Naturalism 19th century


John James Audubon was a French-American ornithologist and painter, renowned for his groundbreaking illustrations of American birds. Born in 1785 in Les Cayes, Saint-Domingue (now Haiti), Audubon is remembered for his keen observation skills and innovative artistic techniques.
Audubon's most famous work, "The Birds of America," transformed the field of ornithology by presenting birds in lifelike poses and detailed backgrounds. Published between 1827 and 1838, it contained 435 hand-colored engravings, showcasing over 489 bird species. His unique approach to illustrating birds in their natural habitats was a departure from traditional methods, which often portrayed birds in rigid poses.
Audubon used a wire armature to position freshly-killed specimens, allowing him to depict birds with a sense of movement and vitality. This innovative technique was truly revolutionary and set him apart from his contemporaries. Additionally, Audubon's artistic skill and attention to detail made his illustrations highly sought after, with surviving copies of "The Birds of America" considered valuable collectibles today.
For art collectors and enthusiasts, Audubon's work continues to be a source of inspiration and admiration. His legacy endures through his contributions to ornithology and the art world, with museums and galleries showcasing his work. If you're interested in learning more about John James Audubon and his famous illustrations, consider subscribing to our newsletter for updates on new product sales and auction events related to his work.


Jacques Barraband was a French zoological and botanical illustrator, renowned for his lifelike renderings of tropical birds. His pictures were based on mounted specimens and his illustration was considered the most accurate ones made during the early 1800s.


Maria Konstantinovna Bashkirtseva (Russian: Мария Константиновна Башки́рцева) was a Russian artist of the second half of the 19th century. She is known as a master of domestic and portrait genres. Most of Bashkirtseva's paintings are in a realistic style.
In her short 25-year life Maria Bashkirtseva managed to gain recognition - her works were regularly exhibited in the Paris salons and received awards. But the artist became widely known after her death through the publication of her diaries. The famous "Diary" by Bashkirtseva immediately became a European bestseller. At the beginning of the XXI century on the basis of the original manuscripts of the author found in the National Library of France the complete 16-volume version of the diary was issued.
Much of the artist's work was lost during World War II. The few surviving masterpieces are now kept in museums in Ukraine, Russia, France and the USA.


Jules Bastien-Lepage was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement.
His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City.


Leonardo Bazzaro was an Italian painter who worked mainly on landscapes and vedutas. He studied painting at the Brera Academy in Milan.
Leonardo Bazzaro is considered one of the leading representatives of Lombard naturalism.


Thomas Bewick was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in A History of Quadrupeds.


Thomas Birch was an English-born American portrait and marine painter.
He exhibited regularly at the Pennsylvania Academy of the Fine Arts for forty years, beginning in 1811, and managed the museum, 1812-1817. His work is collected at PAFA, the Library Company of Philadelphia, the Philadelphia Museum of Art, the Smithsonian American Art Museum, the U.S. Naval Academy, and the Museum of Fine Arts, Boston, among others. In 1833, he was elected into the National Academy of Design as an Honorary member.


Theodor Bonenberger is a German painter and cavalry officer. He studied with Jacob Grunenwald and Karl von Geberlin at the Stuttgart Art School, then from April 30, 1887 - at the Royal Academy of Arts in Munich with Johann Kaspar Herterich and Carl von Marr. Has been on study trips to Italy, France, Spain and the UK. After completing his studies, he settled in Munich as a freelance artist. Bonenberger also held the rank of major in the cavalry in reserve. From 1895 he took part in many exhibitions in Munich, Düsseldorf and Vienna. In 1936, he completed a portrait of Adolf Hitler, which he presented to Eva Braun for her birthday. He dealt with flower, genre, portrait, landscape and nude painting.


Rosa Bonheur, born Marie-Rosalie Bonheur, was a French artist known best as a painter of animals (animalière). She also made sculpture in a realist style. Her paintings include Ploughing in the Nivernais, first exhibited at the Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and The Horse Fair, which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century.


Léon Bonnat was a French academic painter renowned for his realistic and expressive portraits. Bonnat's early exposure to art came from his time in Madrid, where he developed a deep admiration for the works of Diego Velázquez, which significantly influenced his style.
Bonnat's artistry flourished in Paris, where his compelling portraits earned him accolades and recognition. He became a prominent figure at the Paris Salon, receiving his first public commission in 1863 and a Medal of Honor in 1869. His works include powerful religious paintings and portraits that captured the essence of his subjects with stark naturalism, distinct from the idealized finish typical of his era.
His teaching career at the Ecole des Beaux-Arts was equally distinguished. Bonnat was revered not just for his painting but also for his mentorship, guiding the next generation of artists, including Henri de Toulouse-Lautrec and Henri Matisse. He advocated for the freedom of artistic expression and encouraged his students to study masterworks directly, particularly advocating for trips to Madrid's Prado Museum.
Bonnat also assembled an exceptional collection of art, which he generously donated to the city of Bayonne. This collection included works from masters such as Rembrandt and Michelangelo, ensuring his legacy extended beyond his own creations.
His contributions to art were recognized with high honors, including the Grand Croix of the Legion of Honor. Bonnat's works continue to be celebrated for their technical prowess and emotional depth, residing in prestigious collections such as the Musée du Petit Palais and the Musée Bonnat.
For enthusiasts and collectors, Léon Bonnat’s work offers a glimpse into the soul of the French academic tradition and the evolution of portrait painting. Stay updated on exhibitions and sales featuring Bonnat's timeless art by signing up for our newsletter dedicated to bringing the latest news to art collectors and experts.


Jules Adolphe Breton was a French artist celebrated for his realistic portrayals of peasant life in 19th-century France. His work, deeply influenced by the rural landscapes and traditions of Artois, reflects a bygone era increasingly threatened by industrialization. Notable for capturing the dignity and toil of peasants, Breton's paintings like "The Gleaners" and "The Blessing of the Wheat" earned accolades for their heartfelt depiction of rural customs and their socio-economic undertones, particularly during a period when the rights of the rural poor were heavily debated.
Jules Breton's artistic merit extended beyond painting; he authored several books and volumes of poetry that provide insights into his life and the era's art scene. His notable works such as "The Song of the Lark" and "The End of the Day" are housed in prestigious institutions like the Art Institute of Chicago, demonstrating his posthumous recognition. This piece, in particular, was famously declared a favorite by Eleanor Roosevelt at the 1934 Chicago World's Fair, marking a peak in his acclaim.
For art collectors and experts, Jules Breton's oeuvre offers a poignant glimpse into 19th-century rural France, preserved through his exceptional skill and emotional depth. His works not only depict the daily lives of peasants but also resonate with broader themes of tradition and change, making them significant both historically and artistically.
For updates on exhibitions and sales of Jules Adolphe Breton's works, consider signing up for relevant newsletters. This ensures you remain informed about opportunities to acquire pieces by this distinguished painter.


Alfred Thompson Bricher was a painter associated with White Mountain art and the Hudson River School.
In the 1870s, he primarily did maritime themed paintings, with attention to watercolor paintings of landscape, marine, and coastwise scenery. He often spent summers in Grand Manan, where he produced such notable works as Morning at Grand Manan (1878). In 1879, Bricher was elected into the National Academy of Design as an Associate member.


Heinrich Christian August Buntzen was a Danish landscape painter.
His first showing was at an exhibition in Charlottenborg Palace in 1824 and, later, he won several prizes for his landscape paintings. During the 1830s, the academy purchased several of his works, as did the Royal Collection.
He was awarded the Order of the Dannebrog in 1877.


Sir Winston Leonard Spencer Churchill was a British statesman, soldier and writer who served as Prime Minister of the United Kingdom from 1940 to 1945, during the Second World War, and again from 1951 to 1955. Apart from two years between 1922 and 1924, he was a Member of Parliament (MP) from 1900 to 1964 and represented a total of five constituencies. Ideologically an economic liberal and imperialist, he was for most of his career a member of the Conservative Party, which he led from 1940 to 1955. He was a member of the Liberal Party from 1904 to 1924.


Mikhail Konstantinovich Clodt (Russian: Михаил Константинович Клодт) was a Russian landscape painter of German origin in the second half of the 19th century. He was one of the first to introduce genre motifs into the landscape genre.
Mikhail Clodt is known for his unique painting style. His works are characterized by serenity, rigorous composition, detailed drawing of the smallest objects. The presence of human figures on canvas animates and elevates the nature.
Clodt actively worked in the Board of the Association of Traveling Exhibitions, whose goal was to acquaint residents of the province with academic painting. The works of Mikhail Clodt are among the masterpieces of world art and were repeatedly presented to the public at international exhibitions organized in European capitals.


Johann Wilhelm Cordes was a German landscape painter.
Johann Wilhelm Cordes entered the Academy of Fine Arts in Prague, then moved to the Academy of Fine Arts in Düsseldorf in 1842, where he studied with Karl Friedrich Lessing and Johann Wilhelm Schirmer.
He specialised in realistic landscapes painted during his travels. He also created coastal scenes with staffage.


Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.


Charles Courtney Curran is an American impressionist painter.
He was educated at the National Academy of Design (New York), then studied at the Académie Julian in Paris.
Curran is known for his romantic depictions of young women in nature, where they are walking, playing sports or just admiring flowers. The artist also painted plein air, experimenting with a variety of artistic styles, including Impressionism, Symbolism, Tonalism and Naturalism.


Aimé-Jules Dalou was a 19th century French sculptor. He went down in history as a supporter of realism in world art. Dalou was famous for creating monumental bronze monuments, most of which are located in Paris.
Aimé-Jules Dalou, brought up by his parents in the spirit of rejection of social injustice, throughout his career expressed in his work sympathy for the working class. The heroes of his works were often ordinary French toilers, and the master himself was a lifelong supporter of the ideas of republican socialism, because of which he was persecuted.
In the career of Dalou's downs were replaced by ups. The sculptor was awarded the French Order of the Legion of Honor in three degrees and at the World Exhibition of 1899 he received the main prize for the monument "Triumph of the Republic. In addition, the artist was one of the founders of the Société Nationale des Beaux-Arts and the first head of the sculpture department in this creative association.


Alphonse Daudet was a French novelist and short-story writer, best remembered for his sentimental tales of provincial life in southern France. Born in Nîmes in 1840, Alphonse Daudet's early life was marked by financial hardship, influencing much of his later work. He moved to Paris with his brother Ernest and quickly immersed himself in the literary world, publishing his first collection of poems, Les Amoureuses, at a young age.
Alphonse Daudet's career flourished with notable works such as Le Petit Chose, Tartarin de Tarascon, and Lettres de Mon Moulin, which highlighted the charm and simplicity of rural life in Provence. His storytelling, often infused with humor and satire, made significant contributions to French literature, capturing the essence of Provencal culture.
Despite his literary success, Alphonse Daudet's personal life was fraught with challenges, including a long-term illness that he bravely depicted in his later works. He passed away in Paris in 1897, leaving behind a legacy celebrated for its profound impact on regionalist literature and its vivid portrayal of French life and culture during the 19th century.
For those interested in the intricate tapestry of French literature and the enchanting allure of Provence, Alphonse Daudet's works offer a gateway to the past, brimming with the richness of its regional heritage and the timeless appeal of its narratives. To delve deeper into Daudet's life and explore his contributions to literature, subscribing to updates on related sales and auction events can be a rewarding pursuit for collectors and enthusiasts alike, ensuring they remain informed about opportunities to engage with his enduring legacy.


Jacques de Lalaing was an Anglo-Belgian painter and sculptor, specializing in animals. Lalaing was raised in England until 1875, when he moved to Brussels. He trained as an artist under Jean-François Portaels and Louis Gallait at the Académie Royale des Beaux-Arts in Brussels. With the encouragement of Thomas Vinçotte and Jef Lambeaux, Lalaing began to sculpt in 1884. As a painter he continued to work in a realistic, naturalistic style, as a portrait painter and producing historical scenes. As a sculptor he produced allegorical bronzes and memorial art. Along with his fellow animalier sculptors Léon Mignon and Antoine-Félix Bouré Lalaing established a distinctively Belgian tradition of animal art, to which the flourishing Antwerp Zoo contributed inspiration. In 1896 Lalaing became a member of the Royal Academy where he had studied, and from 1904 through 1913 he served as its director. His works are represented in the collections of museums in Antwerp, Bruges, Brussels, Ghent and Tournai.


François-Alfred Delobbe was a French naturalist painter.
At the age of 16 he entered the École des Beaux-Arts de Paris, first painting mythological, orientalist and genre scenes in an academic style. He then continued his studies in the studio of William-Adolphe Bouguereau, who encouraged him to concentrate on mythological scenes and portrait painting. In 1861, Delobbe made his debut at the Salon des Artistes Français with a portrait of his mother, which received a favorable critical response in the Parisian press. Throughout the 1860s, Delobbe enjoyed continued success at the annual Salon.
In these same years, the government commissioned him to paint frescoes for the town hall in the new 15th arrondissement of Paris. The importance of this large-scale project for the career of Delobbe can not be overestimated, it was with him that the artist began the rise of his career.
In the mature period of creativity, Delobbe's favorite theme became children and young women at work: they embroider lace or sift grain, evoking associations with the artist's favorite Brittany. Delobbe's Breton paintings were highly prized in the Paris salons for many years.




Alexander Eckener was a German painter and graphic artist. He received his initial artistic training and inspiration from Jacob Nöbbe, a local artist in Flensburg. With his support, Eckener was able to study at the Academy of Fine Arts, Munich, from 1888 to 1892. After graduating, he returned to his home town and became part of the Ekensund Artists' Colony. In 1899, he went to Stuttgart and was accepted by the State Academy of Fine Arts. There, he was a master student of Leopold Graf von Kalckreuth, who introduced him to the art of etching; another genre in which he became proficient. After 1908, he taught at that Academy himself and was named a Professor in 1912. He took on the position of Professor of lithography and woodcuts in 1925.


Arturo Ferrari is an Italian landscape painter. He studied painting at the Brera Academy in Milan.
The main theme of Arturo Ferrari's work was urban views. In a short time the artist became the "architect of the poetic and sentimental reconstruction" of old Milan.


Johanna Luise Groppe (Schulze) was a German painter. Johanna Schulze was a daughter of the Berlin City Court Councilor Max Bernhard Schulze-Rößler and granddaughter of the Senior Government Councilor Johannes Schulze. In 1891 she married the doctor Lorenz Groppe in Wiesbaden. After his death, she studied from 1896 at the art school of the Association of Berlin Artists with Jacob Alberts and then in Munich with Georg Schuster-Woldan. From 1899 she had a permanent residence in Munich, had her studio there and was a member of the "Luitpold Group" from 1902 and of the Munich Artists' Association from 1905 to 1920. In particular, she painted portraits and still lifes, nudes and figure paintings. Groppe exhibited her works in 1904, 1907, 1919 and 1921 in the Munich Glass Palace, in 1908 as part of the Great Berlin Art Exhibition and in 1909 at the Great German Art Exhibition in the Künstlerhaus in Vienna. Johanna Luise Groppe was also a member of the Allgemeine Deutsche Kunstgenossenschaft.


Herbert Chevalier Haseltine was an Italian-born French/American animalier sculptor, most known as an Equestrian sculptor.
He replicated many of his large works in table-top sizes. The author of a number of books on animalier art, Haseltine was well connected in American upper class society and did a three-year project to create a work for heiress Barbara Hutton. This project included two horses heads which were gilded bronze, with precious and semi precious stones. After her death the heads disappeared and resurfaced a few years ago at an auction in New York.


Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.


Georg Holub was an Austrian landscape painter.
Holub studied at the Vienna Academy of Fine Arts and painted views of the Eastern Alps in oil and watercolor in the naturalistic style. He exhibited extensively and is considered Austria's foremost landscape painter.


Winslow Homer was an American landscape painter and printmaker, renowned for his mastery of marine subjects and considered a preeminent figure in 19th-century American art. Born in Boston, Massachusetts in 1836, Homer was largely self-taught, starting his career as a commercial illustrator before venturing into oil painting and watercolors.
Homer's art evolved significantly over his lifetime. During the American Civil War, he worked as a correspondent, creating sketches that conveyed both the immediacy and the human cost of the war. This experience deeply influenced his later work, particularly his powerful oil paintings depicting war and its aftermath. After the war, Homer's focus shifted towards scenes of nature and rural America, reflecting a national nostalgia for simpler times. His works from this period, such as "The Cotton Pickers" and "Snap the Whip," showcase his ability to capture everyday life with poignant realism and emotional depth.
Later in his career, Homer became renowned for his watercolors and seascapes, such as "Breezing Up (A Fair Wind)" and "The Gulf Stream," which are celebrated for their dynamic composition and vivid portrayal of human interaction with nature. His late seascapes, which often depicted the rugged coastlines of Maine, are particularly noted for their dramatic intensity and hint at modernist abstraction, capturing the formidable power and timeless beauty of the sea.
Homer's works are held in high regard and continue to be featured in major museums and galleries, providing inspiration and insight into the American experience of the 19th century.
For those interested in the works of Winslow Homer and the impact of his art, you can sign up for updates related to new product sales and auction events featuring his work. This will keep you informed on opportunities to engage more deeply with Homer's enduring legacy.


Joris-Karl Huysmans, real name Harles-Georges-Marie Huysmans, was a French writer and poet, the first president of the Goncourt Academy.
Huysmans' father was Dutch, and he always emphasized this fact. At the age of 20, the aspiring writer began working as an official in the French Ministry of the Interior, where he served all his life.
Huysmans received the greatest fame thanks to the novel À rebours ("Against Nature"). The main appeal of this writer's work lies in its autobiographical content. And his style is characterized by a wide vocabulary of the French language, a wealth of detailed and sensual descriptions, as well as sharp satirical wit. The novels are also notable for their encyclopedic documentation, ranging from a catalog of decadent Latin authors in À rebours to a discussion of the symbolism of Christian architecture in La Cathédrale.
In his work, Huysmans expresses a distaste for modern life and a deep pessimism, but in his writings one can trace the stages of intellectual life in late nineteenth-century France. Joris-Karl Huysmans was one of the earliest proponents of Impressionism. He was also a renowned literary critic and one of the founders and first president of the Goncourt Academy.


Anna Vaughn Hyatt Huntington was an American sculptor who was among New York City's most prominent sculptors in the early 20th century. At a time when very few women were successful artists, she had a thriving career. Hyatt Huntington exhibited often, traveled widely, received critical acclaim at home and abroad, and won multiple awards and commissions.
During the first two decades of the 20th century, Hyatt Huntington became famous for her animal sculptures, which combine vivid emotional depth with skillful realism. In 1915, she created the first public monument by a woman to be erected in New York City. Her Joan of Arc, located on Riverside Drive at 93rd Street, is the city's first monument dedicated to a historical woman.


Antonio Nicolo Gasparo Jacobsen was a Danish-born American maritime artist known as the "Audubon of Steam Vessels".
The public rooms of The Griswold Inn in Essex, Connecticut, the oldest continuously run tavern in the United States, features the largest privately held collection of Jacobsen's paintings.


Georgios Jakobides was a Greek painter, representative of the Munich School of Greek painting.
He studied at the Athens School of Art (later the Academy of Fine Arts), then at the Academy of Fine Arts in Munich. Jakobides painted mythological scenes, genre paintings and portraits influenced by German academic realism.
His many characteristic paintings of children established Jakobides' reputation as a children's artist. As a perceptive psychologist and keen observer of human nature, he was a consummate draftsman. His painting The Reading Girl (1882), first exhibited in Munich, was admired by critics and the public.
In 1990 Georgios Jakobides returned to his homeland and became the first director of the National Gallery of Greece. In 1904 he was appointed director of the Athens School of Fine Arts, where he taught for 25 years. In addition to these activities, the artist continued to paint portraits, including of prominent Greeks.


Carl Ludwig Jessen is a German painter. He was known for his paintings on the everyday life of peasants in North Friesland. He studied painting at the Royal Danish Academy of Fine Arts in Copenhagen under Wilhelm Marstrand.
Carl Ludwig Jessen's work occupies a central place in Danish and North German art history. His paintings depict the traditions and everyday life of the North German community with a distinctly naturalistic precision.


Joseph Malachy Kavanagh was an Irish painter. He is known for his painting landscapes, seascapes, rural scenes in Ireland, France and Belgium and occasional portraits. He particularly was inspired by the landscape in and around Dublin. Kavanagh first exhibited at the Royal Hibernian Academy from 1875. In September 1881 he won the Albert Scholarship. On a trip to Brittany in 1883, he met up with a host of other young artists all of whom were influenced by the plein air naturalism of Jules Bastien-Lepage. In 1890, he published in Dublin a series of prints from etchings he created of landscape scenes from Mont St. Michel, Bruges and of "A Metallurgist" which were acquired by the British Museum in 1902. During the 1890s, he resided in Clontarf and painted numerous views around Howth and its environs, many aspects of Dublin Bay and his famous views on the sands of Portrane, Sutton, Portmarnock, Merrion and the North Bull. Another related group entails views taken along Dublin’s riverbanks.


George Cochran Lambdin was an American Victorian artist, best known for his paintings of flowers.
He was elected to the National Academy of Design in 1868, and was an academician of the Pennsylvania Academy of the Fine Arts.


John Linnell was an English engraver, and portrait and landscape painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with the amateur artist Edward Thomas Daniell, and with William Blake, to whom he introduced the painter and writer Samuel Palmer and others of the Ancients.


Bruto Mazzolani was an Italian painter. He studied painting at the Accademia di Belle Arti di Bologna.
Bruto Mazzolani is known for his luminous and atmospheric landscapes. Bruto Mazzolani is known for his luminous and atmospheric landscapes painted in plein air in the village of Lierna. He has participated in various exhibitions in Milan, Bologna and Ferrara.


Hermann Metz, an esteemed painter and draftsman, played a pivotal role in the renowned Willingshausen Art Colony, fostering close bonds with artists like Carl Bantzer, Heinrich Giebel, and Wilhelm Thielmann. Born on March 21, 1865, in Kassel, Metz embarked on his artistic pursuit early on, attending art academies in Munich and Kassel. Although he initially leaned towards Naturalism, the influence of his fellow artists led him towards embracing Impressionism.
Metz's preferred mediums were oil paintings and drawings, often opting for sketches while outdoors, later transforming them into exquisitely nuanced artworks. His subjects primarily revolved around rural scenes, landscapes, and various places in Hessen, particularly Höchst and Willingshausen.
Notably, Metz's works bear a resemblance to the style of Paul Baum, a prominent German landscape painter. Today, his art gains increasing recognition, and you can find his masterpieces gracing the collections of several museums in Kassel and Marburg, as well as in private hands.
Intriguingly, Metz humorously coined the phrase, "Mit dem Malen versäumt man die beste Zeit" (Painting misses the best moments). His legacy as a distinguished representative of the Willingshausen Art Colony endures, captivating art enthusiasts and collectors alike.


John Everett Millais was an influential British artist and a key figure in the Pre-Raphaelite Brotherhood, celebrated for his detailed and naturalistic paintings. Born in Southampton in 1829, Millais was a child prodigy, gaining admission to the Royal Academy Schools at the remarkable age of eleven. His early work, characterized by meticulous attention to detail and vibrant naturalism, stirred controversy and admiration alike. One of his most renowned pieces, "Ophelia" (1851-52), exemplifies his style during this period, capturing intricate natural scenes with profound emotional depth.
Millais's personal life was as notable as his artistic career, particularly his marriage to Effie Gray, who was previously married to the art critic John Ruskin. This union, following Effie's annulment from Ruskin, produced eight children and intertwined with Millais's evolving artistic journey.
Later in his career, Millais's style transitioned towards a broader approach, a change criticized by some contemporaries but which also garnered him significant acclaim and financial success. His influence extended to various artists, including John Singer Sargent, and his works remain pivotal in the study of Victorian art. His dedication to his craft earned him numerous honors, including a baronetcy, making him the first artist to be bestowed such an honor.
Millais's legacy is preserved in numerous galleries worldwide, with Tate Britain and the Ashmolean Museum housing key works like "The Order of Release" and "The Return of the Dove to the Ark." His contribution to art and culture remains significant, offering a window into the Victorian era's aesthetic and social dynamics.
For enthusiasts and collectors interested in Millais's work, staying updated on exhibitions and sales can provide invaluable insights into his artistry and its enduring appeal. Subscribing to updates on Millais can ensure you remain informed about upcoming events and opportunities related to this seminal artist.


Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.


Konrad Alexander Müller-Kurzwelly was a German painter. He became known as an influential painter of naturalism and German impressionism. He studied at the Berlin Academy of Arts under Hans Fredrik Gude, who led a master class in landscape painting.
Konrad Müller-Kurzwelly began with a realistic landscape, following the Barbizon school, and was strongly oriented towards the reproduction of atmospheric moods. He often created Impressionist plein air sketches, which can be seen as works in their own right. It was important for him to reproduce sensually tangible impressions of nature in different seasons and create a pole of calm in his paintings, in contrast to the bustle of the ever-expanding metropolitan Berlin of the time.
Since 1883 Müller-Kurzwelli has been a member of the Berlin Artists' Association.


Gilbert Munger was a late 19th-century American landscape painter whose romantic yet topographically accurate landscapes helped to introduce the newly opened West to the American public.
Munger's work is in the collections of numerous regional American museums as well as museums in Paris, Berlin, Munich, and Weimar. The largest collection is at the Tweed Museum of Art, University of Minnesota Duluth. His artwork is also featured in the Utah Museum of Fine Arts collection.