Rural landscape Switzerland
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Louis Buvelot, born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Buvelot is best known for his great contribution to Australian art. His works, mostly oil landscapes, are quite well regarded, but perhaps his impact was even greater as a tutor of several members of the Heidelberg School. His enthusiasm for plein air painting (that is, painting directly in the open air) was a key characteristic of those artists' work.
Johann Jakob Falkeisen was a Swiss landscape painter and engraver.
He studied fine art in Paris and Milan. On the business of the family silk mill, Falkeisen visited Turkey and Italy and painted watercolor landscapes and views - palaces and villages, mountain lakes and ships on the shore, as well as making domestic sketches.
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Emile Edwin Ganz is a Swiss-Belgian painter, specializing in the representation of horses and military scenes. In his early days, Ganz mainly drew military scenes, a genre that only a few 19th-century artists mastered. His masterpiece in the genre is The Attack of Scherpenheuvel, a report on the maneuvers of the grenadiers in 1894. In 1901 he entered the service of Princess Clémentine as a painter; he held this position until 1903. In 1903, he also brushed some of King Leopold II's horses. From that moment, he was no longer interested only in the horse itself, but in the regional draft horse, as well as in the people and the rural world: newspaper sellers, old horses in a depot, the harvest in the fields , beet harvest, landscape. Many of his designs for military uniforms were printed in color lithograph.
Walter Helbig is a German and Swiss painter, graphic designer and woodcarver. He works in Dresden on church paintings. Helbig participated in the founding and first exhibition of the "Neue Secession" in Berlin in 1910. Helbig took part in the first Modern Bund exhibition in 1911 in Lucerne and in the second, larger one, at the Kunsthaus in Zurich. In 1914, some painters from the vanished “Modern Bund”, including Helbig, took part in the first Dada exhibition at the Galerie Coray in Zurich. Helbig is also represented in the third Dada exhibition and contributes to the magazine Der Zeltweg 8 but does not participate in the activities of the Dadaists. In 1919, he was one of the signatories of the “manifesto of radical artists” 9 in Zurich, and joined the “November group” in Berlin. Helbig lived in Zurich from 1916 to 1924 and in 1916 became a member of the GSMBA (Society of Swiss Painters, Sculptors and Architects), in which he regularly participated. Since the First World War, his artistic work has turned to religious and mythical subjects. In 1924 Helbig, like many other artists, moved to Ascona due to the low cost of living and founded the movement Der Große Bär. During this time, Helbig painted landscapes, still lifes and portraits. Walter Helbig had his first major solo exhibition in Zurich in 1948 and became a member of the Association of German Artists in 1952. After the Second World War, he also followed the artistic currents of the time, abstract expressionism and experimented with informal art in the 1960s.
Hermann Karl Hesse was a German-Swiss poet, novelist, and painter, known for delving into themes of authenticity, self-knowledge, and spirituality. Born in Calw, Germany, Hesse's exploration of the individual's quest for truth won him the Nobel Prize for Literature in 1946. His storytelling weaves a rich tapestry of philosophical thought, evident in masterpieces like "Steppenwolf" and "Siddhartha," which resonate deeply with the human experience.
Renowned for his lyrical prose and profound insights into the human spirit, Hesse's works are a cornerstone of 20th-century literature. They challenge readers to seek beyond the confines of society and find a deeper sense of self. His narrative style combines simplicity with a deep philosophical undercurrent, inviting reflection and introspection.
Collectors and connoisseurs of literature hold Hesse's works in high esteem, not just for their literary merit but also for their cultural significance. For those interested in the evolution of literary thought and the pivotal role of introspective narratives, Hesse’s works are invaluable. Delve into his writings to discover the essence of early 20th-century philosophical literature and consider adding them to your collection for both their historic and artistic value.
Hermann Kohlmann is a Swiss and German painter, sculptor and graphic artist. He painted landscapes, portraits and figures. Kohlmann studied at the Dresden Academy with Richard Müller and Max Feldbauer. In 1934 he received the Hugo Goepfert Prize. In 1937 he became known to the general public through an exhibition at the Dresden Art Salon Emil Richter. He also exhibited at the Great German Art Exhibitions in 1937 and 1938. After serving in the army and being in captivity, he again worked in Dresden. Many of his works show the reconstruction of the city. Kohlmann was a member of the Association of Visual Artists of the GDR. From 1970 to 1980 he worked as a restorer at the Museum of the History of the City of Dresden.
Jean Lehmann was a Swiss painter, graphic artist and sculptor.
Jean graduated from the Lucerne School of Applied Arts, studied at the Academy of Fine Arts in Venice and at the Academy of Fine Arts in Munich. Lehmann worked at the Glacier Gardens in Lucerne and as a guide in mountain hotels, so many of his paintings are mountain snow-covered landscapes. The artist was particularly fond of painting rustic landscapes, rural scenes of quiet life, and he also created portraits and still lifes in a wide variety of techniques. He also painted a series of watercolors and chalk drawings of Swiss traditional costumes.
Lehmann also worked in the advertising business, creating posters for sporting events and travel companies.
August Wilhelm Leu was a German landscape painter of the Romantic era. Most of his paintings are large format and depict scenes in Norway and the Alps. He studied painting under Johann Wilhelm Schirmer at the Düsseldorf Academy of Art.
August Wilhelm Loy's landscapes are characterized by a magnificent romantic conception of Alpine nature, masterful rendering, bright colours and well calculated light effects. Loy attached great importance to the particularly detailed design of the foreground.
Carl August Liner was a Swiss painter, graphic artist, designer and inventor. He is sometimes referred to as Senior to distinguish him from his son, Carl Walter Liner, who was also a well known painter.
In addition to his paintings, he designed postage stamps and posters and did illustrations. It was this work that provided most of his income. He was also an amateur inventor and holds the patent for an early version of the single-axis mower.
Johann Heinrich Meyer was a Swiss artist and art critic, renowned for his significant contributions to the art and culture of his time. Meyer, born in Stäfa, Switzerland, embarked on an artistic journey that led him to Italy, where he immersed himself in studying Roman sculpture and the works of Raphael. His path crossed with Johann Wolfgang von Goethe in 1787, marking the beginning of a lifelong collaboration and friendship.
Johann Heinrich Meyer's expertise in painting and art history found a prominent platform in Weimar, where he became a key figure at the Weimar Princely Free Drawing School. His involvement with Goethe extended to publishing the art journal Propyläen and managing the art collections at Schloss Weimar. His scholarly pursuits included contributions to Goethe's "Winckelmann and His Century" and a comprehensive History of Art, showcasing his deep engagement with the artistic discourse of his era.
For art collectors and experts, Johann Heinrich Meyer's legacy offers a fascinating glimpse into the intersection of art, culture, and intellectual camaraderie in 18th and 19th-century Europe. His works and scholarly contributions remain a testament to his profound influence on the art world and his pivotal role in the cultural milieu of Weimar.
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Carl Theodor Meyer-Basel is celebrated for his profound contributions to landscape painting. His journey into the arts commenced with schooling in Basel, followed by advanced studies at the Munich Academy of Fine Arts and under the mentorship of Alexander von Wagner. Meyer-Basel is particularly renowned for his plein air landscapes, often depicting serene settings around Munich and Lake Constance, typically eschewing human or animal figures to focus purely on nature's tranquility.
A pivotal figure in the Munich Secession movement, Carl Theodor Meyer-Basel's dedication to his craft is evident in his vibrant landscapes and substantial graphic work. He was also a founding member of the Verein für Original-Radierung in Munich, underscoring his influence in both the painting and graphic arts scenes of the time.
His artworks, which include a significant number of paintings and drawings, have found homes in numerous private and public collections, notably the Kunsthalle Basel and the Neue Pinakothek in Munich. These pieces reflect his unique ability to capture the essence of the landscapes he loved, offering viewers a glimpse into the scenic beauty of late 19th and early 20th-century Europe.
For collectors and enthusiasts of Swiss art, Carl Theodor Meyer-Basel's works represent a key component of the country's artistic heritage, celebrated for their peaceful simplicity and natural beauty. His legacy continues to inspire admiration for landscape art, serving as a testament to the enduring appeal of capturing nature's majesty on canvas.
If you're keen to explore more about Carl Theodor Meyer-Basel and perhaps add his work to your collection, signing up for updates can keep you informed about new sales and auction events related to this distinguished artist. This subscription is an excellent way for art collectors and enthusiasts to stay connected with the latest opportunities to cherish and own a piece of Swiss art history.
Johann Jakob Neustück was a Swiss artist, celebrated for his contributions to the art world during the 19th century. His work, primarily focusing on landscapes, captures the essence of Swiss scenery with remarkable detail and emotion.
Johann Jakob Neustück's art is a testament to his skill and passion, offering viewers a glimpse into the picturesque landscapes of Switzerland. His paintings are known for their precision and the ability to transport the observer to the scene depicted. One of his notable works, "View into the Cloister of the Cathedral of Basel," exemplifies his mastery in landscape painting, showcasing his attention to detail and the serene beauty of Swiss architecture and nature.
Collectors and art enthusiasts admire Johann Jakob Neustück's works for their historical value and artistic merit. His paintings not only serve as beautiful artifacts but also as cultural treasures that offer insights into Swiss history and landscape artistry.
For those interested in the world of art and antiques, especially in the realm of landscape painting, Johann Jakob Neustück's creations are a source of inspiration and admiration. His works, which have been auctioned and celebrated, continue to enchant and captivate audiences, affirming his legacy in the art world.
For collectors and experts in art and antiques, staying informed about Johann Jakob Neustück's works is essential. By signing up for updates, you will receive notifications about new product sales and auction events related to Neustück's art, ensuring you never miss an opportunity to explore or acquire pieces of his enduring legacy.
Jean-Baptiste Pillement was a French painter and designer, known for his exquisite and delicate landscapes, but whose importance lies primarily in the engravings done after his drawings, and their influence in spreading the Rococo style and particularly the taste for chinoiserie throughout Europe.
Johann Jakob Schalch was a Swiss painter. He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Jakob Emanuel Handmann, Johann Caspar Füssli. His son Johann Heinrich Füssli was also a noted painter.
Schalch was noted for his paintings of the Rheinfall in Schaffhausen, many of which were reproduced as engravings, making his name well-known.
The Museum zu Allerheiligen in Schaffhausen owns the largest collection of Schalch paintings and drawings.
David Alois Schmid was a Swiss painter, draftsman and graphic artist.
David studied painting in Lucerne and at the Johann Heinrich Bleuler artists' colony in Feuertalen, in Zurich he worked on costume paintings. But he became known for his vedute paintings of landscapes and urban views of central and eastern Switzerland. Schmid also made watercolors.
Together with his brothers, the painters Franz Schmid (1796-1851) and Martin Schmid (1786-1842), he earned money by selling numerous gouaches and watercolor drawings of picturesque places in Switzerland to wealthy tourists. The engraver Franz Hegi (1774-1850) and others made engravings based on his paintings, many of which have survived to this day.
Walter Schulz-Matan was a German painter of magic realism. After training as a decorative painter, the Thuringian Walter Schulz-Matan led a life of wanderings across Europe. After military service and captivity in World War I, he lived in Munich from 1919, maintained his first studio in Munich-Schwabing from 1920 and worked as a stage painter for the "Neue Bühne". From 1930 he was one of the co-founders of the exhibition group 7 Munich painters. Schulz-Matan was also a member of the Neue Secession and the Deutscher Künstlerbund. In the New Objectivity art movement, Schulz-Matan developed his own artistic specificity in the Magic Realism movement. During the Second World War he worked as a war painter in France, then again as an artist in Munich.
Traugott Senn was a Swiss landscape painter, considered an artistic pioneer of the Bernese Zeeland and an innovator of the French landscape of the time. In his younger years he belonged to the Bernese School. Landscapes of Bernese Zeeland constitute the greater part of Senn's paintings.
Karl (Carl) Spitz was an outstanding German landscape painter.
Karl Spitz's paintings, inspired by nature, were characterised by a colourful and expressive style. Specialising in depicting rural scenes, Spitz masterfully recreated the beauty and tranquillity of nature.
His work often reflected the subtlety of light and shadow, as well as the details of his surroundings.
Edmond Jean-Baptiste Tschaggeny was a Belgian animal painter. Tschaggeny first studied privately together from 1834 to 1835 with Eugène Joseph Verboeckhoven, then from 1837 to 1838 at the Académie royale des Beaux-Arts de Bruxelles. He painted scenes with cattle and horses in the style of Verboeckhoven. The young shepherds accompanying the animals gave his works a sentimental touch. He is also known for portraits of purebred horses and bulls that have won a prize. He worked in Campine from 1846 and was one of the pioneers of the Campine painting school. He was a founding member of the Société royale belge des aquarellistes. In 1854 he was awarded the Knight's Cross of the Order of Leopold. Towards the end of his life he spent the winter months in Algeria, painting North African motifs. He illustrated anatomical books devoted to veterinary medicine.
Wouterus Verschuur the Younger (Dutch: Wouterus Verschuur, also Wouter Verschuur) was a Dutch painter, student and follower of his painter father Wouterus Verschuur the Elder. The main theme of his work is horses, genre rural scenes, and landscapes.
