Posterists Contemporary art
Yevgeniya Mikhailovna Adamova (Russian: Евгения Михайловна Адамова) was a Soviet artist of the second half of the twentieth century. She is known as a painter, People's Artist of the Turkmen SSR.
Yevgeniya Adamova, who moved to Turkmenistan from Ukraine in her youth, was educated at the Ashgabat Art School. During the Great Patriotic War, she creatively expressed herself as a poster artist in the TurkmenTAG agency. The artist created thematic paintings dedicated to the life of the Turkmen people and portraits. She held the post of deputy chairman of the Union of Artists of Turkmenistan.
Saleh al-Jumai'e is an Iraqi artist noted for his works that explore the notion of tracks left by ancient heritage. His works often integrate Arabic calligraphy in an abstract artwork. Al-Jumaie and his cohort became the group of artists that defined 1960s Iraqi art. Although al-Jumaie is best remembered as a painter, he also designed posters and produced a number of book covers. His early work features Arabic lettering, but over time the calligraphy became fainter. His interest in exploring new media and materials was maintained throughout his career. The idea of tracks left by tradition is a theme that Jumaie takes up in much of his work. For example, Pages from Old Books is a series of mixed media artworks that creates an illusion of surfaces on which fragments of script have been written.
Fyodor Vasilievich Antonov (Russian: Фёдор Васильевич Антонов) was a Soviet and Russian artist of the twentieth century. He is known as a painter, graphic artist, textile artist, teacher, and professor.
Fyodor Antonov created landscapes, portraits and thematic compositions. In his genre works he immortalized the life and life of Soviet youth, as well as the formation of industry in the USSR. During the Great Patriotic War, the artist created portraits of heroes, as well as posters with a simple and direct pictorial form. Antonov's works are in various museum collections, including the Tretyakov Gallery, the Russian Museum and many private collections.
Margit Balla is a Hungarian artist, graphic artist, illustrator, director, stage designer and costume designer.
She studied typography at the Academy of Applied Arts in Budapest, mainly making posters, book illustrations, later working more and more with pictorial graphics. In her posters Margit Balla combines impressions from old prints with contemporary trends such as pop art. Her figurative compositions are easily recognizable by her special surrealistic drawing style.
Since 2000, Margit Balla has been working as a production designer for the Budapest Puppet Theater.
Otmar Blaser is a contemporary German artist. In 1967 he studied at the Werkkunstschule with Prof. Holweck. In 1968 he traveled through Europe, the Middle East, Canada and America. From 1970-1976 he studied at the University of the Arts in Berlin. In 1975 he was a master's student with Professor Bachmann, in 1976 he was an assistant to Professor Kapitsky at the Institute of Visual Communication and Design. In 1977 he was a lecturer at the Volkshochschule Berlin-Neukölln, collaborating freelance with the Theatertreffen Berlin.
Francois Boisrond is a contemporary French painter. He studied from 1977 to 1980 at the National School of decorative Arts. In 1981 he became involved in the Free Figuration movement. Inspired by visual products (advertising products, posters, stickers, video games etc.), cartoon characters, and by using acrylic paint, Francois Boisrond’s works are colourful, figurative and enigmatic, and his simplified shapes are often outlined in black. He portrays mainly characters, frequently symbolic in everyday situations, but he also depicts urban, maritime or rural landscapes. Besides this Boisrond creates humanitarian and publicity posters. Since the 1990’s the artist has become interested in an imaginary public and the everyday life that invades each and every one of us.
Erro, real name Guðmundur Guðmundsson, is a contemporary Icelandic painter.
Erro studied painting at the Reykjavik and Oslo Art Academies between 1952 and 1954. He then moved to Italy, where he studied mosaic art in Florence and Ravenna until 1958.
Erro participated in the Venice Biennale in 1986. In 1989 he donated a large part of his works to the Reykjavik Art Museum.
The style of the paintings created by Erro lies on the border between surrealism and pop art. The main theme of his paintings is the depiction of modern civilisation, its technical perfection and its inhumanity. He also uses comic book techniques and science fiction themes in his work.
Albert Guillaume was a French artist, cartoonist, illustrator, and master of the poster.
Guillaume was a prolific illustrator: he worked for magazines, books, and almanacs, and his satirical drawings were published in Parisian humor magazines. He was also a painter and designer of theater posters and advertising posters. Working for the large Parisian printing company Camis, he designed a series of highly successful posters for commercial goods.
Dietrich Lusici, born Dietrich Schade, is a German painter, graphic and poster artist, sculptor and ceramicist.
He studied graphic design at the Technical School of Advertising and Design in Berlin, then studied at the Academy of Fine Arts in East Berlin. Lusici has created painted books and posters, does bas-reliefs and ceramics, and paints figurative paintings.
Sergey Mironenko is a contemporary Russian artist. A member of the Moscow conceptualism group Mukhomor (1978-1984). His personal works of that time are close to punk aesthetics. Later he created ironic works using pseudo-symbols of the "official propaganda" of the USSR, Perestroika and modern Russia.
Ronald Paris, a renowned German painter and graphic artist, left an indelible mark on the art world. His journey in art began with studies in glass art and stained glass, transitioning to mural painting, where he honed his craft under notable mentors at the Visual Arts Academy in Weissensee, Berlin.
Ronald Paris's career was marked by his unique portrayal of subjects, often challenging the prevailing narratives of his time. Notably, his 1961 triptych "Village Games in Wartenberg" faced criticism for its honest depiction of workers, diverging from the idealized views enforced by East Germany's leadership. His dedication to realism and expressive content continued throughout his career, culminating in notable works such as the mural "Triumph des Todes" and the altar piece for the Trinitatis-Kirche in Sondershausen.
Throughout his life, Ronald Paris's works were celebrated and exhibited across Germany, earning him prestigious awards like the Käthe-Kollwitz-Medaille and the Nationalpreis der DDR. His legacy endures through his contributions to various exhibitions and his role as a professor at the Burg Giebichenstein Arts Academy in Halle.
For art collectors and enthusiasts, Ronald Paris's oeuvre offers a deep dive into the essence of German postwar and contemporary art, embodying a profound realism that captures the spirit of his times.
If you're passionate about exploring the rich tapestry of German art, Ronald Paris's work offers a captivating blend of historical insight and artistic innovation. Sign up for updates to stay informed about sales, auctions, and exhibitions featuring Ronald Paris's art, and delve into the world of a painter who not only witnessed but also painted history with a bold and realistic brushstroke.
Yuri Ivanovich Pimenov (Russian: Юрий Иванович Пименов) was a distinguished Russian and Soviet painter, renowned for his pivotal role in the "lyrical Thaw" movement within Soviet art. Born in Moscow in 1903, Pimenov emerged as a vital figure in the realm of Soviet impressionism, a title he embraced despite the political and artistic shifts of his time. His unique blend of realism and impressionism, often termed "realistic impressionism," showcased his versatility and defiance against abandoning his creative principles.
Pimenov's journey in the arts was marked by his participation in the OST group and later the "Isobrigade," reflecting his adaptation and response to the evolving Soviet art scene. Despite facing challenges, including a significant psychological crisis in 1931, Pimenov's resilience and dedication to art remained unwavering. His works from this period, characterized by a rose-colored palette and an optimistic view of Moscow, highlight his evolution as an artist and his ability to portray the Soviet reality through a unique lens.
Among Pimenov's notable contributions to Soviet art are masterpieces like "Wedding on Tomorrow Street," "Lyrical Housewarming," and "Japanese Girl Kyoko," each reflecting various facets of Soviet life and Pimenov's personal experiences. These works, celebrated for their vibrant storytelling and intricate details, have solidified Pimenov's legacy as a master of Soviet impressionism.
Pimenov's influence extended beyond the canvas, as he engaged deeply with the world of theater and film, designing sets and posters that further showcased his artistic versatility. His travels abroad, particularly to Japan, enriched his perspective and influenced his later works, demonstrating his global appeal and the universal resonance of his art.
For art collectors and experts, Pimenov's oeuvre represents a unique investment in the history and evolution of Soviet art. His works, a blend of political narrative and personal expression, offer a profound insight into the era of the Soviet Union, making them invaluable pieces for any collection.
To stay updated on new product sales and auction events related to Yuri Ivanovich Pimenov, sign up for our updates. This subscription is your gateway to exploring the rich legacy and enduring impact of Pimenov's art on the Soviet and global art scenes.
Makoto Saitō is a Japanese graphic designer, self-described "poster designer", and artist. Saitō was born in Fukuoka, Japan. His early work as a printmaker was successful, shown internationally, and is part of the collection of the Museum of Modern Art in New York. Saitō worked from 1974 to 1980 at Nippon Design Center before starting his own firm, Makoto Saitō Design. His posters are typified by text-free imagery in dense inks printed on thick, high quality papers. His wide-ranging creative activities explore perpetual theme of “seeing.”
Wilhelm Sasnal is a Polish painter, photographer, poster artist, illustrator and filmmaker.
Sasnal graduated from the Academy of Fine Arts in Krakow, specializing in painting. Besides painting, he creates drawings in pencil and ink. The artist takes his subjects from everyday life, using images from media, propaganda and pop culture. Sasnal often paints from photographs and moves freely from figurative painting to abstraction.
Wilhelm Sasnal is considered one of the most prominent and internationally successful Polish contemporary artists.
Niklaus Stoecklin was a Swiss painter and graphic artist, representative of the New Objectivity and magic realism.
After the Munich School of Arts and Crafts Niklaus entered the Basel School of Arts and Crafts, worked extensively, actively participated in exhibitions and traveled. In 1917, Stoecklin created his masterpiece Casa Rossa. His favorite genres were still life, portraiture, and landscapes, particularly city views. For many decades, Stoecklin also worked as a poster designer, designing stamps. Some of his posters have become icons of international poster art.
