Rural landscape Ireland
William Henry Bartlett was an Irish-born British painter and member of the Royal Society of British Artists. He painted a large number of pictures of the hard life of the common people of Ireland, as well as many coastal and rural landscapes of this rugged country.
Joseph Malachy Kavanagh was an Irish painter. He is known for his painting landscapes, seascapes, rural scenes in Ireland, France and Belgium and occasional portraits. He particularly was inspired by the landscape in and around Dublin. Kavanagh first exhibited at the Royal Hibernian Academy from 1875. In September 1881 he won the Albert Scholarship. On a trip to Brittany in 1883, he met up with a host of other young artists all of whom were influenced by the plein air naturalism of Jules Bastien-Lepage. In 1890, he published in Dublin a series of prints from etchings he created of landscape scenes from Mont St. Michel, Bruges and of "A Metallurgist" which were acquired by the British Museum in 1902. During the 1890s, he resided in Clontarf and painted numerous views around Howth and its environs, many aspects of Dublin Bay and his famous views on the sands of Portrane, Sutton, Portmarnock, Merrion and the North Bull. Another related group entails views taken along Dublin’s riverbanks.
Markey Robinson, born James Markus Robinson, was an Irish self-taught artist and sculptor who worked in the Primitivist style.
From the age of 19, Robinson worked on merchant ships as a steward, traveling throughout Canada, the United States and South America. With the outbreak of World War II, he decided to take up painting, studied for a while at the Belfast College of Art, exhibited at the Ulster Academy of Art from 1941-1942 and even had success.
Robinson was known as a rather edgy and eccentric man who led a bohemian lifestyle. The subjects of his generally primitive and expressionist works included nautical themes, clowns, and landscapes of France and Ireland. By the mid-1950s, Robinson was on the lips of critics and the public, exhibited extensively, and was hailed as a genius by the Belfast newspapers. For the rest of his life his work was controversial: some considered him a gifted creator, others a populist who had outlived his early creative originality in the pursuit of profit.