Rural landscape Italy
Angelo Barabino was an Italian painter, divisionist-symbolist, exponent of the social current, friend and pupil of Giuseppe Pellizza da Volpedo.
In Barabino's work we encounter realistic and symbolic instances applied to not infrequently social-oriented themes, always supported by a technical quality that was reworked on Pellizza with wholly original results.
Leonardo Bazzaro was an Italian painter who worked mainly on landscapes and vedutas. He studied painting at the Brera Academy in Milan.
Leonardo Bazzaro is considered one of the leading representatives of Lombard naturalism.
Mario Bettinelli was an Italian painter.
At the beginning of his artistic career Mario Bettinelli focused on allegorical subjects and women's portraits. And during the thirties and especially after the Second World War, he devoted himself to depicting the Lombard landscape.
Giovanni Battista Busiri was an Italian painter of landscape and veduta.
Giovanni Battista Busiri followed the style of Gaspard Duguet. His work was greatly influenced by Jan Frans van Bloemen, Hendrik Frans van Lint, Andrea Locatelli and Nicolas Poussin. The figures in Busiri's paintings were executed by other artists.
The works of Giovanni Battista Busini were particularly popular among the wealthy English.
Stefano Calisti is an Italian artist. His paintings, characterised by an unusually lively colour palette, have been widely acclaimed by audiences and critics alike. His favourite subjects include landscape, evoking associations with colour, matter and light.
Calisti's work is characterised by his attention to colour and texture, often creating a sense of movement and dynamism in his works. Behind an intense bordering on surrealist colour, a conceptual element emerges in which naturalness and artificiality are juxtaposed.
Throughout his career, Calisti has exhibited widely in Italy and abroad, including solo shows. He has also participated in group exhibitions at the Venice Biennale and the Museum of Modern Art in Rome.
Michele Cascella was an Italian artist. Primarily known for his oil paintings and watercolours, he also worked in ceramics, lithography, and textiles. He exhibited regularly at the Venice Biennale from 1924 until 1942, and his works are owned by major museums in Italy and Europe, including Victoria and Albert Museum in London, Galerie nationale du Jeu de Paume in Paris, and Galleria Nazionale d'Arte Moderna in Rome.
Pierre-Athanase Chauvin was a French painter active in Italy.
Chauvin was a student of the landscape painter Pierre-Henri de Valenciennes. He began his career at the Paris Salon in 1793 and won the First Class Medal in 1819 with his painting Charles VIII’s entry into Acquapendente. The painting was commissioned by Louis XVIII of France for the Galerie de Diane at the Palace of Fontainebleau.
Marie Collart-Henrotin was a Belgian artist who mainly painted landscapes and animals. Collart was primarily self-taught as an artist. She became a founding member of the Société Libre des Beaux-Arts in 1868. In 1870, she won a gold medal at the Salon des artistes français. She became the first women to be named a Chevalier in the Belgian Order of Leopold in 1880. Collart exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Her work is included in the collections of the Royal Museum of Fine Arts Antwerp and Royal Museums of Fine Arts of Belgium.
Gerardo Dottori was an Italian futurist painter who also belonged to the Novecento group.
Influenced by Giacomo Balla, Gerardo Dottori joined the futurist movement in 1911-1912. His works were part of the art competitions at the 1932 Summer Olympics and the 1936 Summer Olympics.
Gaspard Duguet, also known as Gaspard Poussin, was a French painter specialising in landscape painting. He was born into a family of French painters who settled in Rome.
Gaspard Duguet received his artistic training from his uncle, Nicolas Poussin, who was one of the leading Baroque painters. Duguet's early works were strongly influenced by Poussin's style, which emphasized clarity and orderliness of composition.
In the 1650s, Duguet began to develop a style of his own, characterized by his bold brushwork and vibrant use of colour. He became known for his ability to create dramatic and atmospheric landscapes, often depicting scenes from the Roman countryside.
Gaspar Duguet's paintings have a sense of grandeur and monumentality. His landscapes often feature classical ruins and ancient monuments, giving his works a sense of historical depth and resonance.
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Marco Gozzi was an Italian landscape art painter.
Gozzi worked initially in a broad range of fields including portraiture, religious subjects and decorative frescoes executed in accordance with the Veneto tradition, then still predominant in the region of Bergamo.
While he never held the chair in landscape at the Academy of Brera, he was elected an honorary member in 1829 and qualified as a landscape painter in 1832.
Antonio Gravina was an Italian painter. He was born in Naples and studied at the Art Institute in that city. The setting, the chromatic range, makes his work a valuable item to collectors the world over. His subjects are hugely varied. Quiet bays bathed in sunlight, the fishermen carefully mending their nets, the transparent emerald sea reflecting the clear sky; or his paintings of stormy seas, portrayed with vivid, essential, sharp brush strokes, those heavy grey skies warning of an imminent storm. Unforgettable too, his restful spring time parks, his characteristically colourful Parisian bistro customers, his sunny cottage scenes with their softness and warmth. All his paintings bring to mind the masterpieces of the great 18th century artists, and yet his work is very much of the 21st century. He has had 48 exhibitions in Rome, Naples, Frankfurt, Sydney and Vancouver as well as occasional ones at Stewart Gallery in England.
Dirck Helmbreeker or Theodor Helmbreeker was a Dutch Golden Age painter and landscape painter, member of the Guild of St. Luke in Haarlem. He is known for his portraits, Italian landscapes, and genre scenes depicting the daily life of ordinary people (Bambocciade genre).
Marcel Jefferis is a Belgian Impressionist painter. He painted figures, genre scenes, landscapes and still lifes in oils and watercolors, and made etchings. His paintings often depict festive demonstrations with many characters. He also designed furniture, wallpapers, fabrics, tapestries and interiors for the Vanderborght company in Brussels.
Mikhail Ivanovich Lebedev (Russian: Михаил Иванович Лебедев) was a Russian landscape painter known for his captivating depictions of rural Russia and Italy. Born in 1811, he studied at the Imperial Academy of Arts in Saint Petersburg, where he developed his distinctive style influenced by the Romantic movement.
Lebedev's work is characterized by its vivid use of color and meticulous attention to detail, capturing the serene beauty of the natural world. His Italian landscapes, in particular, showcase his ability to blend realism with an almost poetic sense of atmosphere, bringing the scenic vistas to life. One of his most famous pieces, "View of Lake Nemi," exemplifies his skill in portraying light and shadow, creating a breathtakingly immersive scene.
Lebedev's paintings are celebrated for their emotional depth and technical precision. Many of his works are housed in prestigious museums, including the State Russian Museum in Saint Petersburg, allowing art enthusiasts to appreciate his contribution to landscape painting.
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Andrea Locatelli was an Italian painter of landscapes (vedute).
The subject matter most popular with the academic artists of this time was mainly sacred, historical or mythological themes. Locatelli broke with these traditions and concentrated on landscapes, a genre thought to be inferior by the art critics of his day. In fact, he was never allowed induction into the Accademia di San Luca, a very prestigious mark of honor, even though his work was in great demand.
Claude Lorrain was a renowned French artist celebrated for his exquisite landscape paintings. His works, which often depicted idealized landscapes, were infused with a poetic rendering of light, making them influential far beyond his lifetime, especially in England from the mid-18th to mid-19th century.
Claude Lorrain's journey into art began in his youth, though his early life details vary among sources. Some accounts suggest he was apprenticed to a pastry baker before being taken under the wing of artists like Goffredo Wals and Agostino Tassi in Italy, where he spent much of his life. Claude Lorrain's artistic skills flourished in Rome, leading him to join the Accademia di San Luca by 1633. His unique style attracted an international clientele, prompting him to create the Liber Veritatis, a catalog of his works to deter forgeries.
He was a master at integrating architecture within his landscapes, creating serene, harmonious scenes that reflected a nostalgia for a classical past. Works like "Ulysses Returning Chryseis to Her Father" exemplify his ability to evoke mood and atmosphere, capturing the essence of light and space. Claude Lorrain's influence extended to various art forms, inspiring poets like John Keats and setting a precedent in landscape painting that endured through the centuries.
For collectors and art enthusiasts, Claude Lorrain's paintings are not just visual treats but historical artifacts that offer insights into 17th-century landscape painting. His works are housed in prestigious galleries worldwide, serving as a testament to his enduring legacy in the art world.
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Luigi Lucioni was an Italian-American painter known for his still-lifes, landscapes and portraits. He emigrated to the United States in 1911 and studied art at Cooper Union in New York.
Luigi Luccioni's style was influenced by Renaissance painting techniques, and he often used the glazing method to create vivid and detailed images. He was a member of the National Academy of Design and won many awards during his career.
Andrey Efimovich Martynov (Russian: Андрей Ефимович Мартынов) was a Russian painter and engraver, known for his landscapes and lithographs. Born in 1768 in St. Petersburg, he graduated from the Imperial Academy of Arts in 1788. Martynov studied landscape painting under Semion Shchedrin and further honed his skills in Italy from 1788 to 1794, under the influence of Jakob Philipp Hackert. His Italian landscapes were highly appreciated upon his return to Russia, leading to his appointment as an academician in 1795.
Martynov’s work is renowned for its idealized and panoramic views of nature. He traveled extensively, capturing the beauty of rural Russia, Siberia, and Mongolia in his watercolors and lithographs. His series "Views of Russia and Mongolia" and "Peoples Types of Russia and Mongolia" are particularly admired for their detail and artistic quality. Martynov was also the official artist of the Russian embassy to China in 1805, a role that further enriched his portfolio with diverse cultural landscapes.
In addition to painting, Martynov contributed significantly to the development of lithography in Russia. His works, including scenes from the Crimea, the Baltic States, and the Volga River, are preserved in various museums, such as the Russian Museum and the Museum of the Academy of Fine Arts. Martynov’s legacy lies in his ability to blend classical composition with the celebration of natural beauty, making his works a valuable part of Russian art history.
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Concetto Maugeri is an Italian artist. He studied at the Academy of Fine Arts in Rome and was a member of Gruppo Forma 1 with other artists such as Accardi, Attardi, Consagra and Dorazio. His work was characterised by a strong use of colour and bold brushstrokes.
Concetto Maugeri tragically died at the age of 32 in a car accident. Despite a short career, Mauggeri is considered an important figure in the history of Italian art.
Alferio Maugeri is a French artist. In his youth, he was engaged in the restoration of churches in the footsteps of Michelangelo and the masters of the Renaissance. During this period, he developed the art of decoy, the ability to create artificial marble, gilding and improve religious frescoes. Alferio Mogeri is a member of the Paris Association of Arts, Sciences and Letters and his work is recognized throughout the world. The paintings were exhibited in Milan, New York, Geneva, Osaka, Tokyo and had magnetism and charm.
Bruto Mazzolani was an Italian painter. He studied painting at the Accademia di Belle Arti di Bologna.
Bruto Mazzolani is known for his luminous and atmospheric landscapes. Bruto Mazzolani is known for his luminous and atmospheric landscapes painted in plein air in the village of Lierna. He has participated in various exhibitions in Milan, Bologna and Ferrara.
Hermann Nestel was a German painter, graphic artist and illustrator. He studied art at the Academy of Fine Arts in Stuttgart and then in Munich, where he was influenced by the Munich School of painting, and in Berlin.
Nestel mainly painted landscapes, often depicting rural scenes in Germany and Italy. His paintings were known for their use of light and colour, which created a vivid and almost luminous quality to his work.
During his lifetime, Nestel's work was exhibited in various shows in Germany, Austria and Italy and he gained recognition as a talented artist. Today his work can be found in museums and private collections in Europe and the United States.
Despite his relatively short career, he left behind a significant body of work that is still admired by art lovers and collectors today.
Jacopo Palma the Elder, born in 1480, was an illustrious Italian painter whose work left an indelible mark on the Venetian Renaissance. Renowned for his vibrant colors, dramatic compositions, and adept storytelling, Palma the Elder was a master of both religious and secular themes, embodying the splendor of Venice in his canvases.
Known for his profound influence on the development of Venetian painting, Palma's art is celebrated for its dynamic use of light and shadow, a characteristic that would come to define the Venetian style. His ability to infuse scenes with emotional depth and realism drew viewers into his narratives, making his works compelling for both contemporary audiences and modern viewers.
Among his most notable works are his altarpieces, which grace many of Venice's storied churches, showcasing his skill in depicting sacred subjects with reverence and majesty. His portraits and mythological scenes are equally esteemed, housed in some of the world's most prestigious museums and galleries. These pieces not only highlight his technical prowess but also his versatility as an artist.
For collectors and experts in art and antiques, Jacopo Palma the Elder represents a pivotal figure whose contributions to the Renaissance continue to captivate and inspire. His paintings offer a window into the rich cultural and artistic milieu of early 16th-century Venice, making them highly sought after for their beauty and historical significance.
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Romolo Panfi was an Italian painter, active in Tuscany. He was active mainly as a battle painter and landscapes. He was a pupil of Jacopo Vignali and worked in the Medici court of Grand Duke Ferdinand and his brother, Cardinal Leopoldo de' Medici, where Panfi was said to be talented as a musician and dancer. One of his pupils was Giovanni Camillo Sagrestani.
Martín Rico y Ortega was a Spanish painter of landscapes and cityscapes.
Rico was one of the most important artists of the second half of the nineteenth century in his native country, and enjoyed wide international recognition as well, especially in France and the United States. From his earliest works painted in the mountainous countryside outside of Madrid to the later works he painted in Paris and Venice, throughout his life Rico stayed true to his love of painting en plein air, despite his evolving artistic style.
Salomon Rombouts was a Dutch painter of the Dutch Golden Age of painting.
Salomon Rombouts was the son and pupil of the landscape painter Gillis Rombouts and worked in his style. He mainly created landscapes with forests and architecture. The influence of Jacob van Reisdal is noticeable in Rombouts' work.
In 1678 he became a member of the Harlem Guild of St. Luke's. Around 1681 he left for Italy and settled in Florence.
Ardengo Soffici was an Italian artist and art critic. One of the founders of futurism. Supported Fascism.
Ardengo Soffici entered the Florence Academy of Fine Arts in 1897, then went on to study painting in Paris, where he became an art critic and illustrator in 1904. During this period he meets Pablo Picasso, Georges Braque, Gino Severini and Guillaume Apollinaire. From 1908 he works for a new magazine "La Voce", in which he publishes a number of his essays on contemporary French painting and literature. Strongly influenced by Cubism since his Paris trip, Ardengo Soffici sharply criticises Futurist painting in his articles.
Stefano Tofanelli was an Italian painter renowned for his contributions during the Neoclassic period. Tofanelli demonstrated artistic promise from a young age. Apprenticed at just ten years old to Giuseppe Antonio Luchi, he soon moved to Rome to further his training and career. There, he painted frescoes for notable locations such as the Palazzo of Cardinal Dropanni and created drawings for prestigious engravers.
Stefano Tofanelli's work is characterized by its adherence to Neoclassic ideals, blending a strong sense of form with a delicate handling of subjects, ranging from religious iconography to mythological scenes. Notably, his artworks include detailed frescoes, altarpieces, and a variety of commissioned portraits. His talents extended beyond painting as he contributed to the arts as an educator, founding an art school in Rome in 1781 and later becoming a Professor of Drawing at the University of San Frediano.
His pieces are held in high esteem and continue to be celebrated in collections and auctions around the world. Stefano Tofanelli's legacy is preserved through his influential teaching and significant contributions to the Neoclassic style, making him a key figure in Italian art history.
For collectors and art historians, Tofanelli's works represent an important period in art history, reflecting the transition and tastes of late 18th to early 19th-century European art. His works, such as those available through auction houses and depicted in various art galleries, continue to attract interest for their historical value and artistic merit.
For those interested in the evolving market of Neoclassical art and Stefano Tofanelli's timeless works, signing up for updates can enhance your collection and investment insights. Stay informed about the latest auction events and private sales by subscribing today.
Pieter van Laer was a Dutch painter of the Golden Age, a talented genre painter and printmaker. Pieter van Laer introduced a new genre of painting, bambocciade (after his nickname of bamboccio, little boy). These are paintings depicting scenes from everyday life of ordinary people. In his works, Pieter van Lahr depicted with humor, and sometimes with grotesque and sarcasm, the everyday life of the lower classes of society. Pieter van Lahr is also known for his landscapes and animal representations - he created two series of engravings with animals. He also painted several battle scenes.
Achille Vertunni was an Italian landscape painter. He studied painting at the Royal Institute of Fine Arts in Naples.
A great influence on Achille Vertunni's work was the Posillipo school. His paintings are characterised by sunsets in the Roman countryside and Pontic marshes, sometimes enlivened by shepherds and herds of buffalo.
