Educators Naturalism
Georgios Jakobides was a Greek painter, representative of the Munich School of Greek painting.
He studied at the Athens School of Art (later the Academy of Fine Arts), then at the Academy of Fine Arts in Munich. Jakobides painted mythological scenes, genre paintings and portraits influenced by German academic realism.
His many characteristic paintings of children established Jakobides' reputation as a children's artist. As a perceptive psychologist and keen observer of human nature, he was a consummate draftsman. His painting The Reading Girl (1882), first exhibited in Munich, was admired by critics and the public.
In 1990 Georgios Jakobides returned to his homeland and became the first director of the National Gallery of Greece. In 1904 he was appointed director of the Athens School of Fine Arts, where he taught for 25 years. In addition to these activities, the artist continued to paint portraits, including of prominent Greeks.
Francisco Pacheco del Río, baptized on November 3, 1564, and passing away on November 27, 1644, was a distinguished Spanish painter. Renowned for his dual role as Diego Velázquez's teacher and father-in-law, Pacheco's influence extends beyond his familial ties, contributing significantly to the arts through his seminal textbook, "Art of Painting." This work remains a crucial resource for understanding 17th-century artistic practices in Spain. Often referred to as the "Vasari of Seville," Pacheco's insights into painting theories and reflections on his contemporaries have left an indelible mark on the history of art, despite criticisms of his conventional execution in painting.
Pacheco's early life was marked by an immersive education in art, learning from Luis Fernandez and drawing inspiration from Italian masters. His journey included a pivotal sojourn to Madrid and Toledo in 1611 to study the works of El Greco, which further enriched his artistic repertoire. Upon his return to Seville, Pacheco opened an art school, laying the groundwork for his future contributions to art education and theory.
His career was notably characterized by his position as the official censor for Seville's Inquisition, which influenced his academic approach to religious subjects. Despite this, his paintings, such as the Last Judgment and Martyrs of Granada, are celebrated for their monumental scale. Pacheco's most enduring legacy, however, may be his influence on Diego Velázquez, whom he mentored for six years. Velázquez's marriage to Pacheco's daughter Juana in 1618 further solidified their personal and professional bonds. Pacheco's "Arte de la pintura" not only provided invaluable biographical information on Spanish painters of his era but also laid down foundational theories on iconography, materials, and technique.
For those interested in exploring Francisco Pacheco del Río's works further, notable pieces can be found in prestigious collections, such as the Museo Nacional del Prado, enriching our understanding of his impact on the art world.
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