871 - June 17, 1953), his life and work mirrored the substantial cultural shifts of his time. His contributions spanned various genres, including genre art, historical painting, landscape painting, and portraiture, showcasing his versatility and deep connection to the Georgian cultural identity.
Toidze's career was also marked by his dedication to art education. As a professor at the Tbilisi Academy of Arts and the founder of a public art studio in Tbilisi in 1922, he played a pivotal role in establishing the foundations of professional art education in Georgia. This commitment to nurturing talent influenced countless Georgian artists, enriching the nation's artistic heritage.
His body of work reflects a profound engagement with Georgian life, capturing its landscapes and people with emotional depth and nationalistic pride. Notable works like "Market (Bazazkhana)" (1914), "Landscape" (1918), and "King Tamar in the Country-Cottage" (1919) exemplify his skill in blending realism with emotive storytelling.
Preserving Toidze's legacy, the Mose Toidze House Museum, established in his former home and studio, curates a vast collection of his artworks alongside photographic and documentary materials. This museum offers a comprehensive look into his life, work, and the cultural backdrop that influenced him.
For art collectors and experts, Moses Ivanovich Toidze remains a central figure in modern Georgian painting, whose work and influence persist in inspiring current and future generations. Staying informed about sales and auction events related to Toidze's work is essential for those looking to immerse themselves in or acquire pieces of this master's enduring legacy.


Victor Ivanovich Tolochko (Russian: Виктор Иванович Толочко) was a Soviet and Ukrainian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a decorated participant of the Great Patriotic War, a master of landscape, still life, battle and historical genres.
When working in the historical genre Victor Tolochko tried to live in the historical atmosphere. Working on the painting "Defenders of the Brest Fortress", he lived in the fortress for six months and created more than 50 sketches and sketches. In addition to the military theme, the master's life-affirming landscapes were also highly appreciated by critics.


Victor Grigorievich Tsyplakov (Russian: Виктор Григорьевич Цыплаков) was a Soviet artist of the second half of the twentieth century. He is known as a painter, master of thematic painting, landscape painter, portraitist, and teacher.
Victor Tsyplakov created famous thematic works of the historical genre, including "Gorky on the Volga", "V. I. Lenin", "Doprosy. I. Lenin", "Interrogation of Zoya Kosmodemyanskaya". He was among the few artists entrusted to make sketches of Stalin's funeral. In the work of the master especially stand out landscapes - he masterfully depicted nature, created poetic images and played with light. In portraits of models and close people, the artist conveyed a subtle psychological characterization and a sense of friendly sympathy.


Boris Sergeevich Ugarov (Russian: Бори́с Серге́евич Уга́ров) was a distinguished Russian Soviet realist painter and art educator, whose contributions to the Leningrad school of painting marked him as one of its most illustrious representatives. Born on February 6, 1922, and passing away on August 2, 1991, Ugarov's life and work were deeply intertwined with the cultural and artistic developments of his time, earning him the status of an Honored Artist of the RSFSR. His paintings, celebrated for their depth and realism, captured the essence of Soviet life and ideology, reflecting the socio-political atmosphere of the era.
Ugarov's career was distinguished not only by his artistic talent but also by his dedication to art education, influencing generations of artists as a professor and rector at the prestigious Academy of Arts. His contributions to the Russian and Soviet art scenes were recognized with numerous awards, including the State Prize of the USSR, illustrating his impact on and legacy within the realm of Soviet art. Ugarov's works, which are held in high regard both nationally and internationally, can be found in museums and private collections, serving as a testament to his skill and dedication to realism.
For collectors and experts in art and antiques, the works of Boris Ugarov offer a unique glimpse into the Soviet era, characterized by meticulous attention to detail and a profound understanding of the human condition. His legacy continues to inspire and influence, underscoring the importance of realism in conveying cultural and historical narratives. For those interested in exploring the rich tapestry of Russian Soviet art, Ugarov's work remains a pivotal point of reference.
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Konstantin Alexeyevich Vasiliev (Russian: Константин Алексеевич Васильев) was a Soviet artist of the mid-twentieth century. He is known as a painter, graphic artist and illustrator, famous for his works on Bylin and mythological themes.
Konstantin Vasiliev was influenced by surrealism and abstract expressionism in the early 1960s, but later shifted to a realist style. He found inspiration in folk art, myths, bylinas, fairy tales, Slavic, Scandinavian and ancient Germanic epics. He also created works dedicated to the Great Patriotic War, landscapes and a series of graphic portraits of composers and musicians.


Alexei Ivanovich Vepkhvadze (Russian: Алексей Иванович Вепхвадзе) was a Soviet and Georgian artist of the second half of the twentieth century. He is known as a graphic artist, painter, poster artist, Honored Artist of the Georgian SSR.
Alexei Vepkhvadze worked in a variety of genres, including historical and genre painting, portraits and book graphics. He was a recipient of the Stalin Prize of the third degree. Among his most famous works are "Portrait of a Wife", "Bagration's Wounding", "Portrait of Mother", "Vazha-Pshavela", "Stalin's Expulsion from Batum in 1903", and "Shota Rustaveli Reading His Poem".


Renzo Vespignani was an Italian painter, printmaker, and illustrator, co-founder of II Pro e II Contro (Pro and Con), which sought to develop new directions in neo-realism. Vespignani's 1944 drawings realistically depicted the destruction of German-occupied Rome. He also illustrated works by Boccaccio, Kafka, and T. S. Eliot.


Aleksandr Aleksandrovich Vinogradov (russian: Александр Александрович Виноградов) is a Russian artist who from 1994 to 2014 worked in an art duo with the artist Vladimir Dubosarsky (russian: Владимир Дубосарский). Together they created works in different genres, which were often scandalous and even shocking to the public.
Vinogradov studied at the Moscow Art School in memory of 1905, then at the Surikov Moscow State Art Institute, and is a corresponding member of the Russian Academy of Arts. He currently lives and works in Milan.


Nikolay Nikolayevich Volodimirov (Russian: Николай Николаевич Володимиров) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter and teacher, a representative of the Leningrad art school.
Nikolay Volodimirov actively participated in art exhibitions since 1940. His work included genre and historical compositions, portraits and landscapes. Among his famous works are "The crossing in Nevskaya Dubrovka", "The feat of 28 heroes-Panfilovtsy" and others. The artist's works are in museums and private collections around the world, including Russia, Great Britain, the USA, France and Finland.


Konstantin Fyodorovich Yuon (Russian: Константи́н Фёдорович Юо́н) was a distinguished Russian artist and painter, celebrated for his multifaceted contributions to the world of art. Born in Moscow, Yuon's work spans painting, stage design, and teaching, making significant impacts across these fields. His artistry is renowned for blending traditional Russian motifs with innovative techniques, illustrating the rich tapestry of Russian culture and history.
Yuon's masterpieces are characterized by their vibrant use of color and light, capturing the essence of Russian landscapes and urban scenes with a unique lyrical quality. His notable works, such as "New Planet" and "The March Sun," showcase his ability to transcend the ordinary, offering viewers a glimpse into the ethereal beauty of everyday life. These pieces not only highlight his technical prowess but also his profound understanding of the emotional and cultural significance of his subjects.
Throughout his career, Yuon's influence extended beyond the canvas, as he nurtured the next generation of artists through his teaching. His dedication to the arts was recognized with prestigious awards, affirming his status as a pillar of the Russian art community. Today, his works are preserved in major museums and galleries, serving as a testament to his enduring legacy in the fields of painting and cultural heritage.
For collectors and experts in art and antiques, the legacy of Konstantin Fyodorovich Yuon offers a fascinating exploration into the evolution of Russian art. His works not only represent significant artistic achievements but also embody the cultural and historical narratives of their time. To stay informed on new product sales and auction events featuring Yuon's work, we invite you to sign up for updates. This subscription will ensure you're always in the loop on opportunities to own a piece of Russian art history.