Portrait Armenia
Yeranui Arshakovna Aslamazyan (Russian: Ерануи Аршаковна Асламазян) was a Soviet and Russian artist of the second half of the twentieth century of Armenian origin. She is known as a painter and graphic artist.
Yeranui Aslamazyan created portraits, landscapes, still lifes and genre paintings. She also experimented with theater design, prints and ceramics. An Orientalist artist, she was part of the Soviet artistic elite in Leningrad and Moscow. With the support of the Soviet Union authorities, she traveled the world, visiting many countries. Her works are in museums in London, Sofia, Berlin, St. Petersburg, Venice, Tokyo, and Delhi.
Mariam Arshaki Aslamazyan (Russian: Мариам Аршаковна Асламазян) was a renowned Soviet-Armenian painter, often hailed as the "Armenian Frida Kahlo" due to her vibrant and expressive works that prominently featured elements of Armenian culture. Born on October 20, 1907, in Alexandropol (now Gyumri), Armenia, Aslamazyan was celebrated for her unique style which blended traditional Armenian themes with modernist influences.
Throughout her career, Aslamazyan's artwork received significant accolades, including the prestigious titles of People's Artist of the Armenian SSR in 1965 and People's Artist of the Soviet Union in 1990. Her paintings are characterized by their vivid colors and dynamic compositions, often focusing on still lives, narrative scenes, and portraits.
Aslamazyan's works are preserved and displayed in several major collections, notably at the Gallery of Mariam and Eranuhi Aslamazyan Sisters in her hometown, which showcases an extensive array of her oil paintings and ceramic works. Her artistic legacy continues to be celebrated in exhibitions and holds a significant place in Armenian cultural heritage.
For those interested in exploring more about Mariam Arshaki Aslamazyan's life and art, or in acquiring works associated with her, consider subscribing for updates on new product sales and auction events related to her work. This subscription will keep you informed about opportunities to engage with Aslamazyan's art legacy.
Valery Arutyunovich Geghamyan (Russian: Валерий Арутюнович Гегамян) was a Soviet and Ukrainian artist of the mid-twentieth century of Armenian origin. He is known as a painter, graphic artist and teacher.
Valeriy Geghamyan became famous for his monumental canvases, large thematic cycles and graphic series. He also created portraits, landscapes and still lifes. Since the early 1960s he lived and worked in Odessa and founded the art and graphic arts faculty at the Odessa Pedagogical Institute, where he taught for more than 20 years. The master raised many famous artists, some of whom are also teachers, passing on the experience of their teacher.
Arshile Gorky was an Armenian-American painter who had a seminal influence on Abstract Expressionism. He spent the last years of his life as a national of the United States. Along with Mark Rothko, Jackson Pollock and Willem de Kooning, Gorky has been hailed as one of the most powerful American painters of the 20th century. The suffering and loss he experienced in the Armenian genocide had crucial influence at Gorky’s development as an artist.
Alexander Ovakimovich Grigoryan (Russian: Александр Овакимович Григорян) was a Soviet and Armenian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and graphic artist, portraitist and illustrator.
Alexander Grigoryan painted pictures characterized by bright saturated colors and emotionality. He specialized in portraits of well-known personalities, whose images he conveyed with warmth and empathy. His works did not just reflect faces, but also conveyed the inner world and temperament of each person depicted.
The master also illustrated works by Shakespeare and Armenian writers.
Sergey Israelovich Hovsepyan (Russian: Сергей Исраелович Овсепян) is a Soviet and contemporary Armenian artist. He is known as a painter working in different genres, but predominantly in portraiture and everyday life.
Sergey Hovsepyan began exhibiting his works in 1972. His work is distinguished by plastic diversity and aspiration to convey the actual problems of the time. He skillfully combines form and content, adjusting plastic principles to each theme. His large thematic paintings reflect an analytical and cognitive approach to the study of reality. The artist often introduces documentary material, photo and newsreel footage into his paintings.
Yervand Kochar (Russian: Ерванд Семёнович Кочар) was an Armenian sculptor and modern artist, renowned for his groundbreaking contributions to the 20th-century art world, particularly as a pioneer of the Painting in Space art movement. Born in Tbilisi, Georgia, in 1899, Kochar's artistic journey led him from his native land to Paris, where his innovative works earned him critical acclaim and a place alongside other avant-garde artists. His creations, characterized by a dynamic blend of sculpture and painting, sought to introduce time as a fourth dimension to art, presenting a novel way of perceiving artistic expressions.
Kochar's most celebrated works, such as the statues of David of Sassoun and Vardan Mamikonian, have become emblematic of Armenian heritage, symbolizing the enduring spirit and cultural richness of Armenia. His masterpiece in painting, "Disasters of War," alongside other significant works, underscores his versatility and mastery over different mediums. The Yervand Kochar Museum in Yerevan, Armenia, serves as a testament to his enduring legacy, housing a vast collection of his works and offering insights into his artistic evolution and the profound impact of his contributions to modern art.
For art collectors and experts, Kochar's work represents not only a pivotal moment in the history of modern art but also an opportunity to engage with the rich tapestry of Armenian cultural identity. His innovative approach to form, space, and time continues to inspire new generations of artists and art aficionados worldwide.
To stay updated on exhibitions and auctions featuring Yervand Kochar's works, sign up for updates. By subscribing, you'll receive alerts on new sales and auction events related to Kochar's art, ensuring you never miss an opportunity to engage with the legacy of this remarkable artist.
Sergey Dmitrievich Merkurov (Russian: Серге́й Дми́триевич Мерку́ров) was a Soviet sculptor-monumentalist of Greek-Armenian descent, celebrated for his significant contributions to the art world. Born in Alexandropol (now Gyumri), he ventured into art after leaving the Kyiv Polytechnic Institute due to a political scandal. Merkurov's education in art took him across Europe, from Adolf Meyer's tutelage in Switzerland to the esteemed studio of Auguste Rodin in Paris. His acquaintance with Vladimir Lenin abroad influenced his later works, including the famed Lenin statues across Soviet territories. Merkurov's mastery in creating post-mortem (death) masks for notable figures such as Leo Tolstoy and Vladimir Lenin, among others, showcases his exceptional talent and innovation in the field.
An adept of "academic modernism," Merkurov was also involved in the "Monumental Propaganda" program, through which he created numerous significant monuments, including the largest Stalin statues in the USSR. His works, such as the "Shooting of 26 Baku Commissars" and the "Death of the Leader," reflect his artistic prowess and ideological commitment to Soviet monumentalism.
Merkurov's legacy is preserved in the Merkurov Museum in Gyumri, which houses an extensive collection of his death masks, including the only original death mask of Lenin. This museum, opened in 1984 in his family house, stands as a testament to his life's work and influence. His contributions were recognized with titles such as People's Artist of the USSR and membership in the USSR Academy of Arts. Merkurov's works are part of several museum collections, including the State Tretyakov Gallery, underscoring his lasting impact on Russian and Soviet art.
Collectors and art and antiques experts who appreciate the depth of Soviet-era monumental art would find Sergey Dmitrievich Merkurov's works a remarkable study. For updates on exhibitions and auctions featuring Merkurov's work, sign up for notifications to stay informed about new sales and events related to this influential artist.
Nikolai Bagratovich Nikoghosyan (Russian: Николай Багратович Никогосян) was a Soviet Armenian sculptor and artist, celebrated for his mastery in creating expressive portraits and monumental sculptures that capture the essence and vitality of his subjects. Born in 1918, Nikoghosyan's art was significantly influenced by the Russian school of realistic sculpture and the national plastics of Armenia, reflecting a unique blend of cultural heritage and artistic innovation.
Throughout his remarkably long career, Nikoghosyan created a vast array of works, including over 200 busts in bronze, wood, and marble, 600 oil paintings, and 3,000 charcoal drawings. His artworks are appreciated worldwide, held in private collections across countries like France, Belgium, and Italy.
Nikoghosyan's significant contributions to art were recognized with numerous titles, including the People's Artist of the Armenian SSR, People's Artist of the USSR, and laureate of the USSR State Prize. His legacy is preserved and celebrated at the Nikoghosyan Cultural Foundation in Yerevan, Armenia, which showcases his sculptures, graphics, and paintings. The foundation not only serves as a tribute to Nikoghosyan's memory but also aims to inspire and support young Armenian artists.
For art enthusiasts and collectors, the work of Nikolai Bagratovich Nikoghosyan offers a fascinating glimpse into the blend of Armenian tradition and Soviet-era artistic expression, making his pieces highly sought after in the realms of both national and international art collections. To stay updated on exhibitions and auction events featuring Nikoghosyan's work, signing up for updates is highly recommended. This ensures you remain informed about opportunities to appreciate or acquire pieces by this master sculptor and artist.
Martiros Saryan (Russian: Мартирос Сергеевич Сарьян), an Armenian painter, left an indelible mark on the art world with his vibrant landscapes, still lifes, and portraits that radiate the essence of Armenian culture and nature. Born in Nakhichevan-on-Don in 1880, Saryan's journey into the world of art was influenced by his studies at the Moscow School of Arts and notable artists like Paul Gauguin and Henri Matisse. His work is celebrated for its bright, bold use of color and a unique ability to capture the beauty of the Armenian landscape.
Saryan's artistic odyssey was marked by extensive travels across Turkey, Egypt, and Iran between 1910 and 1913, which enriched his palette and broadened his thematic scope. These experiences, coupled with his later contributions as a designer of the Armenian SSR's coat of arms and a theatre curtain, underscore his profound impact on Armenian national identity. Despite the challenges of the 1930s, Saryan's commitment to landscape and portrait painting never wavered, earning him prestigious awards and recognition within the USSR Art Academy and the Armenian Academy of Sciences.
Today, Saryan's legacy is preserved at the Martiros Saryan House Museum in Yerevan, where visitors can immerse themselves in his life and art. The museum showcases a wealth of his works, including renowned paintings like "Armenia" and "The Ararat Valley," offering a window into the culture and history of Armenia through Saryan's eyes.
For collectors and experts in art and antiques, the vibrancy and depth of Saryan's work offer a unique insight into Armenian heritage. Sign up for updates on new product sales and auction events related to Martiros Saryan, and explore the rich tapestry of Armenian art as seen through the masterful strokes of one of its greatest painters.
Georgy Bogdanovich Yakulov (Russian: Гео́ргий Богда́нович Яку́лов) was a multifaceted Armenian artist renowned for his contributions across several artistic domains, including painting, graphic art, stage design, and art theory. Born on January 16, 1884, in Tiflis (now Tbilisi), Yakulov's work is celebrated for its abstract art and avant-garde approach, blending Eastern influences with European modernism. His art is notable for its abstract qualities, rich decorative colors, and a unique blend of romantic expressionism with a fascination for Oriental exoticism.
Yakulov's journey into the art world was marked by significant milestones, such as his studies at the Moscow School of Painting, Sculpture and Architecture, and his military service in northeast China, which introduced him to Eastern light effects and decoration. His artistic career flourished with exhibitions across Moscow, Paris, and Berlin, where he became associated with notable movements and figures, including the Delaunays and their theory of Simultanism.
A pivotal moment in Yakulov's career was his contribution to theatre, most notably his work with the Moscow Chamber Theatre and his designs for ballets, including those commissioned by Diaghilev for the Ballets Russes. This period highlighted his ability to merge traditional theatrical techniques with modernist abstraction, creating a lasting impact on stage design.
His theories, particularly the "Theory of Colored Suns," showcased his innovative approach to art, emphasizing the importance of light and color, which he explored through his essays and designs. Despite his passing on December 28, 1928, Yakulov's legacy endures through his contributions to modern art and theatre, with works displayed in notable galleries and a special place among avant-garde artists.
For art collectors and enthusiasts interested in exploring the rich tapestry of Eastern and European avant-garde movements, Georgy Bogdanovich Yakulov's work represents a fascinating convergence of cultures and artistic philosophies. To stay updated on new discoveries and exhibitions related to Yakulov, consider signing up for updates. This will ensure you're always informed about sales and auction events celebrating his remarkable legacy.
