Guild of Saint Luke
Ludolf Bakhuizen was a Dutch painter of the 17th and early 18th centuries. He is known as an outstanding master of seascapes. Bakhuizen also painted biblical themes and portraits of his contemporaries as well as engravings and miniature models of ships.
Ludolf Bakhuizen is considered one of the best marine painters of the Golden Age of Dutch painting. Among the admirers of his work were many influential European rulers, including the Russian Tsar Peter the Great. The master met Peter I, who visited Amsterdam in the mid-1690s and, according to contemporaries, even managed to give some painting lessons to the Russian tsar. In addition, Вakhuizen made models of all kinds of ship designs on commission from Peter the Great.
Toward the end of his life, the Amsterdam authorities honored Bakhuizen by opening his own gallery on the top floor of the City Hall for his achievements in the fine arts. The best masterpieces of his work are now preserved in museums in the Netherlands, Germany, England, France, and Italy.
Pieter Balten or Pieter Custodis was a Flemish Renaissance painter, etcher, draftsman, publisher, and poet. He was a member of the Guild of St. Luke in Antwerp.
Pieter Balten is considered one of the pioneers of realistic depictions of village life, often comic. He also painted religious compositions, landscapes and painted tronies - portraits with comic and even caricatured facial images.
Abraham Janszoon Bega, also Abraham Janszoon Begeyn, was a Dutch landscape painter, still life painter, draftsman and decorator.
Abraham's giftedness was appreciated very early and already at the age of 17 he became a member of the professional Guild of St. Luke of Leiden, studied with Harlem painter Nicholas Berchem (1620-1683), traveled extensively in Europe and painted.
Abraham Bega painted many landscapes, including coastal river views, architectural views, with flocks and shepherds. He also painted floral compositions and still lifes with hunting paraphernalia. In 1688 he was invited to Berlin as court painter to Elector Frederick III, but he worked there mainly as an interior decorator and castle painter.
Joachim Beuckelaer, a masterful Flemish painter born around 1533, was renowned for his intricate market and kitchen scenes, which were abundant with detailed depictions of food and household items. His unique approach combined everyday life with religious narratives, often situating biblical episodes within the backdrop of bustling market scenes or domestic settings. This innovative blend of the mundane with the spiritual set the stage for future developments in Dutch and Flemish painting.
Beuckelaer's influence extended beyond his immediate geographic locale, impacting artists across Europe, from Italy to Spain, heralding a new appreciation for kitchen and market scenes that would flourish in seventeenth-century painting. His works were not only appreciated for their aesthetic and technical mastery but also for their ability to capture the essence of sixteenth-century Antwerp life, from the vibrancy of its markets to the intimacy of its kitchens.
His oeuvre includes a variety of subjects, from purely religious works to those that focus solely on still-life elements without any human figures, indicating his versatility and innovation as an artist. Beuckelaer was known for employing techniques that allowed him to efficiently reuse compositions, showcasing his ability to adapt and repurpose his work to meet the demands of his patrons.
Notable works by Beuckelaer, such as the "Four Elements" series, now housed in the National Gallery, London, demonstrate his skill in merging complex allegories with detailed observations from nature and daily life. These paintings are celebrated for their depth of detail and the way they foreground the role of women in the culinary and market spheres.
For collectors and experts in art and antiques, Joachim Beuckelaer's paintings offer a fascinating glimpse into the cultural and social dynamics of the sixteenth century, as well as the evolution of still-life and genre painting in the early modern period. His ability to weave together the secular and sacred, the abundant and the everyday, marks him as a significant figure in the history of art.
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Johannes Bosschaert was a Dutch painter of the Golden Age, a member of the Bosshaert family of floral artists. He was a member of the Guild of St. Luke in Haarlem and Dordrecht. His favorite subject is vases with lush bouquets of flowers.
Ambrosius Bosschaert the Elder, born on January 18, 1573, in Antwerp and passing away in 1621 in The Hague, was a pivotal figure in the Dutch Golden Age of painting. Recognized for his remarkable contributions to the art of still life painting, particularly floral arrangements, Bosschaert founded a dynasty of painters who furthered his intricate style of floral and fruit painting. This legacy cemented Middelburg's status as a premier center for flower painting in the Dutch Republic.
Fleeing to the Northern Netherlands due to religious persecution, Bosschaert and his family settled in Middelburg around 1587, where he would spend the majority of his career. His paintings, known for their precision and vibrant composition, reflect the era's fascination with botany, merging scientific accuracy with artistic beauty. Bosschaert's work was not only celebrated for its aesthetic appeal but also for its symbolic and sometimes religious meanings, often painted on small copper canvases that highlighted the meticulous detail of each flower.
His influence and techniques were continued by his three sons and his brother-in-law, Balthasar van der Ast, ensuring the Bosschaert style flourished through the mid-17th century. Bosschaert's approach to flower painting laid the groundwork for what would become a defining genre in Dutch art, showcasing not just the beauty of nature but the wealth and intellectual curiosity of the era.
For collectors and experts in art and antiques, Ambrosius Bosschaert the Elder's contributions to still life and flower painting remain invaluable. His legacy is preserved in the meticulous bouquets that capture the transient beauty of flora, making his works sought after for both their historical significance and timeless appeal.
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Pieter Bruegel (also Brueghel or Breughel) the Elder (Dutch: Pieter Bruegel de Oude) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings.
Pieter Brueghel the Younger was a Flemish artist celebrated for his detailed landscapes, religious themes, proverbs, and vibrant village scenes. Despite being the son of the illustrious Pieter Bruegel the Elder, Brueghel the Younger carved out his own niche in the art world, earning the moniker 'Hell Brueghel' for his dynamic scenes of fires and energetic copies of his father's peasant life portrayals.
Brueghel the Younger's original creations, such as "The Village Lawyer," showcase his keen observation of village life, merging the energy and boldness of 17th-century style with his father's idiom. His work is characterized by its lively, picturesque depiction of peasants, albeit some critics argue they lack the subtlety and humanism of his father's creations. Despite this, Brueghel the Younger's legacy includes a significant number of original works and copies that were rediscovered in the 20th century, highlighting his contribution to the Flemish painting tradition.
His workshop was known for its prolific output, especially in producing copies of Bruegel the Elder's compositions, a testament to the enduring popularity and influence of the Bruegel family's artistic legacy. However, Brueghel the Younger also impressed with his unique compositions, contributing to the genre of still life and village scenes with a distinct style that resonated well into modern times.
For collectors and experts in art and antiques, Pieter Brueghel the Younger's works represent an important period in Flemish art, offering insights into the evolution of genre painting and the detailed portrayal of rural life. His paintings, held in esteemed collections worldwide, continue to be studied and admired for their vibrancy, narrative quality, and historical value.
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Pieter Casteels III was a Flemish painter, engraver and designer, a member of the Guild of St. Luke in Antwerp.
He was born into the family of the painter Pieter Casteels II or the Younger (1673-1701), who gave his son his first lessons in painting. In 1708 Peter went to London, where he became active in the London art community and a member of the Rose and Crown Club.
Casteells successfully painted numerous floral still lifes with exotic birds, which were favored by the nobility of the time, as well as idyllic scenes with domestic birds and animals. His works were also often used as decorations for fireplaces and doors. The great success of this genre led the artist to publish the Twelve Months of Flowers and Twelve Months of Fruit series - these prints served as models for workers in textiles and other luxury industries.
In 1735 Peter Casteells III retired from painting and turned his attention to textile design, working for the rest of his life for textile manufacturers in Surrey and then London.
Alexander Coosemans was a Flemish painter of the Baroque period.
Coosemans studied under the masters of still life painting and became a member of the Guild of St. Luke of Antwerp in 1645.
Coosemans painted lush, fruit- and flower-rich still lifes, vanitas-style still lifes that evoke the transience of life. His compositions are often thought to have hidden, allegorical meanings: lobsters, wine and lemons - each subject is filled with references to biblical themes and history.
In collaboration with other artists, Coosemans created so-called garland paintings - a portrait or religious subject surrounded by garlands of flowers and fruit. The artist also decorated the villas of the nobility of Genoa and Rome with his works.
Benjamin Gerritszoon Cuyp was a Dutch painter of the Golden Age, was a member of the Dordrecht Guild of St. Luke, brother of Jacob Gerritsz. Cuyp. He was very prolific and known for allegorical works, genre, war and biblical scenes. He also painted landscapes. Kaipa's work was influenced by Rembrandt's style.
Jacob Gerritsz. Cuyp was a Dutch painter-painter and illustrator of the Golden Age, the elder brother of Benjamin Gerritsz. Cuyp. He was a member of the Dordrecht and Utrecht Guilds of St. Luke's. The prolific painter produced a large number of portraits, including many portraits of children. He also painted historical, biblical and genre scenes, still lifes and landscapes.
Leonardo da Vinci was an Italian polymath of the High Renaissance, celebrated as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. His remarkable abilities and innovative thinking made him an epitome of the Renaissance humanist ideal. Born in Vinci, near Florence, in 1452, Leonardo was educated in Florence by Andrea del Verrocchio, a renowned painter and sculptor. He began his career in Florence, later working in Milan, Rome, and France, where he died in 1519.
Da Vinci is revered for his artistic mastery, technological innovation, and scientific inquiry. Despite having fewer than 25 major works attributed to him, including several unfinished ones, his influence on Western art is profound. His magnum opus, the "Mona Lisa," housed in the Louvre Museum, Paris, is considered the world's most famous painting. "The Last Supper," his most reproduced religious painting, showcases his mastery of dramatic narrative and pictorial illusionism. Both paintings exhibit Leonardo's unique ability to convey complex human emotions and his innovative use of techniques like sfumato and chiaroscuro.
Leonardo's interests extended far beyond fine art. He was a visionary in multiple fields, including anatomy, physics, architecture, and mechanics. His notebooks reveal designs for machines like bicycles, helicopters, and military tanks, centuries ahead of their time. However, due to his diverse interests, he left many projects and paintings incomplete. Leonardo's final years were spent in France, where he continued his artistic and scientific pursuits until his death.
For collectors and experts in art and antiques, Leonardo da Vinci remains a figure of endless fascination. His works not only embody the pinnacle of Renaissance art but also provide insights into the era's scientific and philosophical inquiry. To stay updated on new sales and auction events related to Leonardo da Vinci, sign up for our newsletter. This subscription is a gateway to exploring the rich legacy of this unparalleled artist and inventor.
Jacques Adolphsz. de Claeuw or Jacques (de) Grief was a Dutch painter-painter of the Golden Age, a member of the Dordrecht and the Hague Guild of St. Luke. He is known chiefly for his still-life paintings, particularly in the heat of vanitas. His son is the painter Adriaen de Grijef.
Hendrik Frans de Cort was a Flemish landscape painter and draughtsman. In 1770 he became a master in the Antwerp Guild of Saint Luke. His early landscapes from the time before he moved to England were often made in collaboration with other Flemish artists. De Cort is known for his topographical views of English and Welsh landscapes. These were painted in an Italianate idiom indebted to the style of Gaspar Dughet. He often painted on specially prepared mahogany panels.
Philippe de Momper the Elder was a Flemish landscape painter and a member of the Guild of St. Luke in Antwerp.
Philippe was born into the famous family of landscape painters and engravers Momper of Bruges, who settled in Antwerp in the 16th century. His father was the famous landscape painter Joos de Momper (1564-1635). Together with Jan Brueghel the Younger, he traveled in Italy and created several views of Rome and its environs. As a pupil of his father, Philippe painted in a similar style, but contributed his own touches as well. Philippe de Mompera's paintings of winter landscapes, river valleys with deer and groups of walking people are also known.
Marten de Vos (or Maarten de Vos, or Maerten de Vos) was a Dutch painter, draughtsman and graphic artist, dean of the Antwerp Guild.
After studying in Rome and Venice, de Vos returned to his native Antwerp in 1558 and became one of the city's leading artists. He created altarpiece images for many of Antwerp's churches. Many of his religious and historical paintings were later engraved, making him known throughout Flanders.
De Vos was also the founder of the Society of Romanists, whose members were famous artists and humanists of the time who appreciated the humanistic culture of Rome.
Simon de Vos was a Flemish painter, graphic artist and art collector, a member of the Guild of St. Luke in Antwerp.
Simon de Vos specialized early in his career in cabinet and genre painting in the style of the Utrecht Caravagistes. His depictions of merry company and scenes from fables are well known. From about 1640 he increasingly painted large-scale religious, allegorical and historical scenes in the style of Peter Paul Rubens and Antoni van Dyck. Among his pupils was Jan van Kessel the Elder (1626-1679).
Simon de Vos was financially successful: by the end of his life he owned four estates in Antwerp and a collection of 290 paintings.
Paul de Vos was a Flemish Baroque painter and a member of the Guild of St. Luke in Antwerp.
Paul de Vos was the younger brother of Cornelis de Vos and specialized in hunting scenes with dogs, depicting various animals and birds. His skill in this genre was valued and he collaborated with Rubens in depicting animals. De Vos's paintings were highly regarded both in Spain and at other European courts.
De Vos enjoyed the patronage of Spain's influential aristocrats and received many commissions from them. In 1637-1638 he worked with Rubens and Snyders on the decoration of Spanish royal residences.
Jacob de Wit was a Dutch painter, decorator and collector, a member of the Guild of St. Luke in Antwerp.
De Wit studied at the Royal Academy in Antwerp, where he began to study the work of Peter Paul Rubens and became his follower. De Wit made copies of many of Rubens' works, notably his ceiling paintings in the Jesuit church in Antwerp.
Later, from the 1720s Jacob de Wit began working in Amsterdam, where he received regular commissions, both public and private. He created many ceiling and wall paintings in the Rococo style, in which he used grisaille - gray and white painting, creating the illusion of three-dimensionality, or bas-relief. Some of them can still be seen in their original places in the 21st century.
Jacob de Wit amassed a large art collection during his lifetime, including works by Rubens, Antoni van Dyck, as well as Dutch and Flemish contemporaries and old masters.
Emanuel de Witte was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings.
Cornelis Gerritsz. Decker was a Dutch landscape painter of the Golden Age of Dutch painting, and a member of the Haarlem Guild of St. Luke.
Decker painted mainly landscapes, often depicting architecture and adding animal and human figures. The artist also created interesting genre scenes from the workshops of ordinary people.
Balthasar van der Ast was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.
Abraham Diepraam was a Dutch painter of the Golden Age and a member of the Guild of St. Luke in Dordrecht. He is known for his small genre works depicting interior tavern scenes with drinking or smoking peasants. He also painted portraits of ordinary people.
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Louis Ferdinand Elle the Elder was a French portrait painter and printmaker.
Elle was a member of the Guild of St. Luke, but later became a founding member of the Academy of Painting and Sculpture in 1648. He worked all his life in Paris, was a court painter and painted portraits for aristocrats and representatives of the highest nobility, kings and cardinals.
He was the father of the painter Louis Ferdinand Elle the Younger (1648-1717).
Franz Ertinger (German: Franz Ertinger) was a French painter born in Germany but working in France and Flanders, a member of the Guild of St. Luke in Antwerp.
Ertinger is a versatile artist who has applied his talents in various fields of art. He is known as a painter, illustrator and printer of books, draughtsman, designer and writer, and worked as a royal engraver in Paris.
Martin Hermann Faber was a German painter, architect, and cartographer. He was also a copper engraver in Rome. He lived and worked most of his life in Emden, where he still remains one of the most respected and significant artistic personalities of the city.
Joseph Anton Fischer was a German painter of the mid-nineteenth century. He is known as a historical painter and a member of the "Union of St. Luke" (Nazarene).
Fischer was educated at the Munich Academy of Fine Arts and studied the works of the Old Masters in Italy. He created religious compositions in the spirit of Fra Beato Angelico. Fischer is also known as the author of the sketches for the murals for Cologne Cathedral, for which he was awarded the Prussian Gold Medal. His pen and ink drawings are preserved in various collections, mostly in Munich, where the master died. He made a significant contribution to the historical painting of his time.
Frans Hals was a Dutch painter who painted during the so-called Golden Age. He is considered to be one of the most important old Dutch masters. As far as is known, Frans Hals worked all his life in Haarlem and became best known for his lively and colourful paintings of his contemporaries.
Dirck Helmbreeker or Theodor Helmbreeker was a Dutch Golden Age painter and landscape painter, member of the Guild of St. Luke in Haarlem. He is known for his portraits, Italian landscapes, and genre scenes depicting the daily life of ordinary people (Bambocciade genre).
Roelof Koets I was a Dutch painter of the Golden Age of Dutch painting.
He was a member of the St. Luke's Guild in Haarlem, and his son was the painter Andries Koets. Roelof Koets was a master of still life with fish, utensils and fruit, most often bunches of grapes.
A little later, another artist with the same name, who painted portraits, lived and worked in Zwolle, Netherlands. To avoid confusion, he is called Roelof Koets II (1640-1725).
Peter Lely, née Pieter van der Faes, was an English painter of Dutch origin, a member of the Guild of St. Luke in Haarlem.
In England his talent as a portrait painter was very highly regarded, he became a British subject and was knighted. For many years Lely had the title of the most fashionable portrait painter in England. He was the chief portrait painter at the court of Kings Charles I and Charles II. Lely painted many portraits of noble knights and ladies of the court.
Judith Jans Leyster, a Dutch portrait painter of the Golden Age, was the first woman in the ranks of the Harlem Guild of St. Luke's. She painted still lifes, lively portraits, and genre scenes of taverns with drunks and people having fun. Several of her canvases depict women at home, which was a novelty for painting in the 1620s and 1630s.
Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Jacobus Linthorst was a Dutch painter, a master of still life, and a member of the St. Luke's Guild in Amsterdam.
Linthorst painted mostly lush, overflowing with many ripe fruits and bright colors compositions. It is believed that his work was clearly inspired by the work of Jan van Huysum, Jan van Os and Paul Theodor van Brussel.
Gottfried Locher was a Swiss artist, painter and printmaker.
Locher is considered the most important painter in western Switzerland in the transition from rococo. In 1759 he was admitted to the Freiburg fraternity of St. Luke. Until his death he worked as a draughtsman, engraver, portraitist, altarpiece and church painter. He decorated churches, secular buildings and, as his Excellency's court painter, the government buildings of Fribourg with frescoes.
Gottfried Locher taught his art to his sons François (1765-1799) and Jean-Emmanuel (1769-1840) and they also became artists, working in his father's studio.
Harmen Loeding was a Dutch painter, member of the Guild of St Luke's in Leiden. He specialised in still lifes with exotic and exquisite fruit and flowers.
Not much information is known about Luding, but he was a pupil of the famous artist Gerard Dou and worked in Leiden. He specialised in small genre paintings depicting the everyday life of Dutch people. His works often represent the interiors of offices, showing various objects and tools.
Harmen Luding is also known for his use of vivid colours and light and shade in his works, which created the effect of being present in a real scene. Some of his best known works include Doctors with a Pipe and A Kiss in the Dark.
He was also a member of the Guild of Artists of Leiden, where he worked until his death in 1673. His works are now in the collections of many museums, including the Rijksmuseum in Amsterdam and the Boijmans van Beuningen Museum in Rotterdam.
Gabriel Metsu was a Netherlandish painter of the Golden Age of Dutch painting, who painted mainly scenes of everyday life.
Metsu became one of the first members of the St. Luke's Artists' Guild in Leiden in 1648. He painted markets and outdoor interiors or genre scenes. He also produced many paintings of young women engaged in domestic tasks, often using his wife as a model, as in his painting St. Cecilia (1663).
In addition to genre, Gabriel Metsu was also engaged in portrait and historical painting, painted still lifes.
Cornelis Cornelisz. van Haarlem was a Dutch painter, draftsman, and architect. Along with Karel van Mander and Hendrik Goltzius, he is one of the leading artists of the Dutch Mannerism of the Haarlem School, more commonly referred to as Cornelis van Haarlem.
Jan Olis was a notable Dutch Golden Age painter, born in Gorinchem, Netherlands. His artistic journey began in 1632 when he joined the Dordrecht Guild of St. Luke, marking his official entry into the world of art. In addition to his painting career, Olis also dabbled in other professions; he was a wine seller and a teacher in the guild between 1632 and 1643. His life took an interesting turn when he moved to Heusden in 1651, where he held various council positions, eventually becoming the mayor in 1657 and a tax collector in 1670.
Olis' art primarily revolved around farm scenes, genre works, and merry companies, a style that resonated with the cultural and artistic norms of his time. His works are celebrated for their vivid portrayal of everyday life and social gatherings, which were typical subjects in the Dutch Golden Age of painting. Olis' paintings such as "Kitchen Interior" and "Elegant Company Playing Cards" showcase his talent in capturing the essence of social and domestic life with a keen eye for detail.
For collectors and experts in art and antiques, Jan Olis' works represent an important segment of Dutch Golden Age painting, a period renowned for its significant contribution to art history. His paintings not only reflect the cultural milieu of the 17th century Netherlands but also offer a window into the social customs and lifestyles of the time.
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Balthasar Paul Ommeganck was a distinguished Flemish painter, born in Antwerp, Belgium, in 1755. He garnered acclaim for his unique approach to landscape painting, blending realism with an idealized portrayal of nature. Ommeganck's work is characterized by detailed observation of nature, a sure line, and subtle use of color. His favorite subjects were undulating landscapes, often featuring grazing animals like cows, sheep, and goats.
Balthasar Paul Ommeganck's talent was not confined to painting alone; he was also a skilled draughtsman and dabbled in sculpture, producing some clay models of sheep and cows. His main contribution to art was combining the light found in Dutch Italianate painters' work from the 17th century with meticulous observation of nature, finding a synthesis between realism and an idealized representation of nature.
In 1799, Balthasar Paul Ommeganck's landscape painting won the first prize in Paris, a competition he had not intended to enter but was submitted to by a friend. His success extended beyond the borders of Belgium, as he became a member of several academies, including those in Amsterdam, Brussels, Ghent, Munich, and Vienna. In 1809, he was recognized as a corresponding member of the Institut de France.
Despite his death in 1826, Balthasar Paul Ommeganck's style continued to influence landscape painting in the 18th and early 19th centuries. However, later art critics have sometimes viewed his adherence to classic tradition and preference for the picturesque and conventional as a form of 'hopeless traditionalism'.
For collectors and enthusiasts of art and antiques, Balthasar Paul Ommeganck's works represent a significant period in the history of landscape painting. His paintings, with their fusion of realistic detail and atmospheric beauty, are a testament to his skill and vision.
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Anthonie Palamedesz was a Dutch portrait and genre painter. He is in particular known for his merry company paintings depicting elegant figures engaged in play, music and conversation as well as guardroom scenes showing soldiers in guardrooms. Like many Dutch painters of his time, he painted portraits and still lifes, including vanitas still lifes. He further painted the staffage in a few views of the interior of churches. He played a major role in the development of genre painting in Delft in the mid 17th century.
Giambattista Pittoni, an illustrious Venetian painter from the 18th century, was renowned for his religious, historical, and mythological artworks. His style, once established, remained consistent throughout his career, characterized by fluency and expressive theatricality, making his paintings timeless within the Venetian art scene. Despite being less traveled compared to his contemporaries, Pittoni received numerous international commissions, particularly from Germany, reflecting his widespread acclaim.
Giambattista Pittoni's works include altarpieces for various churches across Italy and notable commissions from European royalty and aristocracy. His patrons included Augustus II of Poland, Clemens August of Bavaria, and Philip V of Spain, showcasing his significant influence beyond Italian borders. His artistic journey was influenced by early interactions with Venetian painters like Sebastiano Ricci and later by the Rococo style, evident in his sophisticated and elegant use of color.
Giambattista Pittoni's legacy is evident in various collections, including the National Gallery, London, and the Gallerie dell'Accademia in Venice, which houses a collection of his preparatory studies. As a founding member and later president of the Venice Academy, his contributions to the art world were substantial, leaving an enduring impact on the Venetian art scene and beyond.
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Hendrik Gerritsz. Pot, nicknamed Pot from the East Indies, was a Dutch painter-painter, miniaturist, and decorator. He was a member of the Guild of St. Luke of Haarlem. Poth's famous works include genre paintings, portraits, and still lifes in the vanitas style. Sweat has genre scenes depicting groups of young people leading merry lives, drinking, eating and flirting, but he also painted a series of portraits of the English royal family.
Paulus Potter was a Dutch painter who specialized in animals within landscapes, usually with a low vantage point.
Before Potter died of tuberculosis at the age of 28 he succeeded in producing about 100 paintings, working continuously.
Frans Pourbus the Elder was a Flemish Renaissance painter born in 1545 in Bruges, known for his portraiture and religious compositions, as well as a few genre scenes. He inherited a rich artistic legacy as the son of the painter Pieter Pourbus and the father of Frans Pourbus the Younger, an internationally recognized portraitist.
Pourbus’ art is celebrated for its meticulous detail and psychological depth, particularly in his portraits which primarily featured members of the rising middle class, high clergy, local aristocrats, and foreign dignitaries. His acute observational skills and subtle modeling of facial features provided a vivid psychological insight into his sitters, as seen in the Portrait of an Unknown Man.
His religious works were often commissioned by patrons outside Antwerp and included significant projects like the History of Saint Andrew and the Triptych of Viglius Aytta for St Bavo's Cathedral in Ghent. After the Iconoclastic Fury in 1566, he received a prestigious commission to redecorate the choir of the St. Martin's Abbey church in Tournai.
Pourbus’ works are held in high esteem and can be found in several museums and galleries, such as the National Galleries of Scotland and The National Gallery in London, where his pieces continue to draw the admiration of art collectors and experts in the field.
For enthusiasts and experts in Renaissance art and those interested in the intricate craft of portrait painting, Frans Pourbus the Elder’s work stands as a significant reference point for the cultural and artistic achievements of the period. To remain updated on sales and auction events related to Frans Pourbus the Elder, art collectors and antiques experts are encouraged to sign up for updates. This will ensure that you are always informed about new opportunities to acquire works by or related to this master artist.
Jacob Symonsz. Pynas was a Dutch painter-painter of the Golden Age, brother of Jan Symonsz. Pynas. He is one of those called artists before Rembrandt. He is known for his paintings of biblical and mythical themes, and he also painted scenes from Italy.
Jan Alberts Rotius was a Dutch painter known for his individual and group portraits, breakfast still lifes, kitchen still lifes and fruit still lifes. He worked at Horn and was the father of the flower artist Jacob Rothius.
Peter Paul Rubens was a distinguished Flemish Baroque painter, renowned for his dynamic, vibrant, and sensuous paintings. Born on June 28, 1577, in Siegen, Westphalia, Germany, Rubens' family moved back to Antwerp in the Spanish Netherlands (now Belgium) after his father's death. He was raised in his mother’s Roman Catholic faith and received a classical education. He began his artistic training in 1591 and later traveled to Italy, where he was profoundly influenced by Renaissance masters like Titian, Tintoretto, and Veronese. This experience significantly shaped his artistic style.
Rubens' art is celebrated for its emphasis on movement, color, and sensuality. He was particularly skilled in depicting religious and mythological scenes, portraits, and landscapes. Some of his notable works include "The Descent from the Cross" and "The Raising of the Cross," which are prime examples of Baroque religious art, showcasing his unique style that blended influences from Italian Renaissance and his own innovations.
Rubens was not just a painter but also a diplomat, serving at various European courts. He was knighted by both Philip IV of Spain and Charles I of England. His diplomatic missions often intertwined with his artistic endeavors, as seen during his travels to Spain and Italy. In addition to painting, he was involved in designing tapestries, prints, and book title-pages. He ran a large workshop in Antwerp, producing works that were popular with nobility and art collectors across Europe. His studio was in his home, the Rubenshuis, now a museum.
His influence extended to his students, notably Anthony van Dyck, and his collaborative works with other artists like Jan Brueghel the Elder. Rubens' work continued to be celebrated for its vitality and influence on the Baroque style, making him one of the most influential artists of his time.
For those interested in the work and life of Peter Paul Rubens, many of his works can be found in museums and galleries worldwide, including the National Gallery in London, which houses several of his paintings like "A View of Het Steen in the Early Morning" and "Minerva protects Pax from Mars ('Peace and War')".
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Herman Saftleven the Younger was a Dutch artist of the Golden Age who was Dean of the Guild of St. Luke in Utrecht.
Herman Saftleven the Younger was born into a creative family. His father, Hermann Saftleven the Elder (c. 1580-1627), was the father of three artist sons, Hermann the Younger, Cornelis (1607-1681), and Abraham Saftleven (c. 1611/13 - 1646).
Saftleven the Younger was an extremely productive painter, draughtsman, and printmaker. He is known for his landscapes near rivers as well as scenes of people traveling in the woods.
Johan Frederik Cornelis Scherrewitz was a Dutch painter, a member of the late flourishing Hague School, and a member of the Guild of St. Luke.
Scherrewitz was a well-known painter of Dutch landscapes and farm life, as well as of fishermen and the Dutch coast. His paintings often depicted shepherds with sheep, fishermen with barges, carts and horses, farmers and cows. He also liked to paint ordinary working people.
Throughout his life, Scherrewitz adhered to the Hague School style. Despite this he was little known in his homeland, but he achieved success in England, Scotland, and the United States.
Aart Schouman was a Dutch painter, member of the Guild of St. Luke in Dordrecht and The Hague, and for many years was a leading painter in Zealand and the south of Holland. Most of his work consists of portraits and large paintings on wallpaper, he also did etchings and engravings on glass and copper and stained glass. Schaumann was interested in mythological and biblical themes, and later became famous for his watercolors of city and park landscapes and unique compositions with exotic birds, rare animals and plants.
Jan Havickszoon Steen was a Dutch painter of the Golden Age, a member of the Harlem and Leiden Guilds of St. Luke. Steen is one of the most important Dutch genre painters of his time. Most of his several hundred paintings focus on human morality with the aim of teaching the viewer a moral lesson. They often refer to proverbs or old Dutch literary texts. In addition to genre paintings, Sten explored a variety of subjects: he painted historical, mythological and religious scenes, still lifes and landscapes.
Harmen Steenwijck was a Dutch painter of the Gilded Age. He created several genre works, but concentrated mainly on still lifes, including vanitas, in light, rich tones with elements of fruit and fish. Harmen Stenwijk's most famous work, however, is Allegory of the Vanity of Human Life.
Rudolph Friedrich Carl Suhrlandt was a German painter of the first half of the 19th century. He is known as a painter, graphic artist, portraitist and lithographer.
Rudolph Suhrlandt began his career as an adherent of classicism. He twice won art competitions at the Vienna Academy of Fine Arts and became known for his portraits of Russian and Polish aristocrats. In 1808 he traveled to Rome and joined the Guild of St. Luke. Returning to Mecklenburg in 1816, Suhrlandt became a court painter and in 1817 was promoted to professor of painting.
Reyer Claesz. Suycker was a Dutch landscape painter of the Golden Age of Dutch painting.
Reyer was born into the family of a master painter from Haarlem, Nicolas Suycker. In 1639 he joined the Haarlem guild of St. Luke, and in 1643 he became its dean.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
Maria Felice Tibaldi was an Italian Baroque painter and member of the Accademia di San Luca.
She painted portraits and paintings on historical subjects in oil and pastel, and is also known as the author of portrait miniatures, which were in demand among the nobility.
Giovanni Domenico Tiepolo, an Italian painter, was a remarkable figure in the 18th-century art world. The eldest surviving son of the famed Giovanni Battista Tiepolo, Domenico not only assisted his father but also carved out his own niche in the realms of painting and etching. His work, encompassing a broad array of subjects from religious themes to lively genre scenes and character sketches, reflects a blend of the allegorical grandeur inherited from his father and his own more grounded and observational approach.
Domenico Tiepolo's artistic legacy includes a significant contribution to printmaking, particularly in etching, where he reproduced both his and his father's paintings, alongside original compositions. Among these, the series of twenty-four illustrations of the "Flight into Egypt" and a set depicting the "Stations of the Cross" stand out as notable examples of his originality and skill in capturing narrative depth. His works are held in prestigious collections worldwide, such as the Prado Museum, The Art Gallery of New South Wales, and the National Gallery in London, underscoring his international acclaim and the enduring appeal of his art.
Despite being somewhat overshadowed by his father, Giovanni Domenico Tiepolo's contributions to the art world are significant. His ability to infuse his works with a sense of immediacy and emotional depth, while still engaging with the theatricality and elegance characteristic of the period, marks him as a pivotal figure in the transition from the grandiose Baroque to a more intimate and observant Rococo style. This duality is perhaps best represented in his genre scenes and character studies, which offer a glimpse into the daily life and cultural milieu of 18th-century Venice.
For collectors and experts in art and antiques, Domenico Tiepolo's works represent a fascinating intersection of historical significance and artistic merit. His prints and paintings not only reflect the cultural and artistic vibrancy of his era but also offer insights into the personal and professional dynamics within one of the most celebrated artistic families of the time.
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Willem van Aelst was a Dutch Golden Age artist renowned for his exquisite still-life paintings featuring flowers, game, and various objects that exemplify the era's opulent lifestyles. Born into a family of city magistrates in Delft, Willem van Aelst trained under his uncle, Evert van Aelst, and became a master in the Guild of Saint Luke at Delft. His career spanned various European cities, including a significant period in Florence as court painter to Ferdinando II de' Medici, Grand Duke of Tuscany, where he was awarded a gold chain and medal for his artistic prowess. The artist signed his paintings with the nickname "Vogelverschrikker" (bird scarecrow), which later became his pseudonym.
Willem van Aelst's contributions to still-life painting were significant, with his works being characterized by intricate attention to detail, use of light and texture, and a mastery in depicting the surfaces of various materials, from the softness of petals to the sheen of metal objects. His paintings often feature elegantly arranged compositions of fruits, flowers, and hunting trophies, set against dark backgrounds that enhance their vivid detail and realism.
His works can be found in prestigious collections worldwide, including the Palazzo Pitti in Florence, the Koninklijk Museum voor Schone Kunsten in Antwerp, the Mauritshuis in The Hague, and the Museo Thyssen-Bornemisza in Madrid. These paintings not only showcase Willem van Aelst's technical skill but also reflect the cultural and aesthetic values of his time, making them invaluable to both historians and art collectors.
Van Aelst's legacy includes teaching notable artists like Rachel Ruysch and Maria van Oosterwijck, highlighting his influence on subsequent generations of still-life painters. Despite his death in 1683, his artistry continues to be celebrated for its elegance and refinement, capturing the essence of the Dutch Golden Age for modern audiences to appreciate.
For collectors and experts in art and antiques, Willem van Aelst's work represents a pinnacle of still-life painting, offering a window into the richness of 17th-century Dutch culture and aesthetics. His pieces are a testament to the enduring beauty and complexity of still-life compositions, making them a prized addition to any collection.
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Evert van Aelst was a Dutch painter of the Dutch Golden Age and a member of the Delft Guild of St. Luke. He was the uncle and teacher of the now most famous painter Willem van Aelst. Evert van Aelst was a skilled painter of all kinds of still life and depicted flowers, fruit, armor, metalwork, hunting trophies and equipment.
