Art of the 20th century — Decorative Art
Salomé (born as Wolfgang Ludwig Cihlarz) is a German artist. His paintings are in renowned museums and collections all over the world. Salomé became known as one of the members of the art group Junge Wilde (Wild Youth) or Neue Wilde (New Wild Ones). He also is recognized as a sculptor and Punk singer.
Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Hanne Darboven was a German conceptual artist known for her large-scale installations, drawings, and writings that explore the intersections of mathematics, language, and time.
Darboven studied at the Hochschule für Bildende Künste in Hamburg. In the 1960s, she became associated with the Conceptual Art movement, creating works that often involved systems of numerical and textual notation.
In the 1970s, Darboven began to produce her signature installations, which combined writing, drawing, and found objects to create immersive environments that explored complex systems of meaning and structure. One of her most famous works is "Kulturgeschichte 1880-1983", a monumental installation consisting of 1,590 framed sheets of paper, each containing a series of numbers, letters, and symbols that chart the course of modern history.
Throughout her career, Darboven continued to explore the relationship between language, numbers, and time, often drawing inspiration from her own life and experiences. She exhibited her work widely in Europe and the United States, and was the subject of numerous retrospectives and solo exhibitions.
Her legacy as a pioneering conceptual artist continues to be recognized and celebrated by the art world today.
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Edvard Munch, a renowned Norwegian painter and graphic artist, left an indelible mark on the world of art with his emotionally charged and symbolically rich compositions. Born on December 12, 1863, in Løten, Norway, Munch's work is emblematic of the Expressionist and Symbolist movements, through which he explored complex themes of life, death, fear, love, and anxiety. His most famous painting, "The Scream," conceived during a walk at sunset when Munch experienced an intense emotional episode, has become a universal symbol of human anxiety and existential dread.
Munch's upbringing was marred by illness, bereavement, and the fear of inheriting mental illness, themes that deeply influenced his artistic expression. This personal turmoil, coupled with his encounters with the works of Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec in Paris, and his association with the radical intellectual circle in Kristiania (now Oslo), propelled Munch to depict his own psychological and emotional states through his art. These experiences culminated in "The Frieze of Life," a series of works exploring the depths of human emotion and experience.
Throughout his career, Munch's art was met with both controversy and acclaim. His early works, characterized by their bold use of color and innovative exploration of psychological themes, sparked debate and scandal, particularly in Berlin where his first solo exhibition was closed prematurely. However, this controversy only served to increase Munch's fame and influence, particularly within the German Expressionist movement.
Later in life, after a nervous breakdown in 1908, Munch's style evolved towards a brighter palette and more optimistic themes, reflecting his recovery and a newfound interest in portraying the Norwegian landscape and rural life. Despite the challenges he faced, including the Nazi occupation of Norway during which many of his works were deemed "degenerate," Munch's legacy as a pioneer of Expressionism remained unshaken. He died on January 23, 1944, leaving behind a body of work that continues to resonate with audiences for its profound emotional depth and raw, unfiltered exploration of the human condition.
For collectors and art and antiques experts, Munch's works not only represent significant artistic achievements but also embody the tumultuous journey of an artist who used his canvas to navigate and make sense of the complexities of human emotion and existence. His paintings, many of which are displayed in museums and galleries around the world, continue to captivate and inspire.
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Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Alexander Kanoldt was a German painter of the first half of the twentieth century. He is known as a painter, landscape and portrait painter, a representative of the New Materiality movement.
Alexander Kanoldt was one of the founders of the New Munich Art Association and the Blue Rider group. His style evolved from Neo-Impressionism to magic realism, to depicting plants, objects, landscapes and people in angular forms. During the Nazi regime, he tried to adapt to the styles in demand, but many of his works were confiscated as belonging to "degenerate art."
Kanoldt was a professor at the Berlin Academy of Art and director of the State School of Art in Berlin until his retirement in 1936.
Gottfried Waldemar Brockmann was a German artist, educator, publisher, and served as a cultural advisor for the city of Kiel, Germany. He taught at Muthesius Academy of Art in Kiel.
