Portraitist Holy Roman Empire
Balthasar Augustin Albrecht was a German painter of the first half of the 18th century. He is known as a painter who worked in portrait, historical and religious genres.
Albrecht began his career in 1719. He was appointed court painter at the court of the Elector of Bavaria and inspector-custodian of the Picture Gallery in Munich. In addition to portraits and paintings, he created frescoes and altarpieces in churches in Munich and other German cities.
Lucas Cranach the Younger was a German painter of the mid-16th century. He is known as a Renaissance painter and portraitist, one of the sons of the painter and graphic artist Lucas Cranach the Elder.
Cranach the Younger painted portraits and paintings of the mythological genre. Despite his lack of courtly status, he worked for the social elite, including princes and nobles. After the artist's death, his works were distributed to various churches, schools, castles and homes. As a member of the new generation, he favored rich and flamboyant images. Cranach the Younger is believed to have created a new artistic program for the Protestants.
Ferdinand Jagemann was a German painter of the first quarter of the 19th century. He is known as a painter and graphic artist, especially famous in portraiture.
Ferdinand Jagemann created many portraits of famous personalities of his time, including several portraits of Johann Wolfgang Goethe painted in 1805, 1806, 1817 and 1819, as well as Friedrich Schiller, whom he portrayed on his deathbed.
Joseph Kellerhoven was a German painter of the first half of the nineteenth century. He is known as a portrait painter, teacher, and as the son of another famous portrait painter, Moritz Kellerhoven.
Joseph Kellerhoven was mainly engaged in the creation of portraits, adhering to the style of his father. According to contemporaries, his work was distinguished by its excellent concept, a fine sense of color and a refined technique. The drawing lessons taught by the artist were also highly regarded. Kellerhoven also created religious paintings.
Martin Kober was a Polish painter of the second half of the 16th century of German origin. He is known as a court portrait painter, the founder of this genre in Poland.
Kober was a court painter who worked with various monarchs of Central Europe, including the Holy Roman Emperor, Polish kings and queens Stephen Bathory, Rudolf II, Anna Jagiellonka, and Sigismund III Vasa. Kober was the first artist in Poland to specialize in formal portraiture. His work had a significant influence on royal iconography and played an important role in the development of Polish portraiture. Kober was also an important representative of the early Baroque and his style found many imitators.
Johann Karl Loth was a German painter of the second half of the 17th century, the Baroque era. He is known as a painter and graphic artist, a representative of Caravaggism.
Loth painted canvases with historical, religious and mythological subjects, as well as portraits. In portrait painting, he brought elements of genre, which was influenced by the Flemish masters. The combination of dynamic brushstrokes, colorful variety and spectacular lighting in the style of the masters of Northern Italy attracted the attention of European collectors and aristocratic clients.
Hans Mielich was a German painter of the late Renaissance, mid-16th century. He is known as a painter, graphic artist, and court painter to Duke Albrecht V of Bavaria.
Mielich painted many religious paintings, portraits, and historical canvases (usually on boards), and he also decorated altars in churches. After a trip to Rome, his style became close to Italian Mannerism. His most famous work is the altarpiece of the Cathedral of Our Lady of Ingolstadt. He was also famous as the author of miniatures for manuscripts, including the Duchess Anna of Bavaria's Treasure Book, made for Duke Albrecht V and his wife Anna of Bavaria in 1555. In the same year, Milich became head of the Munich Artists' Guild.
Friedrich Julius Ludwig Sebbers was a German painter of the first half of the nineteenth century. He is known as a portrait painter, porcelain artist and lithographer.
Ludwig Sebbers created portraits on porcelain and canvas, depicting members of ruling dynasties, cultural figures, and scholars. His lithographs for books became popular in 1835-1836. One of the artist's most famous works was a portrait of Johann Wolfgang Goethe for translation onto porcelain. Sebbers' pencil version of Goethe's portrait was later used for commemorative coins issued in Germany in 1932 in honor of the centenary of the poet's death.
Ludovike Simanowiz was a German portrait painter celebrated for her classical style and intimate depictions of her contemporaries. Born into a military family, her artistic talent was nurtured from an early age, despite the challenges women faced in accessing formal artistic education during the late 18th century. Through private lessons with Nicolas Guibal and later studies under Antoine Vestier in Paris, Ludovike Simanowiz honed her skills, enabling her to capture the essence of her subjects with sensitivity and depth. Her journey was marked by resilience; after fleeing Paris due to the revolution, she continued her art while supporting her family through teaching and commissions.
Ludovike Simanowiz's works, primarily portraits, are known for their emotional depth and technical precision, reflecting her experiences and the cultural milieu of her time. Her portraits of Friedrich Schiller and his family, alongside self-portraits and depictions of other notable figures, remain significant contributions to classical portraiture, capturing the intellectual and cultural vibrancy of her era. Despite the personal challenges she faced, including caring for her paralyzed husband, Simanowiz's legacy as a pioneering female artist endures, with many of her works residing in private collections and commemorated in the Municipal Museum of Schorndorf.
Her story is not just one of artistic achievement but also of perseverance in the face of societal constraints, making her an inspiring figure in the history of art. Collectors and art experts continue to value her contributions to the European art scene, recognizing her as a significant figure in late 18th-century art.
For collectors and experts in art and antiques, Ludovike Simanowiz's oeuvre offers a fascinating glimpse into the artistic and cultural history of her time. Her life's work demonstrates the remarkable ability of art to capture the human spirit, making her portraits highly sought after for both their historical significance and artistic merit.
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Maria Elisabeth Vogel (née Maria Elisabeth Timmermann) was a German painter of the last quarter of the 18th and early 19th centuries. She is known as a portrait painter of the classicist era.
Maria Elisabeth Vogel is most famous for a generational portrait of the poet Friedrich Gottlieb Klopstock, which she exhibited in Hamburg after his death in 1803. The painting was acquired by the "Patriotic Society" and is now in the Hamburg History Museum. The artist also created paintings with religious content for churches.
Christian Leberecht Vogel was a German painter of the late eighteenth and early nineteenth centuries. He is known as a painter, draughtsman, and art theorist.
Vogel was particularly famous for his skill in creating portraits of children. He also painted portraits commissioned by aristocratic families and taught painting at the Academy of Art in Dresden. His artistic legacy is preserved in the Dresden Art Gallery. Vogel is still appreciated for his humanistic approach to depicting human feelings in his works, which are characterized by expressiveness and sensuality.
His son Carl Christian Vogel von Vogelstein also became court painter of Saxony and received a noble title for his services.
Hans von Aachen was a German painter, renowned for his role as a leading representative of Northern Mannerism. His journey into the art world took him from Rome, where he studied antique sculptures and the works of Italian masters, to Florence and then Venice, securing commissions that would define his early career. Notably, his work caught the attention of the Medici family, leading to significant commissions.
By 1592, von Aachen had become the official painter for Emperor Rudolf II in Prague. This position didn't require him to stay at court, allowing him to work from his residence. His relationship with Rudolf II was pivotal, marking a period where his art flourished under the emperor's patronage, celebrated for mythological paintings and complex allegories. The emperor's appreciation for painting and the arts transformed Prague into a significant art center, fostering a style full of elegance and sensuality known as Mannerism.
Hans von Aachen's style, influenced by Italian Mannerism and northern realism, showcased his versatility through portraits, historical, religious subjects, and allegories. His significant works include the "Allegory of Peace, Art and Abundance," depicting personifications of Peace, Science and the Liberal Arts, and Abundance, celebrated for illustrating the flourishing of these ideals under Rudolf II's reign. This piece, among others, found its home in prestigious collections like the Hermitage Museum in Saint Petersburg.
His contribution to the art world was acknowledged by the European courts, merchants, and the nobility. Even after Rudolf II's death, Hans von Aachen continued his work for Matthias, focusing on imperial portraits until his death in Prague in 1615. His legacy, momentarily overshadowed by the nationalistic perspectives of the 19th century, has been reevaluated, recognizing him as a key figure in European cultural exchange and Mannerism.
For art collectors and experts interested in Mannerism and Hans von Aachen's work, his journey from an admired artist at European courts to a celebrated figure in art history underscores the lasting impact of his work. His ability to navigate the cultural and artistic demands of his time, leaving behind a body of work that continues to be studied and appreciated, makes him a fascinating subject of study.
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Friedrich Georg Weitsch was a German painter of the late 18th and early 19th centuries. He is known as a painter and printmaker.
Weitsch created landscapes, historical and religious subjects, but a special place in his work was occupied by portraits of aristocrats, as well as ordinary people. His works are in various museums, including the Braunschweig City Museum, the Braunschweig Land Museum, and the Duke Anton Ulrich Museum of Braunschweig-Wolfenbüttel.