Rural landscape Russian Empire




Arthur Degner was a German painter, graphic artist and sculptor. Degner studied between 1906 and 1908 at the Art Academy in Königsberg under Ludwig Dettmann and Otto Heichert. In 1909 he came to Berlin after a stay in Munich. In 1912 he exhibited in the gallery of Paul Cassirer, at whose suggestion he had traveled to Paris in 1910. In 1919 he became a board member of the Free Secession, of which he had been a member since 1911. In 1920 he was appointed to the Königsberg Academy. In 1925 he returned to Berlin, where he taught at the Academy of Fine Arts (HBK). From 1931 to 1933 he was chairman of the Berlin Secession. After the National Socialists seized power, he was banned from working and exhibiting. Nevertheless, the Villa Romana Prize of the German Association of Artists enabled him to study in Florence in 1936 and in 1937 he became a member of the Association of Berlin Artists.


Pavel Pavlovich Dzhogin (Russian: Павел Павлович Джогин) was a Russian landscape painter, renowned for his atmospheric and detailed depictions of the Russian countryside. Born in 1834, Dzhogin captured the serene beauty of rural Russia with a meticulous eye for natural beauty and atmospheric effects.
Dzhogin's works are celebrated for their tranquility and realism, often showcasing vast skies and expansive fields. His paintings, such as "Пейзаж с рекой и рыбаком" (Landscape with a River and Fisherman), "Зимний пейзаж" (Winter Landscape), and "Вечер" (Evening), reflect his mastery of light and shadow, making his landscapes both realistic and evocative.
Notably, Dzhogin's works are held in prestigious museums, including the State Tretyakov Gallery in Moscow and the Russian Museum in St. Petersburg. His art continues to be admired by collectors and enthusiasts, offering a window into 19th-century Russian vistas. Sign up for updates on new Pavel Pavlovich Dzhogin pieces and upcoming auction events.


Yermolai Ivanovich Esakov (Russian: Ермолай Иванович Есаков) was a Russian painter, renowned for his landscape and battle scenes. Born in 1790, Esakov studied at the Imperial Academy of Arts under M. M. Ivanov and graduated in 1809. He gained recognition for his painting "Waterfall in a Mountainous Area," which earned him a gold medal and a position as a pensioner at the Academy.
Esakov worked as a domestic artist for the Stroganov family from 1810 to 1824. During this period, he accompanied Count P. A. Stroganov to Moldova during the Russo-Turkish War, where he painted "Russian Camp near Silistra." This work earned him the title of Academician at the Imperial Academy of Arts.
Esakov's paintings are characterized by their detailed representation of nature and historical events, showcasing his skill in capturing both the serene and the dramatic. His works are housed in various Russian museums, continuing to attract art lovers and collectors.
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Sulo Juntunen (Russian: Суло Хейккиевич Юнтунен) was a Soviet artist of Finno-Ingermanic origin, celebrated for his multifaceted contributions to the art world as both a painter and a graphic artist. Born on September 1, 1915, in Saint Petersburg, Russia, and passing away on November 19, 1980, in Petrozavodsk, USSR, Juntunen's life and career were marked by his deep connection to the landscapes of his homeland and his ability to portray the changing face of society through his art.
His early years were characterized by a diverse set of experiences, from living in Finland with his family to working various jobs upon their return to the Soviet Union. It wasn't until after World War II that Juntunen fully embraced his calling as a painter, joining the Union of Soviet Artists in 1946 and becoming a significant figure in the art community, especially within the Karelian region. Juntunen's work is renowned for its detailed portrayal of modern urban and industrial landscapes, as well as the serene beauty of unspoiled nature. His artistic journey reflects a transition from detailed Soviet landscapes to a more laconic and strict drawing style, culminating in panoramic landscapes primarily focused on Karelia in his later years.
Juntunen's achievements in the art world were recognized with numerous titles, including Honored Worker of Arts of the Karelian ASSR in 1953, Honored Worker of Arts of Russia in 1959, and People's Artist of the USSR in 1980. His work has been exhibited widely, both within the USSR and internationally, and is part of the collections of major museums such as the Tretyakov Gallery, the Russian Museum, and even the Museum of Realistic Arts in Utah, USA.
For collectors and experts in art and antiques, Sulo Juntunen's work offers a rich tapestry of Soviet and Finnish history, depicted through the lens of an artist who skillfully navigated between two worlds. His legacy continues to inspire and intrigue those passionate about the art of the 20th century.
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Anatoly Dmitrievich Kaigorodov (Russian: Анатолий Дмитриевич Кайгородов) was a Russian painter, renowned for his contributions to modernism, particularly in the realms of landscapes, genre scenes, and portraits. Born on November 2, 1878, in St. Petersburg, Kaigorodov trained at the Stieglitz School of Fine Arts and later studied under prominent artists such as Archip Kuindzhi in St. Petersburg and Simon Hollosy in Munich. His education continued in Paris at the Julian Academy and Colarossi's studio, where he honed his artistic skills.
Kaigorodov's work is distinguished by its atmospheric depictions of nature, especially seascapes, and he was a master of tempera, which he used to create nuanced effects of light and color. His first exhibition was at the St. Petersburg Academy of Arts in 1900, marking the beginning of a prolific career. He became a member of the Peredvizhniki, a group of Russian realist artists, and won several prestigious awards, including the Kuindzhi Prize.
Throughout his career, Kaigorodov exhibited internationally, with works displayed in Germany, the Netherlands, and the United States. Notable pieces such as "Seashore" earned him accolades like the Carnegie Medal. His paintings are held in major collections, including the Tretyakov Gallery in Moscow and the Art Museum of Estonia in Tallinn.
For collectors and art enthusiasts, following Kaigorodov's legacy offers a glimpse into the rich tapestry of Russian modernism. Sign up for updates on new sales and auction events featuring Anatoly Dmitrievich Kaigorodov's works to add a piece of this esteemed artist to your collection.


Mikhail Ivanovich Lebedev (Russian: Михаил Иванович Лебедев) was a Russian landscape painter known for his captivating depictions of rural Russia and Italy. Born in 1811, he studied at the Imperial Academy of Arts in Saint Petersburg, where he developed his distinctive style influenced by the Romantic movement.
Lebedev's work is characterized by its vivid use of color and meticulous attention to detail, capturing the serene beauty of the natural world. His Italian landscapes, in particular, showcase his ability to blend realism with an almost poetic sense of atmosphere, bringing the scenic vistas to life. One of his most famous pieces, "View of Lake Nemi," exemplifies his skill in portraying light and shadow, creating a breathtakingly immersive scene.
Lebedev's paintings are celebrated for their emotional depth and technical precision. Many of his works are housed in prestigious museums, including the State Russian Museum in Saint Petersburg, allowing art enthusiasts to appreciate his contribution to landscape painting.
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Nikolay Yegorovich Makovsky (Russian: Николай Егорович Маковский) was a Russian painter. Emerging from a family rich in artistic talent, including his siblings Konstantin, Vladimir, and Alexandra, Makovsky's early exposure to art was profound, influenced heavily by his father, Yegor Ivanovich Makovsky, who was not only an accountant but also an amateur artist and a founder of the Moscow School of Painting, Sculpture and Architecture.
Educated at the Imperial Academy of Arts from 1859 to 1866, Nikolay was awarded a silver medal in 1865 and later the title of "Free Artist." His career took a significant turn in 1870 when he joined the "Association of Travelling Art Exhibitions" (Peredvizhniki), a group pivotal in Russian art history for their traveling exhibitions, which aimed to make art accessible to the general public. Makovsky's contributions to this group began in earnest in 1875.
Nikolay Makovsky's works are characterized by their vivid portrayal of Russian life and landscapes. He traveled extensively, which enriched his art with varied themes and styles, reflecting his experiences in Russia, Ukraine, Egypt, and Paris. His time in Paris was particularly influential, allowing him to engage with the burgeoning art scene and further develop his own style.
For art collectors and experts, Nikolay Makovsky's paintings offer a glimpse into the cultural and historical milieu of 19th-century Russia, showcasing a blend of realism and romanticism. His works continue to be celebrated in galleries and museums, reflecting his significant contribution to Russian art and culture.
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Andrey Efimovich Martynov (Russian: Андрей Ефимович Мартынов) was a Russian painter and engraver, known for his landscapes and lithographs. Born in 1768 in St. Petersburg, he graduated from the Imperial Academy of Arts in 1788. Martynov studied landscape painting under Semion Shchedrin and further honed his skills in Italy from 1788 to 1794, under the influence of Jakob Philipp Hackert. His Italian landscapes were highly appreciated upon his return to Russia, leading to his appointment as an academician in 1795.
Martynov’s work is renowned for its idealized and panoramic views of nature. He traveled extensively, capturing the beauty of rural Russia, Siberia, and Mongolia in his watercolors and lithographs. His series "Views of Russia and Mongolia" and "Peoples Types of Russia and Mongolia" are particularly admired for their detail and artistic quality. Martynov was also the official artist of the Russian embassy to China in 1805, a role that further enriched his portfolio with diverse cultural landscapes.
In addition to painting, Martynov contributed significantly to the development of lithography in Russia. His works, including scenes from the Crimea, the Baltic States, and the Volga River, are preserved in various museums, such as the Russian Museum and the Museum of the Academy of Fine Arts. Martynov’s legacy lies in his ability to blend classical composition with the celebration of natural beauty, making his works a valuable part of Russian art history.
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Nikolai Vasilievich Mescherin (Russian: Николай Васильевич Мещерин) was a Russian artist and entrepreneur born on February 28, 1864, in Moscow, and died on October 22, 1916, in Meshcherino, Russia. Known primarily for his landscape paintings, Mescherin initially embraced Impressionism, later experimenting with Pointillism, a technique developed by French Neo-Impressionists. His lyrical landscapes, often rendered in pastel, capture the serene beauty of Central Russia.
Mescherin was also a co-owner of the Moscow Danilovskaya Manufactory, balancing his industrial pursuits with his artistic endeavors. His works are significant for their emotional depth and technical precision, distinguishing him in the Russian art scene of the late 19th and early 20th centuries. Some of his notable works are housed in the Museum of Russian Impressionism in Moscow, where they continue to attract admiration from art enthusiasts and collectors.
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Olaf Rude was a Danish painter. He was a professor at the Royal Danish Academy of Art from 1953 to 1956.
Rude was one of Denmark's most important modernists, sometimes called Denmark's Matisse for his use of colour in his expressive landscapes.


Sergey Ivanovich Svetoslavsky (Russian: Сергей Иванович Светославский) was a Russian Ukrainian and Soviet artist of the late 19th - first third of the 20th centuries. He is known as a painter-landscaper and graphic-caricaturist.
Sergey Svetoslavsky in his works created a lyric-epic image of Ukraine. Most of all he was attracted by the urban landscapes of Kiev and rural landscapes around the city. One of his favorite subjects were views of the Dnieper. The master was a member of the Association of Traveling Art Exhibitions and his city landscapes were done mainly in gray-brown tones, which was typical for the Itinerants.


Johann Karl Ferdinand von Kügelgen was a German landscape and history painter, known for his work as a Russian court painter and his contributions to both the Imperial Academy of Arts in St. Petersburg and the Prussian Academy of Arts in Berlin. Born on February 6, 1772, in Bacharach am Rhein, Kügelgen's artistic journey took him across Europe, where he honed his skills in various cities including Frankfurt, Würzburg, and Rome.
Kügelgen's paintings are celebrated for their transparency and ethereal color palette, often reflecting the natural landscapes he was deeply inspired by. His notable works include over 200 landscapes and depictions of ancient monuments, particularly from his travels to Crimea under the commission of Tsar Alexander I. These works are highly valued for their historical and artistic significance, capturing the essence of the regions he explored.
During his career, Kügelgen faced many challenges, including financial difficulties and the turmoil of the Napoleonic Wars, which forced him and his family to flee to Wolsk. Despite these hardships, he continued to produce art and teach, leaving a lasting legacy through his works and his influence on future generations, including his son Konstantin von Kügelgen, who also became a renowned landscape painter.
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