Portrait Moldova


Lydia Ivanovna Arionescu-Baillayre (Russian: Лидия Ивановна Арионеско-Балльер) was an early twentieth-century Russian artist of Moldovan origin. She is known as a painter, a representative of Post-Impressionism and Neo-Impressionism.
Lydia Arionescu-Baillayre created still lifes and portraits. She was a member of the first St. Petersburg society of experimental and innovative artists "Union of Youth".


Leonid Fyodorovich Balaklav (Russian: Леонид Фёдорович Балаклав) is a Soviet and contemporary Israeli artist. He is known as a painter, graphic artist and cartoonist.
Leonid Balaklav began his career in Kishinev, then moved to Kiev, where he worked on scientific films. In 1987 at the Tokyo Film Festival he was awarded a gold medal for his animated works. In 1989 he moved to Israel, where he became known for his portraits, lyrical landscapes and works on religious themes. His work is often associated with Jewish identity, and his paintings are known for their intimacy and detail. He uses oil paints on wood to create his works.


Boris Konstantinovich Bilinsky (Russian: Борис Константинович Билинский) was a Russian-born artist and designer, renowned for his significant contributions to set and costume design in theater, cinema, and ballet, as well as his accomplishments as a graphic artist. Bilinsky's career took him across Europe, from Russia to Germany, France, and eventually Italy, reflecting a life influenced by political and social upheavals of the early 20th century. His departure from Russia in 1920 marked the beginning of a prolific period in Berlin where he collaborated with prominent Russian emigre movie directors and theater companies. By 1923, Bilinsky had moved to Paris, becoming an integral part of the French cinema scene, notably designing posters and publicity material for the French release of Fritz Lang’s "Metropolis" in 1927, a commission that solidified his reputation as a leading cinema poster artist.
Bilinsky's creative vision extended beyond the cinema to the world of ballet and opera, where he made significant contributions, including designing for the Teatro alla Scala in Milan. His work for the "Follie viennesi" ballet in 1947, with music by Johann Strauss, showcased his ability to blend artistic freedom with the thematic requirements of the productions, employing vibrant colors and shapes that echoed the circular motion of a waltz.
Throughout his career, Bilinsky's versatility and talent were evident in the range of his work, from cinema posters to set and costume designs for prestigious theater productions. His legacy is preserved through collections and exhibitions, ensuring his artistic contributions continue to inspire and influence.
For collectors and experts in art and antiques, Boris Konstantinovich Bilinsky remains a figure of great interest due to the breadth of his work and the artistic prowess he displayed across various mediums. His contributions to the visual arts, particularly in the realm of set and costume design, cement his place in history as a versatile and innovative artist whose work transcends time and geographic boundaries.
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Stefan Ivanovich Florescu (Russian: Степан Иванович Флореску) was a Soviet and Moldovan artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist and inventor who solved complex artistic problems using the methodology of the theory of inventive problem solving.
Starting in art at a young age, Stefan Florescu sought to develop not only his knowledge but also his skills as a portrait painter, exploring the complex aspects of human nature. His work encompassed various genres, including thematic compositions, landscapes, still lifes and portraits, as well as utilizing a variety of artistic and technical methods to create expressive images.
During his career, the master created more than 10,000 sketches, sketches, and sketches; about 250 graphic works; more than 390 pictorial compositions; and two sculptural projects.


Mikhail Fyodorovich Larionov (Russian: Михаил Фёдорович Ларионов) was a distinguished Russian avant-garde artist, painter, and founder of the Rayonism movement, whose contributions significantly influenced early 20th-century modern art. Born in Tiraspol, then part of the Russian Empire, Larionov's pioneering spirit in both painting and stage design left an indelible mark on the realms of culture and art. His dedication to exploring new artistic techniques and expressions made him a central figure among Russian artists, pushing the boundaries of traditional painting and engaging in innovative artistic dialogues.
Larionov's artistry was not confined to a single genre; he was instrumental in the development of Russian avant-garde art, exploring and contributing to various movements such as Neo-Primitivism before founding Rayonism. This movement, which he developed alongside Natalia Goncharova, his lifelong partner and fellow artist, sought to express the dynamic interplay of light and color, breaking away from the conventional forms and perspectives of the time. Larionov's work in this area highlighted his belief in the power of abstract forms and the potential of art to capture the energy and rhythm of modern life.
His contributions are celebrated in major museums and galleries worldwide, with his works being pivotal in understanding the evolution of modern art. Notable works by Larionov are held in prestigious institutions such as the Russian Museum in St. Petersburg, the Tretyakov Gallery in Moscow, and the Museum of Modern Art in New York, underscoring his international recognition and the lasting impact of his artistic innovations.
For collectors and experts in art and antiques, Mikhail Fyodorovich Larionov's legacy offers a rich field of study and appreciation. His works not only embody the innovative spirit of early 20th-century art but also represent a bridge between Russian cultural heritage and the broader currents of European modernism. To stay informed about new product sales and auction events related to Mikhail Fyodorovich Larionov, we invite you to sign up for updates. This subscription is a valuable resource for enthusiasts keen to explore the depth and diversity of Larionov's contributions to modern art.


Adolf Izrailevich Milman (Russian: Адольф Израилевич Мильман) was a Russian and French painter, born in 1886 in Kishinev, then part of the Russian Empire, into a large Jewish family. He initially studied at a commercial school in Kishinev before moving with his family to Moscow in the early 1900s, where he entered the Moscow School of Painting, Sculpture, and Architecture. Milman's early career was marked by his attendance at the art studio of Ilya Mashkov, a significant influence and a close friend. He was deeply involved in the Russian avant-garde art scene, becoming a member of the Jack of Diamonds group in 1911 and later joining the World of Art association along with notable artists like Robert Falk and Alexander Lentulov.
Milman's work was characterized by his engagement with the Jack of Diamonds group, where he exhibited his pieces in their group exhibitions between 1912 and 1914. His artworks from this period include vibrant landscapes and still lifes, reflecting the avant-garde movements of the time. By 1917, he had joined the World of Art association, contributing to its exhibitions and emphasizing his evolving artistic style. Beyond his creation, Milman also dedicated time to teaching at Ilya Mashkov's private studio of painting and drawing until his health was compromised by tuberculosis, leading him to seek treatment in Crimea annually from 1914.
Milman's later years saw him move to France, where he continued to participate in the Russian art exhibitions in Paris and the Hague, further cementing his role in the broader European art scene until his death in 1930.
For collectors and experts in art and antiques, Milman's work represents a bridge between Russian and French avant-garde art movements, embodying the vibrant cultural exchanges of the early 20th century. His pieces, often displayed in museums and galleries, offer a glimpse into the dynamic art scene of his time.
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