Portrait Switzerland
Urs Aeschbach is a Swiss media artist working in various techniques. Nature is always a pictorial theme in Urs Aeschbach's paintings. Her main characters are mushrooms, woody plants, animals, jellyfish, as well as dogs and horses. The artist's paintings are inspired by photographs and illustrations. In addition to paintings, Eschbach creates art and construction projects, video works, as well as constructions and installations.
Samuel Amsler is a Swiss engraver. He studied his art under Johan Heinrich Lips and Karl Ernst Hess, at Munich, and from 1816 pursued it in Italy, and chiefly at Rome, till in 1829 he succeeded his former master Hess as professor of engraving in the Munich academy. The works he designed and engraved are remarkable for the grace of the figures, and for the wonderful skill with which he retains and expresses the characteristics of the original paintings and statues. He was a passionate admirer of Raphael, and had great success in reproducing his works.
Albert Samuel Anker was a Swiss painter, gesture painter and graphic artist.
Albert studied at the École Nationale Supérieure des Beaux-Arts in Paris and exhibited his work at the Paris Salons, where he was awarded a gold medal in 1866. Anker painted many realistic portraits and genre scenes of ordinary Swiss life. In many of them he depicted children, including his own. Thanks to his paintings, Albert Anker was the most popular genre painter of 19th century Switzerland. He also decorated more than 500 earthenware plates for the Alsatian ceramicist Theodor Deck.
Anker was a member of the Grand Council of the Canton of Bern, initiated the creation of the city museum, and held the rank of officer of the Legion of Honor.
Rodolphe Auguste Bachelin was a Swiss landscape, history and portrait painter as well as a writer, historian and art critic.
He was interested in the Lombardy War of 1859 and in particular in the Franco-Prussian War of 1870 to 1871, which provided him with several subjects with its troop surge at Les Verrières. The Neuchâtel painter was greatly influenced by the writings of Rodolphe Töpffer and aspired to become a Swiss national painter.
Karl Otto Bachmann, a Swiss painter, graphic artist, and illustrator, began his artistic career in Luzern before moving to Zurich and pursuing freelance work. He achieved a breakthrough in 1943 with the publication of his "Faust" portfolio. Bachmann drew inspiration from his travels across Europe, often joining circus troupes for income and creative ideas. His paintings were characterized by imaginative and virtual settings, with themes revolving around the stage, carnival, and circus. Bachmann's elegant lines, delicate colors, and harmonious compositions made him a respected book illustrator. He actively participated in numerous exhibitions throughout his life, both domestically and internationally.
Edmond Bille was a Swiss artist. Bille engaged in intense and varied activity as painter, engraver, stained glass artist, journalist, writer, and politician. He is the creator of the stained glass windows around the altar of the Cathedral of Lausanne, capital of the Swiss canton of Vaud.
Rodolphe-Théophile Bosshard was a Swiss painter who is best known for his cubist-inspired landscapes and nudes.
Bosshard is considered one of the influential Swiss artists of the early 20th century. He exhibited in Paris together with Pablo Picasso and Marc Chagall.
Frank Buchser was a Swiss painter. He is noted for his portraits of notable American figures of the post civil war period and for his works with Oriental themes.
His oeuvre comprises about 1000 works in oil, including about 300 full paintings. The remainder are mostly independent sketches, often executed with spiritedly rapid strokes, which show the artist's pronounced sense of color and light. The most important collection of his works are in the Kunstmuseum Solothurn (80 paintings) and the Kunstmuseum Basel (over 1000 oil sketches, drawings and watercolors and sketchbooks).
Margherita known as Mara Corradini was an Italian painter and illustrator. Daughter of an industrialist, she studied in Naples, Munich, at the Académie Julian in Paris, in Berlin as a pupil of Martin Brandenburg and then of Henry Luyten at the Institute of Fine Arts in Brasschaat. She obtained the Great Bronze Medal at the 34th International Exhibition of Fine Arts in Naples, as well as in 1912, a 1st class honorary diploma and a gold medal at the Academy of Weimar. In 1924, she won a new honorary diploma at the International Exhibition of Women's Portraits and in 1927 at the International Exhibition in Bordeaux. His paintings Dutch Landscapes and Low Tide were purchased by King Victor-Emmanuel III.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Jean-Joseph Crotti was a Swiss and French graphic artist and avant-garde painter.
Crotti studied at the Munich School of Applied Arts, then at the Académie Julian in Paris. He went from Impressionism to Fauvism, then he became interested in Art Nouveau, Cubism and finally Dadaism. With the outbreak of World War I, Crotti left New York, where he formed close friendships with Marcel Duchamp and Francis Picabia. In 1916, he returned to France. In the late 1930s, Crotti began using a new technique in glass painting called Gemmail.
Helen Dahm was a Swiss artist and a follower of the expressionist movement.
Helen Dahm only received recognition late in life. In 1967, at the age of 89, she had her first major retrospective exhibition in Switzerland.
Else Strantz was her life partner for twenty years, and it was through Strantz that Dahm met the Blue Rider group of artists, who were very influential to Dahm.
Heinrich Danioth was a Swiss painter and poet.
Some of Danioth’s most notable works include the murals, "Tellsprung" and "Rütlischwur", on the walls of the Tellspielhaus, an Altdorf theatre, in 1927.
He painted the mural “Fundamentum” in 1936. It is currently located at the Federal Letter Museum, one of three historical museums in Schwyz, Switzerland.
Another notable work is the large-format mural "Föhnwacht", created on behalf of the Federal Art Commission.
Giovanni Battista Discepoli also called "Lo Zoppo di Lugano" from his being a cripple, was a Swiss-Italian painter of the Baroque period, active mainly in Milan. He was a pupil of the painter Camillo Procaccini. In Milan, he painted a Purgatory for the church of San Carlo, and an Adoration of the Magi originally painted for San Marcello is now in the Brera Gallery. Lugano also has some of his works; in the church of Santa Teresa at Como is a picture of that Saint. One of his pupils was Pompeo Ghiti from Brescia.
Auguste Frédéric Dufaux the Younger was a Swiss painter and sculptor.
Auguste's father, painter and sculptor Frédéric Guillaume Dufaux (1820-1872), taught him to draw, then he entered the Geneva School of Fine Arts, continued his studies in Paris and Florence.
Dufaux painted lovely female portraits in genre and intimate scenes, children playing, and many depictions of nude women, often near water. He lived in Paris from 1876 to 1891 and participated in the Salon des Artistes Français. From his travels in Egypt and Algeria, Dufaux brought back paintings of local exotic subjects. Dufaux also worked on a panoramic painting of the French Army's entry into Le Verrière and executed several sculptures of famous personalities.
Johannes Dünz was a Swiss painter and representative of the Bernese Baroque.
Johannes Dünz studied in Bern under the painter Albrecht Kau (1616-1682). In the 1670s he was already painting portraits of noble townspeople and young representatives of the von Erlach and von Wattenville families in particular. He soon became the leading portraitist in these circles.
Dünz painted many portraits of Bernese patricians, leads and still lifes, as well as some remarkable group portraits. His work The Library Commission, in which both portraits and interior decoration are meticulously reproduced, is one of the most important group portraits of 17th-century Swiss painting. Johannes Dünz also possessed the skill to transform ordinary city vistas into spacious panoramic landscape paintings, paying particular attention to detail. And in his still lifes, he was sure to emphasize the four seasons, praising the labor of peasants and blessing the harvest.
Teo Eble was a Swiss abstractionist painter and graphic designer.
Eble studied at the Academy of Fine Arts in Berlin, then taught at the Basel School of Applied Arts from 1931 to 1967. In 1933 he co-founded the Swiss Group 33, an anti-fascist association of artists.
His work was influenced by the realist, objective painting of the 1920s. The subjects of Eblé's early works were landscape paintings and depictions of cities and their life.
In 1934, Eblé began abstract painting and became a prominent artist of the abstract movement in Switzerland and was also recognized internationally. He held exhibitions in France and the United States, in 1958 at the Venice Biennale and in 1959 at Documenta in Kassel. In the 1960s, Eblé created numerous murals in public buildings.
Armen Eloyan is an Armenian-born painter who lives and works in Zurich. He is known for his large-scale, hooligan depictions of anthropomorphic animals and figures, absurdist narratives in dark, existential works. His creations are inspired by caricature and street art, as well as by European masters.
Franz Feyerabend was a Swiss painter and cartoonist.
Franz Feyerabend came from a family of artists - the landscape painters Augustin and Samuel Feyerabend were his brothers. He painted portraits and landscapes, as well as sketches and caricatures for print publications. Feyerabend's most valuable work is a set of 26 plates depicting Swiss military costumes.
Tsugouharu Foujita was a French twentieth-century artist of Japanese descent. He is known for his unique style, combining elements of Japanese painting and printmaking with European realism.
Foujita created a wide range of works in a variety of genres, including nudes, images of cats, portraits of women and children, and self-portraits. He later converted to Catholicism and began creating paintings with religious themes. The artist was internationally recognized, and his work was exhibited in many countries around the world. His work was characterized by the perfection of pictorial technique, virtuosity of drawing and an atmosphere of sophistication. The master also showed talent in graphics, photography, ceramics, theater, cinema and fashion design. Prices for his paintings were comparable to those of Picasso's works.
Johann Jakob Frey the Elder was a Swiss engraver.
After learning the principles of design he went, when he was twenty-two years of age, to Rome, where he received some instruction from Arnold van Westerhout, and had afterwards the advantage of studying in the school of Carlo Maratti. His progress was rapid, and he was soon regarded as one of the ablest artists in Rome.
His drawing is correct and tasteful, and he was a perfect master of harmony and effeot. He etched his plates with spirit, and worked over the etching with a firm and masterly hand. His prints, which exceed the number of one hundred, are generally of a very large size.
Ernst Frick was a Swiss painter. As far as can be ascertained, Frick began painting around 1917. He was taught by Arthur Segal in Ascona. Frick painted in charcoal, oil and watercolour. His preference was for nature and animals, but also working people. He was influenced by the artist group Der Blaue Reiter. In 1924 he was a founding member of the artists' association Der Grosse Bär. After the dissolution of the group Der Grosse Bär in 1941, he remained artistically active and joined newly formed Asconese artist groups.
Emile Edwin Ganz is a Swiss-Belgian painter, specializing in the representation of horses and military scenes. In his early days, Ganz mainly drew military scenes, a genre that only a few 19th-century artists mastered. His masterpiece in the genre is The Attack of Scherpenheuvel, a report on the maneuvers of the grenadiers in 1894. In 1901 he entered the service of Princess Clémentine as a painter; he held this position until 1903. In 1903, he also brushed some of King Leopold II's horses. From that moment, he was no longer interested only in the horse itself, but in the regional draft horse, as well as in the people and the rural world: newspaper sellers, old horses in a depot, the harvest in the fields , beet harvest, landscape. Many of his designs for military uniforms were printed in color lithograph.
Robert Lvovich Genin (Russian: Роберт Львович Генин) was a Jewish-born artist of the first half of the twentieth century who worked in several countries, including the Russian Empire, Germany, France, Germany, Switzerland, and the USSR. He is known as a painter and graphic artist.
Robert Genin worked in a variety of genres including landscapes, portraits, genre compositions and nudes. He also did lithography, woodcuts and etching. His style evolved from Jugendstil and Symbolism in the early 1900s to Expressionism after the First World War. He later came to a kind of lyrical primitivism. The artist worked in both easel and monumental painting and was influenced by various artists.
Franz Gertsch is one of Switzerland's most outstanding contemporary artists. Throughout his career, he has produced a wide range of paintings and graphic works in which he tries to find a particular approach to reality. Although the author uses photographs or slide projections as his starting points, the paintings adhere to a logic of their own which seeks the correctness of all elements. Woodcuts also occupy a special place in Franz Gertsch's work.
Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Anton Graff was an eminent Swiss portrait artist. Among his famous subjects were Friedrich Schiller, Christoph Willibald Gluck, Heinrich von Kleist, Frederick the Great, Friederike Sophie Seyler, Johann Gottfried Herder, Gotthold Ephraim Lessing, Moses Mendelssohn and Christian Felix Weiße. His pupils included Emma Körner, Philipp Otto Runge and Karl Ludwig Kaaz.
Georg Gsell was a Swiss Baroque painter, art consultant, and art dealer, renowned for his contributions to the arts during the early 18th century. Born in St. Gallen on January 28, 1673, Gsell's journey in the arts took him across Europe. He moved to Amsterdam in 1704, and later to Russia on the invitation of Peter the Great in 1716. In Russia, he served as the first curator of the Imperial art gallery, a significant cultural institution founded in 1720.
Gsell's work is appreciated for its meticulous detail and historical value. He catalogued the Kunstkamera, Russia's first museum, through detailed manuscript forms, a significant contribution to the preservation of early 18th-century European and Russian cultural artifacts. His artworks, which include portraits and still lifes, reflect the Baroque style's complexity and elegance.
For art collectors and experts, Georg Gsell's legacy offers a glimpse into the Baroque period's artistry and the early days of museum curation in Russia. His works and contributions remain subjects of study and admiration in art circles today.
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Max Gubler was a Swiss artist.
He experimented with various contemporary styles, until developing his own personal vivid style of landscape painting on Lipari. Later he turned to abstraction, but continued to use bright colours. In 1956 he did a series of pastel illustrations for Ernest Hemingway's The Old Man and the Sea. In his late works, darker colours predominate.
His work was shown in many galleries.
Willy Leopold Guggenheim, known as Varlin, was a Swiss painter. His figurative work emphasized the fragility of everyday life.
Varlin was friends with Hugo Loetscher and Friedrich Dürrenmatt, and painted them.
Jakob Emanuel Handmann was a Swiss painter specialised in portrait painting. He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Johann Jakob Schalch, Johann Caspar Füssli and his son Johann Heinrich Füssli.
Walter Helbig is a German and Swiss painter, graphic designer and woodcarver. He works in Dresden on church paintings. Helbig participated in the founding and first exhibition of the "Neue Secession" in Berlin in 1910. Helbig took part in the first Modern Bund exhibition in 1911 in Lucerne and in the second, larger one, at the Kunsthaus in Zurich. In 1914, some painters from the vanished “Modern Bund”, including Helbig, took part in the first Dada exhibition at the Galerie Coray in Zurich. Helbig is also represented in the third Dada exhibition and contributes to the magazine Der Zeltweg 8 but does not participate in the activities of the Dadaists. In 1919, he was one of the signatories of the “manifesto of radical artists” 9 in Zurich, and joined the “November group” in Berlin. Helbig lived in Zurich from 1916 to 1924 and in 1916 became a member of the GSMBA (Society of Swiss Painters, Sculptors and Architects), in which he regularly participated. Since the First World War, his artistic work has turned to religious and mythical subjects. In 1924 Helbig, like many other artists, moved to Ascona due to the low cost of living and founded the movement Der Große Bär. During this time, Helbig painted landscapes, still lifes and portraits. Walter Helbig had his first major solo exhibition in Zurich in 1948 and became a member of the Association of German Artists in 1952. After the Second World War, he also followed the artistic currents of the time, abstract expressionism and experimented with informal art in the 1960s.
Hieronymus Hess was a Swiss painter and artist from Basel.
Himself being a Protestant, religion played a role in several of his paintings. He painted and drew several well known scenes of the Swiss political and cultural life. In his later career he also became a stained glass artist.
Ernst Georg Heussler was a Swiss painter, graphic designer and sculptor.
A versatile artist, Heussler worked in many techniques - prints and woodcuts, oil and watercolor, and large-scale murals. He painted Art Nouveau portraits and graphic still lifes, nude paintings and abstract landscapes.
Ferdinand Hodler was one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".
Much of Hodler's work is in public collections in Switzerland. Other collections holding major works include the Musée d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Art Institute of Chicago.
Johann Rudolf Huber the Elder was a Swiss painter and printmaker, as well as a statesman.
Huber studied painting with Basel and German masters, and in 1685 went to Venice, where he painted portraits. A few years later Huber entered the Academy of St. Luke in Rome, where he became a pupil of the famous Carlo Maratta. In 1693 the artist returned to Basel, where he was elected to the Grand Council of Basel and began to receive many prestigious commissions from the nobility; he was court painter to the Duke of Württemberg in Stutart. A very prolific painter, Huber painted many portraits of royalty during his lifetime.
Robert Indermaur is a Swiss artist and sculptor. He became famous in the 1970s and created sculptures for public spaces in Switzerland and Liechtenstein. In his paintings, through compositions, contrasting landscapes, surrealistic spatial situations and grandiose gestures, he paints a kind of theatrical world where people are only puppets.
Johann Baptist Isenring was a Swiss landscape painter and printmaker, one of the first photographers in 19th-century Switzerland.
Johann studied painting and aquatint at the Munich Academy of Fine Arts, opened an art studio in St. Gallen in 1828 and soon began publishing his lithographic collection of picturesque views of Switzerland's most remarkable cities and towns.
In 1839, Isenring, fascinated by the discoveries of Niépce and Daguerre, bought equipment for "daguerreotype" and a year later organized an exhibition in his studio in Multtertor, which was probably the first photographic exhibition in the world. Isenring even gave up painting for a while and worked as a photographer for two years, settling in Munich. He made portraits, photographs of architecture, reproductions of paintings and developed a coloring method for his prints, which he patented in America.
Maria Anna Angelica Kauffmann was a Swiss Neoclassical painter who had a successful career in London and Rome. Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. She was, along with Mary Moser, one of two female painters among the founding members of the Royal Academy in London in 1768.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Albert Stefan Kohler was a Swiss painter, illustrator and sculptor. Albert Kohler mainly painted landscapes, figures and still lifes. Occasionally he also worked as a sculptor. In 1915 he exhibited his works for the first time in the Kunsthaus Zürich. Exhibitions followed later, e.g. in the Kunsthalle Bern, in the Kunsthaus Aargau, in the Hamburger Kunstverein and in the Museo Comunale d'Arte Moderna in Ascona.
Hermann Kohlmann is a Swiss and German painter, sculptor and graphic artist. He painted landscapes, portraits and figures. Kohlmann studied at the Dresden Academy with Richard Müller and Max Feldbauer. In 1934 he received the Hugo Goepfert Prize. In 1937 he became known to the general public through an exhibition at the Dresden Art Salon Emil Richter. He also exhibited at the Great German Art Exhibitions in 1937 and 1938. After serving in the army and being in captivity, he again worked in Dresden. Many of his works show the reconstruction of the city. Kohlmann was a member of the Association of Visual Artists of the GDR. From 1970 to 1980 he worked as a restorer at the Museum of the History of the City of Dresden.
Oskar Kokoschka was an Austrian artist, poet, playwright, and teacher, renowned for his significant contributions to the Expressionist movement. Born on March 1, 1886, in Pöchlarn, Austria, Kokoschka's journey into the arts began against the backdrop of early 20th-century Vienna, a city vibrant with cultural ferment and avant-garde experimentation. Without formal training in painting, Kokoschka brought a unique perspective to his work, approaching the medium with a fresh, unencumbered eye that eschewed traditional methods in favor of intuitive, expressive techniques.
Kokoschka's early career was marked by an innovative approach to portraiture and landscape, characterized by intense expressionism and a deep psychological penetration of his subjects. His artistic philosophy was heavily influenced by 17th-century Czech humanist Jan Amos Comenius, from whom Kokoschka adopted the idea that learning and creativity flourish through sensory engagement and reasoning. This philosophy underpinned both his artistic output and his teaching methodology, which favored storytelling and the evocation of dramatic emotion over conventional art instruction.
Among Kokoschka's notable early works were his contributions to the Vienna Kunstschau and his involvement with the Wiener Werkstätte, which provided him opportunities to explore his artistic voice through various commissions, including postcards and illustrations for children's books. His autobiographical poem "Die träumenden Knaben" (The Dreaming Youths) and the related illustrations showcase his journey from Jugendstil to Expressionism, marking a pivotal moment in his career and in the development of modern art.
Kokoschka's tumultuous affair with Alma Mahler is well-documented, influencing some of his most acclaimed works, such as "The Bride of the Wind" (The Tempest), which vividly encapsulates their passionate, stormy relationship. This work, alongside others like "Portrait of a Young Girl" and "Knight Errant (Self-Portrait)", exemplifies Kokoschka's masterful use of color, form, and emotional intensity to convey complex psychological states and narratives.
Oskar Kokoschka's legacy as a pioneering figure in Expressionism is undisputed. His works continue to resonate with collectors and experts in art and antiques, not only for their aesthetic and emotional depth but also for their groundbreaking approach to visual storytelling and the exploration of the human condition. For those interested in the vibrant world of Expressionist art and the profound humanism of Kokoschka's oeuvre, signing up for updates on new product sales and auction events related to Oskar Kokoschka offers a unique opportunity to engage with the enduring impact of his work.
Johannes Kölla was a Swiss painter, draughtsman and engraver of the Old Master period.
In the early 1760s Kölla, as a self-taught artist, painted his first landscapes of Lake Zurich and portraits of his relatives, and perfected his skills under Johann Caspar Füssli (1706-1782). Kölla was commissioned to paint portraits and also created genre paintings in the Dutch style, choosing subjects from the countryside and the lives of artisans.
