Paintings — Orientalist Art
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
John Frederick Lewis was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Ludwig Hans Fischer was an Austrian landscape painter, copper engraver, etcher and ethnologist. He was noted for his paintings of Oriental subjects, especially African and Indian women wearing traditional costume.
Jan Baptist Huysmans was a Belgian orientalist painter, traveler and writer.
After graduating from the Antwerp Academy, Jan Baptist Huysmans traveled extensively. During his long and prolific artistic career he visited Greece, Turkey, Syria, Palestine, Egypt and Algeria. These travels resulted in numerous sketches and studies, sketches, paintings and memoirs by the artist, who was fascinated by the culture and landscapes of the countries he saw.
In addition to genre paintings of Eastern life, the artist created religious compositions for churches in Jerusalem and decorative panels for church and municipal buildings in Belgian cities.
Huysmans lived most of his professional life in Paris and exhibited in France, England, and Scotland. He also published several illustrated books about his travels, notably Travels in Italy and the East in 1856-1857.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Frederick Arthur Bridgman was an American artist. He was known for his paintings in the Orientalist style.
Frederick Arthur Bridgman studied art at the Brooklyn Art Association and the National Academy of Design in New York. In 1866 he went to Paris to continue his studies at the École des Beaux-Arts. There he worked in the studio of Jean-Léon Gérôme, who at the time was a leading Orientalist painter. Bridgeman painted scenes of everyday life in the area, as well as historical and religious subjects. His paintings were notable for their vivid colours, attention to detail and dramatic compositions.
Frederick Arthur Bridgman was an American artist. He was known for his paintings in the Orientalist style.
Frederick Arthur Bridgman studied art at the Brooklyn Art Association and the National Academy of Design in New York. In 1866 he went to Paris to continue his studies at the École des Beaux-Arts. There he worked in the studio of Jean-Léon Gérôme, who at the time was a leading Orientalist painter. Bridgeman painted scenes of everyday life in the area, as well as historical and religious subjects. His paintings were notable for their vivid colours, attention to detail and dramatic compositions.
Isidore-Alexandre-Augustin Pils, a prominent French academic painter born in 1815, is renowned for his religious and military-themed artworks. His journey in art began under the tutelage of Guillaume Guillon-Lethière and later, François-Édouard Picot. Pils' prowess led him to win the prestigious Prix de Rome in 1838 with his history painting "St. Peter Healing a Lame Man at the Door of the Temple."
Pils' early works were religious in nature, but his experiences traveling with French troops in Crimea shifted his focus to military and nationalistic subjects. His most famous work from this period is "Rouget de L'Isle Singing La Marseillaise," currently housed in the Musée historique de Strasbourg. During the Franco-Prussian War of 1870, he produced many impactful military scenes.
Apart from his remarkable paintings, Pils also contributed to the architectural beauty of Paris. He painted part of the ceiling of the grand staircase of the Palais Garnier, consisting of four panels: The Gods of Olympus, Apollo in His Chariot, Triumph of Harmony, and Apotheosis of the Opera. These works were completed in the year of his death, 1875.
Pils' role as an educator was equally significant. In 1863, he was appointed a professor of painting at the École des Beaux-Arts. His influence extended to numerous students who later became notable artists themselves.
Some of Pils' other notable works include a preparatory study for the decorative projects in the Paris churches of Saint-Eustache and Sainte-Clotilde, titled "Lamentation," reflecting the popular Christian theme during the 19th century.
Isidore Pils passed away in 1875 in Douarnenez and was buried in Père Lachaise Cemetery. His legacy continues to be celebrated by art collectors and enthusiasts, particularly those interested in French academic art and its rich history of religious and military representations.
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Max Friedrich Ferdinand Rabes was a German Impressionist painter. Although he is best remembered as an Orientalist painter, he rejected that label during his lifetime and wanted all of his works to be equally recognized. He was initially self taught, through making nature studies and sketches. Later, he took lessons from the landscape painter, Paul Graeb (1842–1892). He made numerous trips to North Africa and the Middle East. In 1898 he was invited to accompany Kaiser Wilhelm II on a trip to Istanbul and Palestine. He was appointed an honorary doctor and became a Professor at the Berlin University of the Arts. In 1899, he was awarded the Order of the Zähringer Lion. In 1914, he undertook a trip to the front lines in East Prussia. The following year, he was at the western front in Belgium and, in 1917, visited Verdun. In addition to his canvases, he did decorative work; including landscape murals at a castle in Lausitz (1901) and a villa in Iserlohn (1905), as well as ceiling paintings and allegorical murals at the Schauspielhaus in what is now Wrocław (1906-1908).
