Nude art German Expressionism
Edvard Frank was a German painter of the "lost generation".
He began his training in 1926 at the Trier School of Crafts and Applied Arts with August Trümper, then studied at the Cologne Werkschulen with Richard Seewald, and moved to the Academy in Berlin to study in Karl Hofer's class. After being called up for military service, he probably injured himself. At the end of the war he evaded another call-up by deserting. At the end of the war he lived in the district town of Birkenfeld in Hunsrück until the mid-1950s. Here he produced a large number of drawings and watercolours, which he was reluctant to give up. After the war he became a co-founder of the Palatinate Secession, and in 1946 a member of the New Darmstadt Secession as well as the Arbeitsgemeinschaft bildender Künstler am Mittelrhein, founded in 1948. He enjoyed increasing success with exhibitions at the Städtische Kunstsammlung Baden-Baden as well as in Hamburg, Lübeck, Berlin, Karlsruhe, Mannheim, Mainz and Kaiserslautern. The Brücke painter Erich Heckel appreciated his work. His estate, which includes personal documents and correspondence as well as sketchbooks and photographs of his works, is preserved in the Landesarchiv Saarbrücken.
Frank's preferred subjects were often erotic and oriented towards classicist motifs.
Edvard Frank was a member of the Deutscher Künstlerbund.
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Karl-Heinz Hansen-Bahia, born in 1915 in Hamburg, Germany, was a multi-faceted artist whose work spanned various mediums, including woodblock prints, painting, sculpture, and filmmaking. His artistic journey began in earnest after World War II, with his first woodcut created in 1946. His early work, heavily influenced by the renowned artist Dürer, focused on religious scenes, showcasing his intricate and expressive style.
In 1949, Hansen-Bahia emigrated to Brazil, a move that profoundly influenced his artistic style and career. He taught art in São Paulo and later moved to Salvador Bahia, where his first exhibitions in the country were held. His work during this period began to reflect more of his adopted country's influence than his German origins, leading to a distinctive style that contributed to his prominence as a post-war German artist.
Hansen-Bahia's connection to Germany remained strong despite his move to Brazil. He returned briefly to Germany but later accepted a professorship at the Art Academy in Addis Ababa, Ethiopia. After gaining Brazilian citizenship, he continued to exhibit his work internationally, including in Europe, Japan, and the Americas. His importance in the Brazilian art scene was significant, as he became known for his portrayals of the people and landscape of the state of Bahia.
His artistic legacy was celebrated in extensive retrospectives held in Germany in 1971-72, which were among the last before his death in Brazil in 1976. Hansen-Bahia's work is a testament to his versatility and ability to adapt and evolve his style in response to his changing environments and experiences.
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Bernhard Hasler was a German modernist painter. He was known for his expressionist paintings, especially portraits and nudes.
Hasler's work is characterized by the use of bold colours and thick, expressive strokes. He often painted portraits of friends and family. His work is marked by an emotional intensity and an exploration of the human condition.
Hasler's work can be found in many public and private collections, including the National Gallery in Berlin and the Museum of Modern Art in New York. He is considered one of the leading expressionist artists of his generation in Germany.
Norbert Hochsider was a German painter and graphic artist. His artistic style was influenced by the German Expressionist movement that emerged at the beginning of the 20th century. Expressionism was characterised by an emphasis on subjective emotion, distorted forms and intense colours. Artists associated with this movement sought to convey their inner feelings and the psychological impact of the modern world.
Norbert Hochsider explored a wide range of subjects in his paintings, including landscapes, figures and still lifes. He has used bold brushes, vibrant colours and dynamic compositions to express his emotional response to the subject matter. His works often reflect intensity, energy and raw emotion.
Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.
Hermann Scherer was a Swiss expressionist painter, sculptor, and printmaker. He is considered one of the most important expressionists in Switzerland.
Familiarity with new movements in art prompts the young sculptor to take up painting at the same time. Scherer switches from stone carving to painting and creates an impressive series of brightly colored works in keeping with German Expressionist trends. Inspired by the paintings of Edvard Munch, but above all by his collaboration with Ernst Ludwig Kirchner, Scherer developed an expressive formal language and painted in strong, vivid colors. The themes of his paintings speak of inner conflicts, love and passion, fear and loneliness. In addition to paintings, Scherer created many woodcuts.
In the mid-1920s, together with Paul Kamenisch and Albert Müller, Scherer founded the Rot-Blau group, which made a major contribution to Swiss expressionism.
Georg Tappert was a German expressionist painter.
Tappert studied at the Academy of Fine Arts in Berlin and later joined the Berlin Secession, a group of artists who sought to break away from traditional academic art. His early work was influenced by the Art Nouveau movement, but he later became associated with German Expressionism.
Tappert's paintings are characterized by their vivid colors and expressive brushstrokes, which conveyed a sense of emotional intensity. He often depicted scenes of modern urban life, such as cafés, streets, and theaters, as well as portraits and still-life compositions. He also produced a significant body of graphic work, including woodcuts and lithographs.
Tappert's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Städtische Galerie in Munich. He was also awarded numerous honors and awards for his work, including the Villa Massimo Prize in Rome in 1911 and the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1955.
Conrad Westpfahl was a German painter. He was associated with the Expressionist movement in Germany, and his paintings often depicted the landscapes and people of rural Bavaria.
Westpfahl studied at the Academy of Fine Arts in Berlin and later became a professor at the School of Arts and Crafts in Würzburg. He was a member of the Berlin Secession, an association of artists who broke away from the traditional academic art world in the early 20th century.
Westpfahl's style was characterized by bold colors, thick brushstrokes, and a sense of emotional intensity. Later he moved on to more abstract painting.
Today, Westpfahl's paintings are held in collections around the world, including the National Gallery in Berlin and the Museum of Modern Art in New York.