Still life German Expressionism
Christian Arnold was a German painter and graphic artist. He is best known for his landscape paintings that often depicted the rural and coastal regions of northern Germany.
Arnold studied at the Academy of Fine Arts in Munich and later taught at the School of Arts and Crafts in Bremen. His work was heavily influenced by the German Expressionist movement, and he often used bold colors and thick brushstrokes to create a sense of emotional intensity in his paintings.
In addition to his landscapes, Arnold also produced numerous portraits, still lifes, and religious works. He worked in a variety of mediums, including oil paints, watercolors, and printmaking.
Arnold's work was exhibited widely during his lifetime, and he received numerous awards and honors for his contributions to the arts. Today, his paintings are held in collections around the world, including the National Gallery in Berlin and the Kunsthalle Bremen.
Hannelore Borchers was a German artist and graphic artist.
Hannelore Borchers began her artistic education at the age of 20 and attended the Academy of Fine Arts in Hamburg until 1958, where she studied with artists Kurt Krantz and Willem Grimm.
She began as a freelance painter "with dark beach paintings, coastal landscapes and still lifes, which retained elements of late expressionism". In addition to oil paintings, Borchers produced pencil and pen drawings as well as black and white etchings.
Herbert Breiter was a German-born Austrian painter and lithographer. He is known, in particular, for his landscape paintings, his "atmospheric scenes" and for the many views of Salzburg, his adopted home city, that he produced. His surviving output also includes still lifes and portraits.
Karl Dönselmann was a German painter and graphic artist.
Dönselmann's works were heavily influenced by the Expressionist movement, and he often depicted scenes of everyday life, landscapes, and still lifes. He was particularly interested in the effects of light and color, and often used bold, vibrant colors in his works.
Dönselmann's works were exhibited extensively throughout Germany and internationally, and can be found in many public and private collections.
Edvard Frank was a German painter of the "lost generation".
He began his training in 1926 at the Trier School of Crafts and Applied Arts with August Trümper, then studied at the Cologne Werkschulen with Richard Seewald, and moved to the Academy in Berlin to study in Karl Hofer's class. After being called up for military service, he probably injured himself. At the end of the war he evaded another call-up by deserting. At the end of the war he lived in the district town of Birkenfeld in Hunsrück until the mid-1950s. Here he produced a large number of drawings and watercolours, which he was reluctant to give up. After the war he became a co-founder of the Palatinate Secession, and in 1946 a member of the New Darmstadt Secession as well as the Arbeitsgemeinschaft bildender Künstler am Mittelrhein, founded in 1948. He enjoyed increasing success with exhibitions at the Städtische Kunstsammlung Baden-Baden as well as in Hamburg, Lübeck, Berlin, Karlsruhe, Mannheim, Mainz and Kaiserslautern. The Brücke painter Erich Heckel appreciated his work. His estate, which includes personal documents and correspondence as well as sketchbooks and photographs of his works, is preserved in the Landesarchiv Saarbrücken.
Frank's preferred subjects were often erotic and oriented towards classicist motifs.
Edvard Frank was a member of the Deutscher Künstlerbund.
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Klaus Fußmann is a contemporary German painter.
Fußmann was born in Velbert, Germany. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. Fußmann now divides his time living and working between Berlin and Gelting on the Baltic Sea.
Friedrich Karl Gotsch, actually Friedrich Karl Müller, was a German painter and graphic artist.
After a phase of intense research into Picasso's cubism and experimentation with abstract techniques, the artist developed "late expressionism", which was typical of his work. Even during his lifetime, Gotsch was highly respected as one of the few painters of his generation who painted representational pictures. He also participated in numerous exhibitions and received renowned awards.
Norbert Hochsider was a German painter and graphic artist. His artistic style was influenced by the German Expressionist movement that emerged at the beginning of the 20th century. Expressionism was characterised by an emphasis on subjective emotion, distorted forms and intense colours. Artists associated with this movement sought to convey their inner feelings and the psychological impact of the modern world.
Norbert Hochsider explored a wide range of subjects in his paintings, including landscapes, figures and still lifes. He has used bold brushes, vibrant colours and dynamic compositions to express his emotional response to the subject matter. His works often reflect intensity, energy and raw emotion.
Veit Hofmann, born in 1944, is a distinguished German artist, renowned for his printmaking and painting. His artistic journey began with an apprenticeship as a printer, followed by studies at the Academy of Fine Arts in Dresden from 1967 to 1972, where he was mentored by Professors Gerhard Kettner and Herbert Kunze. Post-graduation, Hofmann embarked on a freelance career, forging close relationships with fellow artists Max Uhlig, Helge Leiberg, and Stefan Plenkers.
Hofmann's work is characterized by its vibrant colors and dynamic compositions, often oscillating between abstraction and figuration. His artistic repertoire includes a significant number of solo exhibitions and contributions to various group shows, notably participating in the Kunstausstellungen der DDR in 1982/1983 and 1987/1988.
Throughout his career, Hofmann has displayed his art in numerous galleries and exhibitions, including at the Museu National in Brasilia with "Horizontbeobachter" and the Neue Sächsische Galerie in Chemnitz with "Luftreise." These exhibitions highlight his versatility and the international recognition of his work.
For collectors, auctioneers, and experts in art and antiques, Hofmann's creations offer a unique blend of traditional techniques and contemporary expression. His pieces not only represent an essential part of German postwar and contemporary art but also provide insights into the cultural and artistic movements of the time.
For those interested in the evolving world of art and the works of Veit Hofmann, staying updated with the latest exhibitions and sales is crucial. Subscribing for updates ensures that enthusiasts and professionals alike don't miss out on new opportunities related to this influential artist.
Paul Kayser was a German painter and graphic artist. After training as a painter-decorator, Kayser attended the Schools of Applied Art in Munich and Dresden.
Paul Kayser was a founding member of the Hamburg Artists' Club 1897 and the Hamburg Secession, and a member of the Hamburg Artists' Association and the Altona Artists' Association. His style was decisively influenced by Albert Marquet, whom Kaiser met in 1909.
In 1937, Kaiser's still life was confiscated from the museum in Husum as part of the Nazi "Degenerate Art" campaign.
Paul Kleinschmidt was a German painter, graphic artist, engraver, and draftsman.
He studied at the Berlin Academy and at the Academy in Munich, where he studied the techniques of lithography and etching. Kleinschmidt created many etchings and lithographs in the modernist style and is also known for genre images of people having fun in restaurants.
Otto Lange was a German Expressionist painter and graphic artist.
Lange was arrested by the National Socialists in 1933, and lost his professorship. He then worked as a freelance artist in Dresden. In 1938, two of his paintings were shown at the Munich Degenerate Art Exhibition.
Lange produced an extensive body of printed graphic work; his subjects ranged from religious representations to still lifes to book illustrations. His woodcuts differed from those of other expressionists, as Lange mainly used an elaborate technique of colour printing. Most of the time he did not print his work with a press or use a brayer, but instead made hand rubbings after he had inked the printing block directly with a brush.
Lisel Oppel, actually Anna Amalie Elisabeth Oppel, was a German painter and ceramist who remains to this day one of the most memorable members of the Worpswede artist colony. From 1917 she studied painting at the Academy of Fine Arts in Munich with Richard Riemerschmid and Hermann Gröber.
Liesel Oppel painted simple paintings with great joy and colourfulness; mainly portraits, people at work and on holidays, less often pure landscapes. One of Oppel's special pictorial themes was children's pastimes in the countryside, in which she adopted and extended the motifs of the early Worpswede artists. Most of her work was created in the 1950s. She continued her expressive painting style.
Yuri Ivanovich Pimenov (Russian: Юрий Иванович Пименов) was a distinguished Russian and Soviet painter, renowned for his pivotal role in the "lyrical Thaw" movement within Soviet art. Born in Moscow in 1903, Pimenov emerged as a vital figure in the realm of Soviet impressionism, a title he embraced despite the political and artistic shifts of his time. His unique blend of realism and impressionism, often termed "realistic impressionism," showcased his versatility and defiance against abandoning his creative principles.
Pimenov's journey in the arts was marked by his participation in the OST group and later the "Isobrigade," reflecting his adaptation and response to the evolving Soviet art scene. Despite facing challenges, including a significant psychological crisis in 1931, Pimenov's resilience and dedication to art remained unwavering. His works from this period, characterized by a rose-colored palette and an optimistic view of Moscow, highlight his evolution as an artist and his ability to portray the Soviet reality through a unique lens.
Among Pimenov's notable contributions to Soviet art are masterpieces like "Wedding on Tomorrow Street," "Lyrical Housewarming," and "Japanese Girl Kyoko," each reflecting various facets of Soviet life and Pimenov's personal experiences. These works, celebrated for their vibrant storytelling and intricate details, have solidified Pimenov's legacy as a master of Soviet impressionism.
Pimenov's influence extended beyond the canvas, as he engaged deeply with the world of theater and film, designing sets and posters that further showcased his artistic versatility. His travels abroad, particularly to Japan, enriched his perspective and influenced his later works, demonstrating his global appeal and the universal resonance of his art.
For art collectors and experts, Pimenov's oeuvre represents a unique investment in the history and evolution of Soviet art. His works, a blend of political narrative and personal expression, offer a profound insight into the era of the Soviet Union, making them invaluable pieces for any collection.
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Walter Tanck was a German landscape painter, engraver and woodcarver. He studied painting with Franz Nölken in Hamburg.
In 1937, as part of the Nazi "Degenerate Art" campaign, his graphic portfolio "Don Quixote" (15 etchings and a lithograph on the title page) from the Dusseldorf Art Collection and his panel "Nude Woman" were confiscated and destroyed.
Carl Emil Uphoff (German: Carl Emil Uphoff) was a German painter and writer who worked in the artists' colony of Worpswede. He first studied at the Folkwang-Kreis under Christian Rolfs and then on study trips to Belgium, Holland and France. In Paris he was promoted by Henri Matisse.
Karl Emil Uphoff was a member of the NSDAP and the Nazi community Kraft durch Freude.
Erich Wegner was a German artist. His work was heavily influenced by the expressionist movement, and he often depicted scenes of daily life in a bold and expressive style.
Wegner's paintings were characterized by their thick brushstrokes and vibrant colors, which conveyed a sense of energy and movement. He often painted urban scenes, such as street scenes and cityscapes, and also produced numerous portraits and still-life compositions.
During the Nazi regime in Germany, Wegner's work was deemed "degenerate" and he was forbidden to exhibit his art. Despite this, he continued to work in secret and later resumed exhibiting his work after the war.
Today, Wegner's work is held in collections around the world, including the National Gallery in Berlin and the Museum of Modern Art in New York.
Karoline Wittmann, née Karoline Erlacher, was a German artist who painted in the style of expressive realism. Inspired by exhibitions at the Glaspalast in Munich, she attended the Moritz Heymann School of Painting in the late 1920s. She studied graphics and nude painting. From 1945 she worked as a free-lance artist. Her role models were Vincent van Gogh, Paul Cézanne and Lovis Corinth.
Caroline Wittmann was a member of the New Munich Artists' Co-operative, the Professional Association of Fine Arts / BBK-Munich and Gedok. From 1949 to 1960 she exhibited at the annual Great Art Exhibition at the House of Art. At the 1978 Great Art Exhibition at the Haus der Kunst in Munich, two landscape paintings were exhibited in her memory at the Neue Münchner Künstlergenossenschaft and sold in the first week. Caroline Wittmann sold three sunflower paintings during her lifetime. Caroline Wittmann's life's work was only published posthumously in 1996 by Matthias Arnold and in 2010 by Ingrid von der Dollen. It includes about 340 oil paintings, watercolours and etchings listed in the catalogue.
