Graphic artists Pop Art
Craig Alan is an American artist whose work displays a technical sophistication as well as a rich imagination.
After moving with his family to New Orleans, Alan worked as a street artist in his youth, creating portraits. Through his exceptional talent and through his own research, he eventually developed an admirable understanding and sense of textures, compositions and colors. Today, Craig Alan represents a wide range of artistic styles, from book illustration to naturalistic oil painting and his Populus Art.
Margit Balla is a Hungarian artist, graphic artist, illustrator, director, stage designer and costume designer.
She studied typography at the Academy of Applied Arts in Budapest, mainly making posters, book illustrations, later working more and more with pictorial graphics. In her posters Margit Balla combines impressions from old prints with contemporary trends such as pop art. Her figurative compositions are easily recognizable by her special surrealistic drawing style.
Since 2000, Margit Balla has been working as a production designer for the Budapest Puppet Theater.
Igor Borisovich Berezovsky was a Soviet and Russian artist, graphic artist and designer.
Igor Berezovsky was interested in the texture of television images; he reproduced magazine photographs and brought them to the brink of extinction with the help of large screen prints; he introduced unexpected textures into images using all kinds of "rubbish"; he paraphrased Folon and Dibbets, Warhol and Dürer.
Werner Berges is a contemporary German artist and graphic artist, a representative of Pop Art.
Typical of him are bright colours and sharp outlines, the use of spot painting and the strips that give his works the character of reproductions. The heroes of his paintings are pop and film stars, advertising types of women and photo-models, whose erotic poses and captivating glances Werner Berges emphasizes with a powerful combination of colours, points, stripes and collage. At the core of his drawing is a "graphic framework" that exists independently of the overlay of colours on the canvas. The artist tries to show himself to be completely independent and impartial about what he has created and only signs his work on the back of the canvas.
Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art.
Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
Patrick Caulfield was an English painter and printmaker renowned for his distinct approach to art, which often combined elements of photorealism within simplified scenes. Born in London in 1936, Caulfield's artistic journey led him to become a significant figure associated with the British Pop Art movement, though he personally refuted this label, aligning more closely with early European Modernist traditions. His works are celebrated for their bold canvases, characterized by sleek lines, bold colors, and an intriguing blend of the real and the abstract, held in esteemed collections worldwide, including those of Charles Saatchi and David Bowie.
Caulfield's art is recognized for its innovative use of light, space, and color, creating a unique narrative that transcends the conventional boundaries of painting. Noteworthy pieces like "Pony" (1964) and "After Lunch" (1975) exemplify his skill in blending painting styles, creating "pictures within pictures" that challenge viewers' perceptions of space and reality. Caulfield's interiors, such as "Dining Recess" (1972) and "Tandoori Restaurant" (1971), convey a sense of melancholy and loneliness through their depiction of everyday spaces devoid of human presence, making his work profoundly resonant.
Throughout his career, Caulfield received several commissions, contributing to public spaces and collections across the globe. His art has been exhibited in numerous solo exhibitions, including at Tate Britain and the Royal Academy in London, underscoring his influence and importance in the art world.
For art collectors and experts, Patrick Caulfield's work offers a unique perspective on the everyday, merging the abstract with the real in ways that continue to captivate and intrigue. To stay updated on sales and auction events related to Patrick Caulfield's art, signing up for updates is highly recommended, ensuring access to the latest offerings and insights into his enduring legacy.
Jaqueline de Jong is a Dutch painter, sculptor and graphic artist living and working in Amsterdam and Bourbon, France.
In her painting practice, she easily switched between different styles, from expressionist painting to new figuration and pop art, repeating motifs of eroticism, desire, violence and humor. From prints to large oil paintings, she displays a fascination with the grotesque and the macabre, especially in the more figurative works depicting creatures that are half human, half beast. It is as if they reveal the ugly or animal side of human nature that we usually prefer to hide.
Luitpold Domberger was a graphic designer and pioneer of artistic screen printing in Germany. In 1949, he founded his first print shop in Stuttgart. Domberger's skill as a stencil artist gained international renown and paved the way for many collaborations with international artists. Domberger also promoted the professionalisation of screen printing and assisted many young artists in their careers in his studio. Domberger specialised in the intricate hand-cutting of stencils and made extensive use of fluorescent inks and other new materials in his collaborations. In addition to creating works from sketches by other artists, Domberger made a number of his own stencils in a rigid style reminiscent of works associated with the minimalist and op-art movements.
Marisol Escobar, otherwise known simply as Marisol, was a Venezuelan-American sculptor born in Paris, who lived and worked in New York City. She became world-famous in the mid-1960s, but lapsed into relative obscurity within a decade. She continued to create her artworks and returned to the limelight in the early 21st century, capped by a 2014 major retrospective show organized by the Memphis Brooks Museum of Art.
Lin Felton, known as QUIK, is an American graffiti artist living and working in Brooklyn, New York.
At the age of ten, he was already painting on subway trains, marking the "Star 10" as he called himself at first. Two years later, he took the pseudonym QUIK, under which he later became internationally known. In the early 1980s, he was attending PRATT Institute and Parsons School of Design when he was discovered by a prominent Dutch art dealer.
Felton has developed recognizable satirical comic imagery that he extends far beyond simple taglines, introducing both social and personal issues into his paintings. The theme of racial inequality in American society became prevalent in his work, combined with cynical juxtapositions of popular cartoon characters, pin-up girls, and writing on walls.
Although today Felton's work can be seen in numerous galleries and museums in the United States, Japan, Europe and Hong Kong, his real passion remained on walls and on trains, which even landed him in jail several times.
Joe Goode is an American artist associated with the Pop Art and Light and Space movements. Goode's work often incorporates images of the American West, such as clouds, mountains, and sunsets, as well as everyday objects like milk bottles and newspapers.
Goode studied at the Chouinard Art Institute in Los Angeles. He began his career as a painter in the 1950s and 1960s, creating works that combined abstraction and figuration. In the 1960s, he became associated with the Pop Art movement and began incorporating images of everyday objects and popular culture into his work.
In the 1970s, Goode began exploring the potential of light and color as mediums, creating installations and sculptures that played with the ways in which light interacts with different materials and surfaces. He was also associated with the Light and Space movement, which sought to create immersive, sensory experiences through the use of light and space.
Goode has exhibited his work extensively in the United States and Europe, and his work is represented in numerous public and private collections. He has also taught at several art schools, including the University of California, Los Angeles.
Goode continues to work and exhibit his art today, and his innovative approach to painting, sculpture, and installation has made him one of the most important artists of the Pop Art and Light and Space movements.
Henriette Grahnert is a German artist, designer and graphic artist. She graduated from the Academy of Art and Design in Leipzig and works in Dresden and in Leipzig.
The artist uses and combines a variety of painting traditions: classical abstraction and concrete painting, minimalist traditions and bad painting, American color field painting and pop art. Peeling paint, random brushstrokes, drips, smudged duct tape - remnants of the painting process are the elements that make up Grahnert's paintings.
Todd Gray works in photography, performance and sculpture as a contemporary artist who lives and works in Los Angeles, California and Akwidaa, Ghana.
Writing in the catalogue for the exhibition Black is, Black Ain't at the Renaissance Society, Chicago, Amy M. Mooney writes "critics have noted that Gray's work is "fluent in cultural iconography, driven by introspection, and steeped in issues of corporate politics and racial identity" and that his self-portraits thwart a traditional read of the exterior likeness". Gray describes himself as an artist and activist who primarily focuses on issues of race, class, gender, and colonialism, and uses these lenses to challenge binaries in the past and present. In general, his work aims to challenge the viewer both by what he is including and what he is leaving out.
Kęstutis Grigaliūnas - Lithuanian graphic artist, art teacher. 1988-1989 created linen carvings, wood carvings, screen prints, etchings, illustrated books. Since 1990 one of the first Lithuanian graphic designers to use the color screen printing technique. Made a cut out of cardboard and plywood. It is characterized by a pronounced graphic beginning - lines, signs, ornaments, figurative and abstract motifs are used. Since 1998 creates more complex plastic graphic works and cut-outs, they feature postmodernism features, pop art, Fluxus elements, decorative, eclectic images. A playful mood, irony, and various intellectual references to the images of Lithuania and other cultures and civilizations prevail.
Richard William Hamilton was a pivotal figure in the evolution of modern art, seamlessly blending traditional mediums with emerging cultural commentary. Born in London in 1922, Hamilton emerged as a leading voice in the pop art movement, a genre that sought to bridge the gap between high art and popular culture. His work, characterized by its innovative use of materials and its critical eye on consumer society, positioned him as a critical link between art's past and its rapidly evolving future.
Hamilton's influence is perhaps best encapsulated in his iconic collage, "Just what is it that makes today's homes so different, so appealing?" Created for the This Is Tomorrow exhibition in 1956, this piece is widely regarded as one of the first works of pop art, predating the more widely recognized contributions of American artists like Andy Warhol and Roy Lichtenstein. By integrating images from magazines, advertisements, and other mass media, Hamilton crafted a visually striking critique of contemporary consumerism and its pervasive impact on the domestic sphere.
Beyond his contributions to pop art, Hamilton's legacy is also preserved in his role as an educator and theorist. His writings and teachings have influenced generations of artists, encouraging them to explore the intersections of art, technology, and society. His works are held in high esteem and are featured in prestigious collections worldwide, including the Tate Gallery in London and the Museum of Modern Art in New York.
For collectors and experts in art and antiques, Hamilton's oeuvre offers a fascinating window into the mid-20th century's cultural shifts. His ability to capture the zeitgeist of his time, while also pushing the boundaries of what art could be, makes his work both historically significant and continually relevant.
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Keith Allen Haring was an iconic American artist, recognized globally for his distinctive contributions to painting, sculpture, and art culture. Haring's work is celebrated for its vibrant, dynamic imagery and its profound social activism, which addressed critical themes such as AIDS awareness, racial inequality, and the empowerment of communities through art. His art transcends conventional galleries, marking its presence in public spaces, museums, and collections worldwide, thereby democratizing art access and engagement.
Haring's unique approach to art was characterized by bold lines, vivid colors, and animated figures, which not only attracted art collectors and experts but also resonated with a broader audience. His ability to blend art with activism, using public spaces as his canvas, was revolutionary. Works like the "Crack is Wack" mural and the untitled piece on the Berlin Wall stand testament to his commitment to societal issues, making him a pioneer in using art as a tool for social change.
Keith Haring's legacy continues through the Keith Haring Foundation, established by the artist in 1989 to support children's programs and organizations dedicated to raising AIDS awareness. The Foundation ensures that Haring's artistic and philanthropic vision persists, facilitating exhibitions and educational initiatives. For collectors and art experts keen on exploring Haring's influential body of work and its impact on contemporary art and culture, his creations offer profound insights into the intersection of art, social activism, and community engagement.
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Arturo Herrera is a Venezuelan-born American and German painter, graphic artist and sculptor who has lived and worked in Berlin since 2003.
Herrera came to the United States in 1978, studied art at the University of Tulsa, traveled in Europe, and attended graduate school at the University of Illinois at Chicago. In New York, he began collecting coloring books, comic books, and illustrated fairy tales. In the early 1990s, he became known for his extensive works in various collage techniques. Herrera seems to weave fragments of found recognizable images into collages.
Herrera's oeuvre includes works on paper, paintings, reliefs, sculptures, public art and books. In the late 1990s, the artist began creating wall sculptures out of felt: cut pieces of material are suspended, creating colorful "blobs". The resulting images often balance between abstraction and figuration, with echoes of 1950s-1960s Pop Art and early 20th century Surrealism, Art Nouveau, lyrical abstraction and Cubist collage.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
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Ana Mercedes Hoyos was a Colombian painter, sculptor and a pioneer in modern art in the country. In her half-century of artistic works, she garnered over seventeen awards of national and international recognition. Beginning her career in a Pop Art style which moved towards abstract, her trajectory moved toward cubism and realism as she explored light, color, sensuality and the bounty of her surroundings. Her reinterpretations of master painters led her to an exploration of Colombian multiculturalism, and her later works focused on Afro-Colombian and mestizo heritage within the Colombian landscape.
Alain Jacquet is a French self-taught artist, a representative of the American Pop Art movement. In his series of works "Camouflages" the artist often contrasts masterpieces of art history, famous paintings of the past to advertising idols of his time. "Botticelli's Camouflage" (Birth of Venus) is one of his famous works.
Among other things, Jacquet used the techniques of silkscreen printing, photomechanical transfer and screen printing.
Jasper Johns, an American artist, has been a pivotal figure in the art world, celebrated for his innovative contributions to painting, sculpture, and printmaking. Johns, born in 1930, has challenged and expanded the boundaries of contemporary art with his unique approach to visual expression, blending elements of Abstract Expressionism, Neo-Dada, and Pop Art. He is perhaps best known for his iconic depictions of everyday objects and symbols, such as flags, maps, numbers, and targets, which he transforms into complex, layered works that invite contemplation on themes of identity, perception, and memory.
Johns' art is distinguished by its masterful use of texture, symbolism, and an exploration of the materiality of the medium. His technique of incorporating textural elements and found objects into his canvases blurs the lines between painting and sculpture, challenging traditional distinctions in art. For instance, his piece "Flag" (1954-55) reimagines the American flag with a surface rich in encaustic paint and newspaper clippings, creating a work that is both a familiar symbol and a deeply personal expression. Similarly, "Painted Bronze" (Ale Cans) (1960) playfully interrogates the nature of representation and the art object by presenting a lifelike bronze sculpture of beer cans, furthering the dialogue on art's relationship with the everyday.
Johns' work is held in high esteem and can be found in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. His influence extends beyond his own oeuvre, impacting the development of several art movements, including Pop Art and Conceptual Art. Johns' exploration of language and semiotics, particularly in works like "According to What" (1964), prefigured the Conceptual Art movement's interest in the role of language and ideas in art.
For collectors and experts in art and antiques, Jasper Johns' work represents a critical junction in the evolution of post-war American art, offering rich insights into the interplay between cultural symbols and artistic innovation. His enduring relevance and the intellectual depth of his work continue to inspire and challenge audiences, making him a central figure in discussions of contemporary art.
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Allen Jones is a British pop artist and a senior member of the Royal Academy of Arts. He is known for his paintings, sculptures and lithographs on the theme of human sexuality. He was awarded the Prix des Jeunes Artistes at the 1963 Paris Biennale.
Allen Jones' most famous work is "Hat Stand, Table and Chair," created from "fetish" fiberglass mannequins.
Kriki, real name Christian Valée, is a French artist and musician who represents the punk culture in French contemporary art.
In his youth he created the electro-punk band Les Envahisseurs, and from 1984 he participated in the birth of street art.
In 1985 Kriki invents Fuzz, a half-robot, half-polymorphic fetish that appears as a virus that infects art history, and a sample of which will be published in the Museum of Modern Art in Paris.
Jörg Losek is a contemporary German painter and graphic artist. Currently lives and works in Leipzig. In 2002 and 2003 he exhibited in LIGA gallery, the now famous alternative gallery in Berlin, which was the first exhibition space for many artists from Leipzig. Since then he has exhibited in Cologne (Galerie Binz und Kraemer), London (Rhodes+Mann Gallery), Los Angeles (Sandroni Rey Gallery), Paris (Galerie Daniel Templon) and various group exhibitions.
Raúl Martínez, full name Publio Amable Raúl Martínez González, was a Cuban painter, designer, photographer, muralist and graphic artist. He is best known for his colourful Pop Art portraits of leading Cuban political figures.
CRASH (born John Matos) is a graffiti artist. As early as 13, John Matos was spray painting New York City trains, the full image art as opposed to simpler tagging soon transferred to silk screened canvas. CRASH was first noticed through his murals on subway cars and dilapidated buildings and is now regarded as a pioneer of the Graffiti art movement. His work is said to convey a "visual link between street life and established society". In 1980, CRASH curated the now iconic exhibition:"Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement that has remained very active through today. During the 1980s, CRASH had exhibits across the United States and abroad.
Patrick Nagel was an American artist and illustrator. He created popular illustrations on board, paper, and canvas, most of which emphasize the female form in a distinctive style, descended from Art Deco and Pop art. He is best known for his illustrations for Playboy magazine and the pop music group Duran Duran, for whom he designed the cover of the best-selling album Rio, which has been acclaimed as one of the greatest album covers of all time.
Eduardo Paolozzi was a Scottish artist renowned for his pioneering contributions to the Pop Art movement. His work, characterized by an amalgamation of popular culture references and technological imagery, played a significant role in shaping the visual arts landscape of the 20th century. Eduardo Paolozzi's graphic works, particularly from the 1960s, broke new ground in the silkscreen medium, with notable series such as "As Is When" and "Moonstrips Empire News" showcasing his innovative approach to art that combines elements of science, technology, and pop culture.
After a transformative period in Paris, where he interacted with key figures of the Surrealist movement, Eduardo Paolozzi returned to the UK, where he became a central figure in the formation of the Independent Group. This collective was instrumental in the development of British Pop Art, with Paolozzi's early collages, especially "I Was a Rich Man's Plaything," marking a seminal moment in the genre's emergence.
His artistic ventures were not confined to printmaking and collage; Eduardo Paolozzi's sculptures and mosaic murals, such as those for Tottenham Court Road tube station in London, also garnered acclaim for their intricate detail and thematic complexity. The artist's influence extended into his academic roles, where he nurtured future generations of artists.
Eduardo Paolozzi's legacy is preserved through extensive collections and exhibitions, such as at the National Galleries of Scotland, which holds a significant number of his works. This includes a recreation of his studio, providing insight into his creative process and the diverse influences that shaped his art.
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Pino Pascali is an Italian sculptor, conceptual artist, graphic designer and stage designer, one of the forerunners of the art povera style.
He studied scenography at the Academy of Art in Rome, then worked in television as a designer and cameraman, and at the same time experimented with different materials.
Pascali began to create colorful works influenced by pop art in different styles and media. He used old cans, plastic brushes, fake fur, colored water, hay, mud... One of Pascali's most impressive works is Bridge (1968), an eight-meter bridge made of steel sponges.
Ed (Edward Francis) Paschke was an American artist celebrated for his confrontational and vibrant paintings. Born on June 22, 1939, in Chicago, Illinois, Paschke found inspiration in comic strips and the work of Burne Hogarth, the creator of the Tarzan comic. His early fascination with visual storytelling translated into a unique art style that combined elements of pop culture, often in a sexualized or grotesque manner.
Paschke's art journey began at the School of the Art Institute of Chicago, where he honed his skills in draftsmanship. However, he struggled with abstract and Expressionist painting, the dominant styles of the 1950s. His career took a notable turn in 1961 when he started working as an illustrator for Playboy magazine, a position he held until 1989. This experience, coupled with a brief stint working in a mental institution, significantly influenced his art, particularly his theme of portraying society's marginalized figures.
Throughout his career, Paschke's work evolved in both style and medium. In his early paintings, he reimagined legendary figures in unusual contexts, like setting Marilyn Monroe's head atop an accordion player's body in "Pink Lady" (1970), or reinterpreting Claudette Colbert as a tattooed lady in "Painted Lady" (1971). His later works, such as "Matinee" (1987), showcased a shift towards electronic media, with images disintegrating into electronic disturbances. This evolution in his art reflected a deeper exploration of American values' underside—fame, violence, sex, and money—a theme he shared with Andy Warhol, one of his major influences.
Paschke's innovative technique involved using an overhead projector to layer images, which he then meticulously rendered in oil paints. He started with a black and white underpainting, followed by layers of colored glazing or impasto, creating vibrant, neon-colored finishes. This process paralleled the historical transition from black-and-white to color in printing, film, and television.
Despite his unique approach and contributions to the art world, Paschke remained somewhat distant from the mainstream New York art scene. Nevertheless, his work is celebrated in many museum collections, including the Art Institute of Chicago, the Madison Museum of Contemporary Art, and the Whitney Museum of American Art, among others. His influence extends beyond his lifetime, as seen in the opening of the Ed Paschke Art Center in Chicago in 2014, which commemorates his works alongside other Chicago artists.
Edward Francis Paschke passed away on November 25, 2004, but his legacy continues to inspire and challenge the art world, emphasizing the power of visual media to explore and critique societal norms and values.
For collectors and experts in art and antiques, Paschke's work offers a unique blend of cultural commentary and bold visual experimentation. To stay updated on new product sales and auction events related to Edward Francis Paschke, sign up for our updates. This subscription is a gateway to exploring the fascinating world of Paschke's art and its enduring impact on contemporary culture.
Richard Pettibone is an American painter, sculptor, graphic artist and illustrator. He created replicas of the works of pop art artists such as Andy Warhol, Roy Lichtenstein and Ed Rusch. Reproduced works by leading avant-garde artists Marcel Duchamp and Constantin Brancusi.
Robert Milton Ernest Rauschenberg was an American artist renowned for his pioneering work that blurred the boundaries between painting and sculpture, thereby anticipating the Pop art movement. From his early days at the Art Students League of New York to his experiments at Black Mountain College, Rauschenberg's career was marked by innovation and collaboration. His "Neo-Dadaist" approach, shared with contemporaries like Jasper Johns, questioned traditional distinctions between art objects and everyday items, drawing inspiration from Marcel Duchamp's Dadaist principles.
Rauschenberg's most notable works, such as "Erased de Kooning Drawing" and his "Combines," utilized found materials and images to create new art forms that challenged viewers' perceptions. His use of non-traditional materials like twine, soil, and even taxidermied animals, alongside traditional canvas and paint, set new precedents for what could be considered art. His groundbreaking silkscreen paintings incorporated found images, further cementing his role in the evolution toward Pop art.
The artist's work is represented in major museums and galleries worldwide, reflecting his significant impact on contemporary art. His pieces like "Canyon" and "Monogram" are celebrated for their innovative integration of sculpture and painting, while "Signs" captures the tumultuous spirit of the 1960s through its collage of cultural figures and events, housed in institutions like the Museum of Contemporary Art, San Diego, and The Minneapolis Institute of Arts.
For collectors and experts in art and antiques, Rauschenberg's oeuvre represents a critical junction in the history of modern art, where the lines between different media and disciplines were explored and often erased. His legacy is not just in the objects he created but in his bold reimagining of the art-making process itself, encouraging a dialogue between art and life that continues to inspire artists today.
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Larry Rivers (born Yitzroch Loiza Grossberg) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction.
Richard Smith was an English painter and printmaker. Smith produced work in a range of styles, and is credited with extending the field of painting through his shaped, sculptural canvases. A key figure in the British development of Pop Art, Smith was chosen to represent Britain in the 1970 Venice Biennale.
Works by Smith are in the collections of the Tate Britain, London, Museum of Modern Art, New York, and the Minneapolis Institute of Art, Minnesota.
Herbert Spangenberg was a German painter of the Lost Generation.
Stylistically, Spangenberg's early work can be classified as New Objectivity, especially Magical Realism, although some of his works have Surrealist features. While his pictures in the late 1920s were achromatic and dark, from the 1930s they turned to colourfulness and brightness. From the late 1940s onwards, his style increasingly turned to abstract painting with a gradual abandonment of the object. In 1952 he exhibited a completely abstract painting in Cologne, but his pictures usually contain geometric forms, sometimes also formal structures, as in the painting Zug der Fische. The Synagogue Windows of 1960 could again be assigned to Geometric Abstraction, if symbols were not incorporated. In his late work, from 1968 onwards, he mainly created women's pictures influenced by Pop Art or Art Deco in dark tones, whose painted faces are occasionally grotesquely satirically exaggerated, as in some pictures of the Verism of the New Objectivity in the 1920s. Now and then they are slightly reminiscent of figures by Richard Lindner.
Ernest Tino Trova was a self-trained American surrealist and pop art painter and sculptor. Best known for his signature image and figure series, The Falling Man, Trova considered his entire output a single "work in progress." Trova used classic American comic character toys in some of his pieces because he admired their surrealism. Many of Trova's sculptures are cast in unusual white bronze. He began as a painter, progressing through three-dimensional constructions to his mature medium, sculpture. Trova's gift of forty of his works led to the opening of St. Louis County, Missouri's Laumeier Sculpture Park.
Henri van Herwegen, better known by his pseudonym Panamarenko, is a Belgian artist known for his installations and objects that combined elements of science, technology, art and fantasy.
Panamarenko was an autodidact and began his career as an artist in the 1960s. His work has been shown in many exhibitions in Europe, America and Asia. He created various objects such as flying machines, submarines, wings, bicycles and more.
Panamarenko's work has used different materials including metal, plastic, textiles, glass and wood. His installations and objects were often interactive and could move or glow.
Panamarenko was one of the most influential artists in Belgium and his work is in the collections of many museums, including the Museum of Modern Art in Barcelona, the Guggenheim Museum in Bilbao and the Museum of Modern Art in Amsterdam.
Petrus Wandrey (German: Petrus Wandrey, full name Ulrich Carl Peter Wandrey) is a German digital artist.
In his youth he was influenced by Surrealism, the Pop Art movement and Dadaism. But later Wandrey became so impressed by the culture of science, technology and digital images that he became one of the pioneers of the digitalization movement. In his work, Wandrey often uses digital combinations, pixel sequences and even computer trash.
John Wesley was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.
