Sculptors
Jan Leth Aagensen was a Danish artist. He made his name as a lithographer and later became known for his sculptures.
Jan Leth's formal training took place at the Royal Danish Academy of Fine Arts under Professor Søren Hjort Nielsen from 1965 to 1969. His first exhibition took place in 1961 at Kunstnernes Forårudstilling (Spring Artists' Exhibition). He is a member of various art groups: Decembristerne, Kunstnersamfundet og Foreningen Danske Grafikere, the Association of the Royal Danish Academy of Fine Arts and the Association of Danish Painters Engravers.
Jan Leth has participated in various solo and group exhibitions, presenting paintings, sculptures, drawings, and installations in Denmark and abroad. He has received many honours and grants throughout his life. The Danish State gave him a lifelong economic grant in 1998. His work is represented in gallery collections in Denmark and internationally.
Wäinö Aaltonen was a Finnish sculptor and painter of the first half of the twentieth century. He became famous as the author of monumental compositions symbolizing the independence of Finland.
Wäinö Aaltonen created monuments and busts, reliefs, medals, as well as landscape drawings and oil paintings. As a sculptor, he worked in granite and marble, and also used wood, terracotta, and bronze. In his works, he adhered to the late Art Nouveau style, sometimes resorting to Cubist techniques.
Magdalena Abakanowicz was a Polish artist and sculptor of the second half of the 20th and early 21st centuries. She is known as a reformer of the art of tapestry.
Magdalena Abakanowicz became famous for her so-called abakans - monumental compositions that turn a tapestry into a three-dimensional sculpture. The artist created a series of semi-abstract and figurative groups in this style, some of which have been translated into bronze. The artist has also worked in drawing and painting in charcoal and oil.
Ivan Mikhailovich Abalyaev (Russian: Иван Михайлович Абаляев) was a Soviet sculptor of the first half of the twentieth century. He is known as a master of woodcarving, self-taught, who died at the front shortly after the outbreak of the Great Patriotic War.
Ivan Abalyaev specialized in sculpture of small forms. He depicted in his works genre scenes from the life of representatives of ordinary people.
Louise Abbéma was a French artist of the late 19th century and the first third of the 20th century. She is known as a painter, printmaker, illustrator and sculptor of the so-called "Belle Epoque" of European history and was considered "the official painter of the Third Republic.
As a painter, Louise Abbema worked primarily in portrait and thematic genres in oil and watercolor techniques. As a designer, she created decorative panels for theaters and administrative buildings. The artist also collaborated with art magazines, publishing drawings and articles in them.
Jussuf Abbo, originally Jussuff Abbu, was a Palestinian-Jewish artist active mainly in Germany.
In 1937 in Germany his work had been branded as "Degenerate Art" and removed from all public museums. Much of the work removed was later destroyed by the Nazi regime.
Berenice Alice Abbott was an American photographer best known for her portraits of between-the-wars 20th century cultural figures, New York City photographs of architecture and urban design of the 1930s, and science interpretation in the 1940s to 1960s.
Angelo Accardi is a contemporary Italian artist. He grew up surrounded by both modern and traditional art. Although he studied fine art at the Art Academy of Naples, he never completed his training. Angelo Accardi illustrates surreal visions of everyday life under realistic backdrops of urban and natural landscapes. There is never a single meaning, but a whole story behind each painting. Ironic, striking, and playful, Accardi’s unique perspective and avant-garde style is a result of his diverse inspirations.
Gilberto Aceves Navarro was a Mexican painter and sculptor and a professor at the Escuela Nacional de Artes Plásticas and Academy of San Carlos. There have been more than two hundred individual exhibits of his work, with his murals found in Mexico, Japan and the United States. He received numerous awards for his work including grants as a Creador Artístico of the Sistema Nacional de Creadores de Arte, Premio Nacional de Ciencias y Artes and Bellas Artes Medal from the Instituto Nacional de Bellas Artes.
Michel Victor Acier was a French porcelain sculptor and model-maker who worked at the famous Saxon porcelain manufactory in Meissen from 1765 to 1779. With his work in the activities of the manufactory is associated with the period of neoclassicism. Michel-Victor was the maternal great-grandfather of the composer Pyotr Ilyich Tchaikovsky.
Henri-Georges Adam was a French engraver and non-figurative sculptor of the École de Paris, who was also involved in the creation of numerous monumental tapestries. His work in these three areas is regarded as among the most extensive of the twentieth century.
Terry Roger Adkins was an American artist. He was Professor of Fine Arts in the School of Design at the University of Pennsylvania.
Adkins was an interdisciplinary artist whose practice included sculpture, performance, video, and photography. His artworks were often inspired by, dedicated to, or referred to musicians or musical instruments; specific installations and exhibitions were sometimes labeled "recitals." Sometimes, these arrangements of sculptures were "activated" in performances by Adkins' collaborative performance group, the Lone Wolf Recital Corps.
Urs Aeschbach is a Swiss media artist working in various techniques. Nature is always a pictorial theme in Urs Aeschbach's paintings. Her main characters are mushrooms, woody plants, animals, jellyfish, as well as dogs and horses. The artist's paintings are inspired by photographs and illustrations. In addition to paintings, Eschbach creates art and construction projects, video works, as well as constructions and installations.
Yaacov Agam, an Israeli kinetic and optical artist born on May 11, 1928, is celebrated for revolutionizing the visual arts with his dynamic and interactive creations. Agam's pioneering work extends beyond traditional static art forms, inviting viewers into a transformative experience that changes with perspective and movement. His art, deeply rooted in his Jewish heritage and mysticism, eschews representational imagery for abstract, geometric forms and vibrant colors, engaging the observer's perception to complete the visual experience.
Notably, Agam's contributions to kinetic art have not only garnered him international acclaim but also led to his works commanding the highest prices among Israeli artists at auction. His innovative "Agamographs" use lenticular printing to create illusions of depth and motion, highlighting his fascination with the interplay between art, viewer, and the temporal dimension. Agam's significant exhibitions include retrospectives at the Musée National d'Art Moderne in Paris and the Guggenheim Museum in New York. His achievements are further recognized through multiple awards and the establishment of the Yaacov Agam Museum of Art in his hometown of Rishon LeZion, Israel, dedicated to his vision of art in motion.
For collectors and art and antiques experts, Agam's work represents a profound exploration of perception, time, and spirituality, offering a unique and engaging experience. His art invites us to see beyond the visible, reminding us of the ever-changing nature of reality and our active role in its perception. To stay updated on new product sales and auction events related to Yaacov Agam, sign up for updates and immerse yourself in the dynamic world of one of the most influential modern artists.
Andrea Salvatore di Antonio Aglio was an Italian painter and sculptor who specialised in painting on marble.
Andrea Salvatore Aglio rediscovered and modified the technique known as encaustic, which allowed him to paint and reproduce works of art on marble.
Rudolf Alexander Agricola was a German sculptor. In the 1930s he studied with Gerhard Marcks in Halle and in Stedel with Richard Scheibe. In 1937 he followed Richard Scheibe to Berlin as a graduate student. He worked there until the end of the Second World War and received several awards.
Rudolf Agricola is known for his bronze sculptures with full figures and nudes. His work was influenced by Georg Kolbe and Aristide Maillol.
Wolfram Aïchele was an artist from Baden-Württemberg in Southern Germany, son of renowned animal artist Erwin Aichele. After training as a sculptor, he studied religious and Byzantine art, drawing inspiration from his pilgrimage to Serbia, Kosovo, Macedonia, and Mount Athos. Aïchele focused on painting icons using egg tempera, aiming to revive the pure iconographical style corrupted in the 19th century. He later moved to Paris, where he explored various influences such as Eastern European folk art, Persian miniatures, and modern artists like Chagall and Klee. Aïchele's work transitioned to a unique blend of figurative and abstract art, primarily expressed through watercolors and painted collages.
Gapar Aitievich Aitiev (Russian: Гапар Айтиевич Айтиев), a pioneering figure in Soviet Kyrgyz art, was born in 1912 and became a cornerstone of Kyrgyz cultural heritage through his impactful contributions as an artist and educator. Aitiev's journey in art began at the Moscow Art School in Memory of 1905, where he studied under N. P. Krymov between 1935 and 1938, laying the groundwork for his illustrious career. His profound connection to his Kyrgyz roots was reflected in his artwork, characterized by epic, poetic landscapes of Kyrgyzstan, such as "Midday on Issyk Kul" (1954), and detailed portraits like the "Gallery of portraits of contemporaries" (1979). Aitiev's contributions to the art world earned him the prestigious titles of People’s Artist of the USSR and Hero of Socialist Labor, marking his influence on Soviet and Kyrgyz art history.
The Gapar Aitiev Kyrgyz National Museum of Fine Arts, named in his honor, stands as a testament to his legacy, showcasing not only his work but also a broad spectrum of Kyrgyz and Russian art, spanning from traditional Kyrgyz artifacts to contemporary works post-independence. This museum, alongside the Gapar Aitiev Memorial Studio Museum in Bishkek, provides insight into Aitiev's life, offering a personal glance at his workspaces and the art that filled his surroundings. These institutions preserve and celebrate Aitiev's dedication to portraying the tranquil beauty of Kyrgyz landscapes and the spirit of its people, making his work an integral part of Kyrgyz national identity.
For those interested in the rich tapestry of Central Asian art, visiting these museums in Bishkek is a journey through the heart of Kyrgyz culture and history, brought alive by Aitiev's artistic vision. His work not only captures the essence of Kyrgyzstan's landscapes and people but also serves as a bridge between the traditional and the modern, embodying the nation's cultural evolution.
To stay updated on exhibitions and events celebrating Gapar Aitievich Aitiev's legacy and to explore more about his contributions to art and culture, consider signing up for updates. This subscription will keep you informed about new product sales and auction events dedicated to Aitiev's work, ensuring that enthusiasts and collectors alike remain connected to the vibrant world of Kyrgyz art.
Yō Akiyama (秋山 陽) is a Japanese ceramicist based in Kyoto. He was a late leading figure of Sōdeisha, a twentieth-century avant-garde artist group that sought to redefine understandings of aesthetics and purpose in modern and contemporary ceramics, focusing on sculptural attributes over strict functionality. Akiyama studied directly under Kazuo Yagi, one of the founders of Sōdeisha, for six years. Akiyama later became a professor at Kyoto Municipal University of Arts and Music, where he is currently a Professor Emeritus, having retired in 2018. As an artist, he works primarily with black pottery, a technique that fires clay in low temp, smoky conditions to create a dark effect. His predominantly largescale work is richly textural and abstract, emphasizing the earthy materiality of the work as well as its form.
Fanizani Akuda is a self-taught sculptor from Zimbabwe, born in Zambia.
He was working as a stonemason in a quarry when he got his hands on a tool and created his first stone sculpture. With his own unique style, Fanizani was able to convey human emotion in stone with talent. His work can be recognized by the slitted eyes, rounded shapes, cheerful and smiling faces, and his themes are also happy families, human and animal interactions, often in pairs or groups. Fanizani also liked to carve whistle sculptures.
Thanks to Fanizani and his unique stone sculptures, Zimbabwe is internationally recognized today.
Frederico Aguilar Alcuaz is a Filipino abstract painter, sculptor and ceramist, and master tapestry artist.
He studied painting at the University of the Philippines' School of Fine Arts, then lived and worked both in the Philippines and Spain, and in Brno, Czech Republic, he worked extensively on tapestries.
Alcuaz has earned international acclaim with his vivid abstract works in various genres and techniques, and he has exhibited extensively internationally.
Antônio Francisco Lisboa, known as Aleijadinho, was a renowned sculptor, carver, and architect in Colonial Brazil. His exceptional works adorned numerous churches across the country, showcasing a style influenced by Baroque and Rococo. Considered the greatest exponent of colonial art in Brazil, Aleijadinho is recognized internationally as a leading figure in Baroque art in the Americas.
Despite limited biographical information, his contributions are celebrated through the vast body of work he left behind. His creations, including carvings, architectural projects, reliefs, and statues, were concentrated in Minas Gerais, notably in Ouro Preto, Sabará, São João del-Rei, and Congonhas. The Church of Saint Francis of Assisi in Ouro Preto and the Sanctuary of Bom Jesus of Matosinhos showcase some of his most significant works.
Peter Alexander was an American artist who was part of the Light and Space artistic movement in southern California in the 1960s. He is notable for his resin sculptures from the 1960s and 1970s. He studied architecture in England before receiving both his BFA and MFA from the University of California, Los Angeles. Alexander started as an architect, before developing a reputation in the 1960s for creating his sculptures.
Andreu Alfaro Hernández was a Spanish sculptor.
Alfaro learned the principles of geometry and applied his knowledge to create abstract works. His sculptures are usually full of nuances that play with the module, the series and light and color. He was also described as a minimalist artist, albeit with reservations.
Wobbe Alkema is a Dutch artist, graphic artist, architect, designer and sculptor. He is known for his abstract and geometric works, often combining elements of constructivism and De Stijl.
Alkema was trained as an architect and then turned to art, studying at the Academy of Fine Arts in Groningen. In the 1920s he was involved with the artist collective De Ploeg, which was active in the northern Netherlands and promoted modernist art and culture.
Throughout his career, Alkema continued to explore the principles of abstraction and geometry in his work. His paintings often feature simple geometric shapes such as squares, circles and triangles arranged in complex compositions that suggest movement and depth. He was also interested in the interaction of colour, using bright, bold hues to create dynamic contrasts and harmony.
In addition to painting, Alkema created a number of sculptural works, including abstract reliefs and freestanding sculptures. He also designed furniture and other functional objects, applying his principles of abstraction and geometric form to everyday objects.
Alkema's work is held in the collections of several museums in the Netherlands, including the Groninger Museum and the Amsterdam Stedelijk Museum. He is considered an important figure in the development of abstract art in the Netherlands, and his work continues to be admired for its innovative use of form and colour.
André-Joseph Allar was a French sculptor. He studied at the Schools of Fine Arts in Marseille and Paris with Eugène Guillaume, Antoine Laurent Dantan and Pierre-Jules Cavelier.
André-Joseph Allar is best known for his small works and architectural projects.
Darren James Almond is an English artist, based in London. He was nominated for the 2005 Turner Prize. He works in a variety of media including photography and film, which he uses to explore the effects of time on the individual.[3] He uses "sculpture, film and photography to produce work that harnesses the symbolic and emotional potential of objects, places and situations, producing works which have universal as well as personal resonances"
Julio Uruguay Alpuy was an Uruguayan painter, sculptor, and muralist. During his early career, Alpuy was a part of the Taller Torres-García (School of the South) and the constructive art movement. While his early works were greatly influenced by Torres-García's theories about what he called Constructive Universalism, Alpuy drew from a wide variety of cultures and myths to create works that broke the boundaries of the constructive grid. Additionally, his studies in Europe and Latin America helped develop an interest in Cubism and myths that influenced later works. Alpuy had a prolific career and his works are exhibited throughout the world.
Charles Henry Alston was a mid-twentieth-century American artist. He is known as a graphic and muralist painter as well as a sculptor, illustrator, and educator who lived and worked in New York City's Harlem neighborhood.
Charles Alston was an activist in the so-called "Harlem Renaissance." He became the first African-American director of the U.S. Federal Art Project. The artist created murals for Harlem Hospital as well as a number of cultural and administrative buildings in New York City. Alston is the author of a bust of Martin Luther King, Jr. which was the first depiction of an African American to be displayed at the White House in Washington, DC.
Nathan Isaiovych Altman (Russian: Натан Исаевич Альтман), a Ukrainian-born Russian and Soviet avant-garde artist, made significant contributions to Cubism, stage design, and book illustration. Born on December 22, 1889, in Vinnytsia, Ukraine, Altman's early education took place at the Odessa School of Art, followed by further studies at the Maria Vasilyeva Free Russian Academy in Paris. His diverse artistic talent extended across painting, sculpture, graphic art, and theatrical and cinema design, reflecting the dynamic spirit of the avant-garde movement.
Altman's work is recognized for its innovative approach to Cubism and for integrating avant-garde principles with traditional Jewish themes. This blend is evident in his Jewish graphic arts and his involvement in designing stage sets for the Habimah Theatre and the Jewish State Theatre in Moscow from 1920 to 1928. A notable period in his career was his participation in the Exposition Internationale des Arts Decoratifs et Industriels Modernes in Paris in 1925, showcasing his breadth in arts and design alongside contemporaries such as Aleksandra Ekster and Sonia Delaunay-Terk.
Altman's legacy is preserved in several prestigious collections, including the Museum of Russian Art in Erevan, Armenia, where his mixed technique works like "Still Life" are housed. His pieces reflect the avant-garde's fascination with abstract forms and bold experiments with color and composition. The Russian Museum's collection of Altman's work further highlights his versatility, featuring his self-portraits, the iconic "Portrait of Anna Akhmatova", and innovative designs for theatrical productions.
For collectors and experts in art and antiques, Altman's oeuvre offers a unique insight into the evolution of avant-garde art in the early 20th century. His works not only encapsulate the revolutionary spirit of the time but also embody the rich cultural interplay between Russian and Jewish artistic traditions.
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Harold Ambellan is an American painter and sculptor.
He studied sculpture and fine art in Buffalo before moving to New York City. The human figure is central to Harold Ambellan's work. He created monumental figures and drew extensively, leaving thousands of drawings. Ambellan was one of the participants in Roosevelt's Federal Art Project, which hired hundreds of artists during the Great Depression who collectively created more than 100,000 paintings and over 18,000 sculptures.
Ambellan remained committed to figuration in both his sculpture and painting. He was elected president of the Sculptors Guild of America in 1941, and that same year his work was exhibited in group shows at the Metropolitan Museum of Art in New York and the Academy of Fine Arts in Philadelphia.
In 1944, Ambellan participated in the liberation of Normandy as part of the U.S. Navy, then taught three-dimensional art at the Workshop School in New York City. In 1954, for political reasons, Ambellan moved to France and remained there for the rest of his life, working and exhibiting throughout Europe.
Ghada Amer (Arabic غادة عامر) is a contemporary artist, much of her work deals with issues of gender and sexuality. Her most notable body of work involves highly layered embroidered paintings of women's bodies referencing pornographic imagery.
Amer had previously emigrated from Egypt to France at the age of 11 and was educated in Paris and Nice. She is currently living and working in New York City.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
El Anatsui, a Ghanaian sculptor born on February 4, 1944, has carved a niche for himself with his iconic bottle-top installations. His artistry bridges his Ghanaian roots and his career in Nigeria, drawing international acclaim for its innovative use of everyday materials. Anatsui's large-scale metal tapestries, meticulously assembled from discarded bottle caps and copper wire, reflect a lifetime of exploring local materials and craftsmanship.
A citizen of the Ewe Nation, El Anatsui's lineage is entwined with art; he is the son of a master weaver of Kente cloth. This heritage shines through in his work, as does his formal art training from Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Anatsui's sculptures are not just art pieces but narratives woven from wood, metal, and clay, each piece shimmering with a story.
Anatsui's installations are a testament to his transformative vision, repurposing simple materials into mutable sculptures that resonate with a global audience. His works, often featured in prestigious museums and galleries, are more than sculptures; they are dialogues in sustainability and culture, inviting viewers to unravel the layers of meaning within.
For collectors, auctioneers, and art connoisseurs, El Anatsui's works are a blend of history, innovation, and artistry, making them significant additions to any collection. To stay updated on the latest from El Anatsui and his mesmerizing creations, sign up for our newsletter.
Carl Andre is an American minimalist artist known for his sculptural works made of industrial materials such as metal plates, bricks, and concrete blocks. He was a key figure in the Minimalist art movement of the 1960s and 1970s, which emphasized the use of simplified forms and materials.
In the 1960s, Andre began creating his signature floor sculptures, which consisted of standardized units of metal, wood, or other materials arranged in simple geometric patterns directly on the ground. His work was often controversial, as many critics saw it as overly simplistic or even nihilistic. However, Andre's sculptures were also celebrated for their understated beauty and their ability to challenge traditional notions of art and sculpture.
Throughout his career, Andre has exhibited his work in major museums and galleries around the world. Andre continues to live and work in New York City, where he remains an influential figure in the art world.
Constantine Andreou (Greek Κωνσταντίνος Ανδρέου; Portuguese: Constantine Andreou) is a Greek artist and sculptor of Brazilian origin who had a very successful career for six decades. Many have praised Andreou as an outstanding figure in international art in the 20th century.
Constantin Andreou fought in the Greek army during World War II and joined the armed resistance after the occupation of Greece. After the war ended, Andreou received a scholarship from the French government in 1945 and moved to Paris. There, in 1947, he developed an innovative artistic technique in which he welded brass plates together for the first time. This technique allowed him to find new forms of expression in sculpture and made him an innovator of his time.
During his time in Paris, the artist worked for a time with Le Corbusier. Andreou's works were exhibited alongside those of famous artists such as Pablo Picasso, Henri Matisse and Max Ernst, which testifies to his outstanding artistic achievements.
Nikolay Andreyevich Andreyev (Russian: Николай Андреевич Андреев) was a distinguished Russian sculptor, graphic artist, and stage designer, whose works have significantly contributed to the artistic landscape of early 20th-century Russia. Born into the rich cultural milieu of Moscow in 1873, Andreyev emerged as a pivotal figure associated with the Peredvizhniki group, a movement that sought realism and social critique through art. His early education under Sergey Volnukhin paved the way for a career that spanned various forms of artistic expression, including sculpture and graphic design.
Andreyev's works are known for their dynamic representation of figures and profound social commentary. Perhaps his most famous creation is the bronze statue of the celebrated writer Nikolai Gogol, unveiled in 1909. This statue, surrounded by bronze friezes depicting Gogol's characters, initially stood on Gogol Boulevard in Moscow. Its impressionistic style, however, attracted criticism, leading to its relocation in 1952. Another notable work, the "Woman reaper with a child," showcases Andreyev's adeptness at capturing the essence of Russian cultural symbols through sculpture. Cast in bronze, this work reflects Andreyev's ability to convey complex themes such as motherhood and labor with sensitivity and depth.
In his later years, Andreyev's artistic direction veered towards Socialist Realism, producing a prolific array of Leniniana - sculptures and graphic works of Vladimir Lenin. His commitment to this genre was profound, with around 100 sculptures and 200 graphic works dedicated to Lenin, marking a significant contribution to Soviet artistic propaganda. Additionally, his portrait of Lev Tolstoy stands as a testament to his versatility and depth as an artist, capturing the essence of the literary giant with striking realism.
Andreyev's legacy extends beyond his artistic achievements, with his works residing in prestigious collections such as the Tretyakov Gallery. His death in 1932 marked the end of a vibrant chapter in Russian art history, but his contributions continue to be celebrated for their artistic merit and historical significance.
For collectors and experts in art and antiques, the works of Nikolay Andreyevich Andreyev offer a unique glimpse into the cultural and political nuances of Russia during a transformative era. His sculptures not only stand as remarkable feats of artistic expression but also as enduring symbols of Russia's rich cultural heritage.
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Valery Vladimirovich Androsov (Russian: Валерий Владимирович Андросов) is a Soviet and contemporary Russian artist. He is known as a sculptor, architect, designer, painter, graphic artist and teacher.
Valery Androsov creates landscapes, still lifes and portraits, as well as fantasy works. He is also known as the author of a large collection of ex-libris that accurately convey the character and interests of book owners. At different periods he served as chief artist of the Mosstroiplastmass Combine and director of the Mytishchi Picture Gallery. He also created monuments to those who died in the Great Patriotic War and to the pilots of the Mytishchi Aero Club, showing his skill in various artistic directions.
Mikhail Konstantinovich Anikushin (Russian: Михаил Константинович Аникушин) was a Soviet and Russian sculptor, celebrated for his monumental works that have left a lasting legacy in the art world. Born on September 19, 1917, in Moscow, Anikushin's sculptures are a testament to his profound skill and dedication to depicting historical and cultural figures with a dynamic expressiveness that brought them to life. His most notable works include monuments dedicated to Alexander Pushkin, found at the Pushkinskaya Station of the Saint Petersburg Metro and Arts Square in Saint Petersburg, as well as a monument to Vladimir Lenin at Moskovskaya Square in Saint Petersburg.
Anikushin's career was distinguished not only by his artistic achievements but also by the honors he received, reflecting the impact of his work on Russian culture. He was awarded the title of "Honored Artist of the RSFSR" in 1957, "People's Artist of the USSR" in 1963, and became a full member (academician) of the Russian Academy of Arts in 1962. His dedication to capturing the spirit and essence of his subjects, particularly Alexander Pushkin and Vladimir Lenin, showcases his innovative approach to sculpture, moving beyond traditional standards to depict his subjects in active, dynamic poses.
The Presidential Library collection dedicated to Anikushin commemorates the 100th anniversary of his birth, highlighting his significant contributions to Russian sculpture in the 20th century. Anikushin's works are integral to the aesthetic and cultural landscape of Leningrad (now Saint Petersburg), contributing to the city's historical and artistic identity. The collection also emphasizes his role in the community, including his public service and the enduring influence of his artistic vision on generations to come.
Collectors and experts in art and antiques recognize Mikhail Konstantinovich Anikushin not only for his technical prowess but also for his ability to imbue his sculptures with a sense of movement and emotional depth that resonates with viewers. His works remain landmarks, celebrated both in Russia and internationally, for their contribution to the cultural heritage.
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Adam Antes was a German painter, sculptor and graphic artist. He worked mainly as a sought-after portrait painter and also designed a single-wing aircraft.
Adam Antes was inspired by the styles of Auguste Rodin, Bernhard Hoetger and Wilhelm Lehmbruck. From time to time he turned to graphics. His work was part of the sculpture in the art competition at the 1932 Summer Olympics.
Horst Antes was a German painter, graphic artist and sculptor, a pioneer of the new figurative painting in Germany.
After studying at the Karlsruhe Academy of Fine Arts from 1957 to 1959, Antes taught there himself and later became a professor there.
Antes became known for the Kopffüßler (head-foot) image, which has been a recurring theme in his paintings, sculptures and graphic works since the early 1960s. Antes' work is represented in several major collections in Berlin, Hamburg, Cologne and elsewhere in Germany.
Mark Matveyevich Antokolsky (Russian: Марк Матве́евич Антоко́льский) was a 19th century Russian sculptor and writer. He is known as a representative of the realistic style and as the first sculptor of Jewish origin to gain international fame.
Mark Antokolsky devoted most of his career to the depiction in marble, plaster and bronze of the real characters of Russian history and achieved wide recognition already at a young age. His works were highly appreciated not only in Russia but also abroad and the artist was elected a member of many European academies of arts.
Mark Antokolsky was also a very successful writer. He often wrote publicistic articles on the development of the visual arts, and shortly before his death he published a novel describing real-life events in the life of the Jews in the Russian Empire.
Although from the early 1870s Mark Antokolsky spent most of his time living in France, he never lost touch with Russia - he constantly carried out orders for the royal family and the Russian Academy of Arts, wrote articles for Russian magazines, and regularly held solo exhibitions of his works in St. Petersburg.
Richard Joseph Anuszkiewicz was a prominent American artist celebrated for his foundational contributions to the Op Art movement. Born in Erie, Pennsylvania, to Polish immigrant parents, Anuszkiewicz's early talent in art earned him scholarships, leading to his studies at the Cleveland Institute of Art and later, the Yale University School of Art and Architecture under Josef Albers. Albers, a pivotal figure in his career, inspired Anuszkiewicz to explore the intricacies of color and geometric forms, steering him away from realism towards a more abstract and mathematical approach to art.
Anuszkiewicz gained prominence in the 1960s, notably through his participation in the landmark exhibition "The Responsive Eye" at MoMA, which played a crucial role in propelling Op Art into mainstream recognition. His works, characterized by vibrant colors and geometric patterns, create illusions of depth and movement, challenging viewers' perceptions and offering a mesmerizing visual experience. His technique was not just about the visual impact; it was a meticulous, mathematical exploration of color and form, aiming to achieve a 'very, very mechanistic geometry' that was nonetheless romantic in its precision and purity.
Throughout his career, Anuszkiewicz's art evolved, yet he remained faithful to his intellectual and analytical approach, focusing on the optical effects of color and shape. His contributions extended beyond painting to include printmaking and sculpture, showcasing his versatility as an artist. Notably, his works are housed in prestigious collections around the world, including the Metropolitan Museum of Art, Museum of Modern Art, and the Whitney Museum of American Art, among others.
For collectors and experts in art and antiques, Anuszkiewicz's work embodies the confluence of scientific precision and artistic expression, offering insights into the profound impact of color and form on human perception. His legacy continues to inspire and challenge the boundaries of visual art.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Alexander Porfyrovych Archipenko (Russian: Александр Порфирьевич Архипенко) was a Ukrainian-American artist, renowned for his innovative contributions to modern sculpture and painting. Born in Kyiv, Ukraine, then part of the Russian Empire, Archipenko defied traditional art forms by integrating elements of Cubism, constructing sculptures that emphasized abstraction and form over realistic representation.
Archipenko's work is distinguished by its creative use of materials and exploration of space and volume. He was among the first to employ negative space as a sculptural element, a technique that would influence countless artists in the years to follow. His sculptures often depicted the human form in fragmented or reassembled states, challenging viewers' perceptions and expectations.
Notable works by Archipenko, such as "Woman Combing Her Hair" and "Walking," can be found in prestigious museums and galleries worldwide, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. These pieces exemplify his talent for blending sculptural depth with dynamic motion, making him a pivotal figure in the transition from traditional to modern art.
For collectors and experts in art and antiques, Archipenko's oeuvre represents a fascinating intersection of culture, innovation, and artistic evolution. His ability to transcend cultural boundaries while pioneering new forms and techniques in both sculpture and painting places him among the most influential artists of the 20th century.
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Kurt Emil Hugo Arentz was a German artist and sculptor, known for his numerous works in the different districts of the city of Leverkusen. Some of his works can also be found in the Nörvenich Castle in the Museum of European Art.
Gabriel Argy-Rousseau, born Joseph Gabriel Rousseau, was a French sculptor, ceramicist and master glassblower who contributed to the rediscovery of pâte de verre as the primary art of glass in the early twentieth century.
Armando, born Herman Dirk van Dodeweerd, was a Dutch painter, sculptor, poet, writer, violinist, actor, journalist, film, television and theater maker. Armando was his official name; his birth name, the pseudonym as he called it, no longer existed for him. He himself saw his work as «Gesamtkunstwerk», based on his experiences from the Second World War in the vicinity of Kamp Amersfoort.
John Armleder is a Swiss performance artist, painter, sculptor, critic, and curator. His work is based on his involvement with Fluxus in the 1960s and 1970s, when he created performance art pieces, installations and collective art activities that were strongly influenced by John Cage. However, Armleder's position throughout his career has been to avoid associating his artistic practice with any type of manifesto.
Charles Arnoldi is an American painter, sculptor and printmaker.
In the early 1970s, the artist attracted attention for his wall-relief wood sculptures, such as Honeymoons in the collection of the Honolulu Museum of Art.
The use of wood remained a feature of Arnoldi's oeuvre, although, since the 1980s, he has often employed it in combination with other media. In the 1990s, Arnoldi's output changed radically. He began producing abstract paintings on canvas, first black and white, and later brightly colored.
