Self-portrait The Netherlands
Abraham Bloemaert was a Dutch painter, draughtsman, and printmaker from the Golden Age of Dutch painting, one of the founders of the Guild of St. Luke in Utrecht. Bloemart was a caravagist. He painted mainly landscapes, mythological and biblical scenes, and pastoral works.
Paul Bril was a prominent Flemish painter, best known for his significant contributions to landscape painting. Born around 1554 in Antwerp, he later moved to Rome, where he became a central figure in the art scene, influencing the Italian and Northern European landscape painting traditions.
Paul Bril's early works were steeped in the Flemish manner, exhibiting a picturesque arrangement of landscape elements with dramatic contrasts of light and dark. His style evolved during his stay in Rome, influenced by the work of Annibale Carracci and Adam Elsheimer. By around 1605, Bril's compositions became more serene and classical, showcasing calmer transitions from foreground to background and embracing pastoral and mythological themes.
Paul Bril's contributions extended beyond his paintings. He was a respected figure in Rome's art community, becoming the first foreign director of the Accademia di San Luca in 1621. His patrons included some of the most influential families in Rome, and his work was sought after by collectors and fellow artists. Bril's influence was profound, impacting future generations of artists, including the Dutch Italianates and genre painters active in Rome.
His works can be found in prestigious galleries worldwide, illustrating his enduring legacy in the art world. For collectors and art and antiques experts, Paul Bril's work represents a significant period in the evolution of landscape painting, blending Flemish traditions with Italian classicism.
For those interested in exploring the captivating landscapes and historical significance of Paul Bril's art, staying informed about new product sales and auction events is essential. Signing up for updates can provide valuable insights and opportunities to acquire pieces associated with this influential artist.
Jean Augustin Daiwaille was a Dutch portrait painter and lithographer. He studied under Adriaan de Lelie. He was director of the Rijksakademie from 1820 to 1826. After that time, he resided at Rotterdam, where he was very successful in painting portraits. He was an early exponent of lithography during the 1820s, overseeing the installation of a lithographic press at the new Koninklijke Academie, and instructing the students on the use of the technique. He established his own lithographic business in 1826, producing reproductions of his own paintings, and collaborating with other artists such as Barend Cornelis Koekkoek to make copies of their work.
Meijer Isaac de Haan was a Dutch painter. In 1874, he was accepted into the Rijksacademie van beeldende kunsten at Amsterdam. In 1880, one of his works was exhibited at the Paris Salon. That same year, an illustration of de Haan's picture Een moeilijke plaats in de Talmoed appeared in the newspaper Eigen Haard, which generated much published discussion (not so much aesthetic as theological). He enjoyed some success in the Netherlands as a painter of Jewish genre works. In Amsterdam de Haan painted portraits and took on several pupils. De Haan remained in Amsterdam until 1888, where he produced chiefly portraiture, and representations of working class Jews. His early work was inspired above all by the masters of the Dutch school, such as David Teniers and Rembrandt. The example of 17th century painting is reflected in his history painting of 1877–1888.
Samuel Jessurun de Mesquita was a Dutch graphic artist, born on June 6, 1868, in Amsterdam, into a Sephardic Jewish family. He became well-known for his contributions to graphic art, especially in the years leading up to the Second World War, and was notable for his mentorship of the famed artist M. C. Escher. De Mesquita's work was characterized by a variety of techniques and mediums, including wood engravings, etchings, lithographs, watercolors, and drawings. His art often featured birds, exotic animals, plants, flowers, and fantastical elements, both humorous and grim, showcasing his deep experimentation and mastery over his craft.
His career took a significant turn around 1915 when he began to gain prominence within Dutch graphic art, partly due to his teaching positions in the field. De Mesquita's penchant for experimentation led him to explore various materials for his prints, such as marble and zinc, and he often processed his prints with other materials, resulting in unique artworks. His subjects ranged from his immediate surroundings, such as his own home or the Artis zoo in Amsterdam, to more experimental and imaginative works that included quasi-human figures and fantastical landscapes.
Unfortunately, de Mesquita's life and career were tragically cut short by the Holocaust. Despite friends urging him to go into hiding, Samuel and his wife believed their Sephardic heritage would protect them. This proved to be a fatal miscalculation, and on January 31, 1944, they were arrested by the Nazis and subsequently died in Auschwitz. Their son Jaap died in Theresienstadt in March of the same year. M.C. Escher, a former pupil and friend, managed to save some of de Mesquita's works after his death, preserving his legacy for future generations.
Samuel Jessurun de Mesquita's body of work is a testament to his skill and creativity, with his pieces held in collections like the Kunstmuseum Den Haag and The Metropolitan Museum of Art. His works range from serene and simple depictions of animals and plants to more complex and imaginative 'Sensitivist' drawings that evoked a unique world from the artist's imagination.
For collectors and experts in art and antiques, de Mesquita's work offers a unique insight into the rich tradition of Dutch graphic arts and the avant-garde experiments of the early 20th century. His influence, particularly on M.C. Escher, highlights his importance in the development of graphic arts. Sign up for updates related to Samuel Jessurun de Mesquita to stay informed about new product sales and auction events showcasing his remarkable works.
Otto Eerelman was a Dutch painter; best known for his depictions of dogs and horses. He was also a court painter and did several portraits of Wilhelmina, as Princess and Queen. His best known painting, "De paardenkeuring op de Grote Markt op de 28ste augustus", depicts an annual celebration (featuring horses) held to commemorate the lifting of the Siege of Groningen.
Albert Pieter Hahn was a Dutch political cartoonist, poster artist and book cover designer; well known for his socialist and antimilitaristic viewpoints. Some of his drawings, especially those of the railroad strikes of 1903, have been regularly used in history textbooks. His son-in-law, Albert Hahn jr., was also an artist, so he is sometimes referred to as "Sr.".
Hendrik Hondius I was a Flemish-born and trained engraver, cartographer, and publisher who settled in the Dutch Republic in 1597. Hondius was apprenticed in Brussels to Godfried van Ghelder, goldsmith to Alexander Farnese, Duke of Parma. He also studied drawing with the engraver Jan Wierix of Antwerp. At this time he started to study engraving. He applied himself to mathematics and studied perspective, architecture and the construction of fortifications. He moved to The Hague by 1597. He obtained his first print privilege for a portrait of Prince Maurits. He dedicated himself to his engraving practice. His work was very well received and he got commissions from many eminent personalities for engravings or drawings. He turned more to publishing rather than engraving and printing in the 1630s. His publications were mainly maps, books about fortifications and official portraits.[5] He also reused original plates and blocks by earlier artists for reprinting and such reprints represented almost a third of his publishing output. In the 1640s he returned to printing concentrating exclusively on etching. One of the most important publications of Hondius was the work Pictorum aliquot celebrium praecipue Germaniae inferioris Effigies (Effigies of some celebrated painters, chiefly of Lower Germany) of 1610, which was a collection of 69 portraits of mainly Netherlandish artists.
Henry Luyten was a Belgian painter of Dutch origin. He is known for his genre scenes, landscapes and portraits.
Henry Luyten was influenced by the 19th century Hague School and the Barbizon School, as well as 17th century Dutch and Flemish painting.
Matthias Maris was a Dutch painter, etcher and lithographer. He initially belonged to the Hague School, like his two brothers, Jacob and Willem, but his later works deviated more and more from that school into a unique style influenced by the Pre-Raphaelites. Most of the paintings by M. Maris are in museums and private collections in Great Britain and the USA. A great admirer of the artist's talent was Vincent van Gogh.
Pieter Cornelis Mondriaan, later known as Piet Mondrian, was a Dutch painter and art theoretician, whose transformation from figurative art to an abstract modernist style revolutionized the visual arts landscape of the 20th century. Born on March 7, 1872, in Amersfoort, Netherlands, and passing away on February 1, 1944, in New York, Mondrian's journey in art began in a devoutly Calvinist home where both art and music were encouraged. His early works were influenced by his surroundings, featuring landscapes in an Impressionist manner, but it was his shift to Paris in 1911 that marked the beginning of his profound evolution towards abstraction.
Mondrian co-founded the De Stijl art movement, aiming to achieve a universal aesthetic through the simplification of visual elements to their essentials: straight lines, right angles, primary colors, and the use of black, white, and gray. This reductionist approach, termed Neoplasticism, was Mondrian's contribution to creating 'universal beauty'. His philosophy extended beyond the canvas, influencing architecture, design, and fashion, encapsulating the modernist ideal and becoming synonymous with Modernism itself.
Some of Mondrian's notable works, such as "Composition with Red, Blue, and Yellow" and "Broadway Boogie Woogie", exemplify his revolutionary style, characterized by an economy of color and a rigorously abstract geometry that aimed to express the dynamic equilibrium of universal forces. These masterpieces, along with his theoretical writings, left a lasting impact on the course of abstract painting and several major art movements including Color Field painting, Abstract Expressionism, and Minimalism.
Mondrian's art is celebrated in museums and galleries worldwide, notably at the Gemeentemuseum Den Haag and the Museum of Modern Art in New York, where his evolution from figuration to geometric abstraction continues to inspire and captivate audiences. His commitment to exploring the spiritual in art through a radical simplification of form and color has cemented his legacy as one of the pioneers of 20th-century abstract art.
For collectors and experts in art and antiques, Mondrian's works represent not just significant artistic achievements but also pivotal moments in the history of modern art. His influence extends far beyond his own creations, shaping the development of modern aesthetics in numerous fields. If you're intrigued by Mondrian's vision of harmony and order through abstraction, we invite you to sign up for updates. This subscription will keep you informed about new product sales and auction events related to Mondrian's work, ensuring you stay connected to the ever-evolving world of art and design inspired by this iconic figure.
Caspar Netscher was a Dutch painter of the Golden Age of Dutch painting, known for his portraits. Netscher chose subjects from the life of the Dutch elegant and wealthy class; he painted many small portraits - mostly of women; some of them historical. After spending some time in Paris, he painted several persons belonging to the court of Louis XIV. In addition to the above-mentioned usual subjects, he depicted sometimes historical and biblical scenes.
Caspar Netscher's paintings were kept in many art galleries: in the Louvre, Amsterdam, Florence, in several private collections in England and in many other places. In the Hermitage at the beginning of the 20th century there were six of his paintings, including a portrait of the artist himself and a portrait of Mary Stuart, painted in 1683; today only two works have survived.
Cornelis Cornelisz. van Haarlem was a Dutch painter, draftsman, and architect. Along with Karel van Mander and Hendrik Goltzius, he is one of the leading artists of the Dutch Mannerism of the Haarlem School, more commonly referred to as Cornelis van Haarlem.
Dirk Oudes was a Dutch watchmaker and artist. He is the father of the draftsman Jaap Oudes. At a young age, Dirk Oudes became involved in the business of his father, Jacob Oudes, who was a jeweler and antique dealer. Here he learned the craft of a watchmaker. Dirk Oudes opened his gold and silver jewelry business in 1923. Through the trade in antiques, gold and silver, he naturally came into contact with the fine arts. Cooper/artist Koos Stickworth, watchmaker/artist Jan Plas helped him in his first steps as an artist. To gain skills in drawing and painting, Dirk began to copy the old Flemish masters. But after a while, the influence of Koos Stickworth comes to the fore. This doesn't last long because Vincent van Gogh soon becomes his great example and Dirk begins to paint more in the Van Gogh style. From 1939 Van Gogh's influence diminished again and more expressionist influences appeared in his work. The work of Dirk Oudes is considered part of the Expressionist art movement.
Hendrik Jacobus Scholten was a 19th-century painter from the Netherlands. He was a pupil of Petrus Franciscus Greive and Lambertus Johannes Hansen. In 1852 he became a member of the Royal Academy of Art in Amsterdam, and was a member of the Amsterdam art societies Arti et Amicitiae, Kunstbevorderend Genootschap V.W., and Vereeniging Sint Lucas. He was also a member of art societies in other towns. He became art curator of the Teylers Stichting in 1872, which manages the art collection of the Teylers Museum. In that capacity he wrote a catalog of the museum's collection, that was published in 1904. He painted several paintings that hang in the museum's galleries, as well as decorations in the Teyler's fundatiehuis, where he lived and worked from 1863 until his death.
Jacob Toorenvliet was a Dutch painter and graphic artist of the Gilded Age, a master of genre painting and printmaking.
Jacob Toorenvliet was a member of the Leiden Guild of Saint Luke. Together with Willem van Mieris and Carel de Moor he founded the Academy of Arts (Tekenacademie).
Jacob Torenvliet's style of painting has its origins in the genre painting of Leiden. Torenvliet's paintings contain elements of fine painting. The artist incorporates all kinds of influences in his work, but mixes them with his own forms of expression.
Christina Alida van Heek-Bledenstein was a Dutch painter and draftsman. Bledenstein was a student of the Amsterdam painter Jan Willem Pieneman and of Adriana Johanna Haanen. In 1849 she visited Paris. She painted portraits, figure and genre pieces. In 1932, some fifty works were shown in a retrospective of her work in the Rijksmuseum Twenthe.
Johan Hendrik van Mastenbroek was born in the Dutch town of Rotterdam. His father, the painter Johannes Van Mastenbroek was his first teacher and recognized his latent talent. His reputation as an artist soon spread internationally, and by the late 1890’s he was winning awards and medals throughout Europe. For his services to Dutch art, he was awarded a special gold medal by Queen Wilhelmina of Holland.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.
Pieter Gerritsz. van Roestraeten was a Dutch painter who spent most of his life in Great Britain.
He lived in Amsterdam, and in 1666 moved to London, where he remained for the rest of his life, enjoying the highest patronage.
Roestraeten painted mainly still lifes with luxury goods, as well as still lifes in the vanitas style. He created at least four self-portraits, and often painted his own reflections on polished silver objects in still lifes. The artist also depicted genre scenes from the everyday life of the common people.
Jan Verkade, birth name Johannes Sixtus Gerhardus Verkade, later changed to Willibrord Verkade, was a Dutch and German Benedictine monk, Post-Impressionist and Symbolist painter.
Jan was captivated by art from his youth and began studying painting at the State Academy of Fine Arts in Amsterdam, later in Paris he met Paul Gauguin, Paul Sérusier and other Symbolists, which played a major role in his worldview. In the last years of the 19th century, Verkade joined the Nabis (Les Nabis), a group of Symbolist artists. Fascinated by esoteric mysticism, the Kabbalah and Eastern magical teachings, he, however, adhered to the canons of Christianity.
In 1893 Verkade went to a Benedictine monastery in Boiron, Germany, painted churches and monasteries, and in 1902 he became a priest and changed his name to Willibrord Verkade. He continued to paint until 1927, but was no longer able to reach the level of his French period, considered his best period. However, he made a significant contribution to the Beuron school of art, which was founded by a confederation of Benedictine monks in Germany at the end of the 19th century. Up until his death in 1946, Verkade led a reclusive life, writing several religious, historical, and scientific linguistic works over the years.
