Paintings — Post War & Contemporary Art
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Georges Mathieu was a French abstract painter, art theorist, and member of the Académie des Beaux-Arts in Paris. He is considered one of the fathers of European lyrical abstraction, a trend of informalism.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Georges Mathieu was a French abstract painter, art theorist, and member of the Académie des Beaux-Arts in Paris. He is considered one of the fathers of European lyrical abstraction, a trend of informalism.
Norman Bluhm was an American painter classified as an abstract expressionist, and as an action painter.
Bluhm's work has been critically praised and his works are in the collections of many major museums. His career is marked by notable stylistic shifts as he continually challenged himself to reach new areas of artistic achievements based on his profound knowledge of art and art history, use of the human figure, color, and a passion for life. Although his style changed dramatically over time, he remained deeply interested in gestural abstraction, and the ethos of Abstract Expressionism.
Christo Yavashev is a Bulgarian-born American sculptor and artist who, with his wife Jeanne-Claude de Guillebon, became famous for his work, in which he «packaged» objects ranging from a typewriter and a car to the Reichstag building and an entire seashore.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
Jean Tinguely, a Swiss sculptor born in Fribourg, Switzerland, in 1925, carved a unique niche in art history with his kinetic sculptures, integrating movement and self-destruction into his works. Notably, his pieces extend the Dada tradition into the latter part of the 20th century, satirizing automation and the technological overproduction of material goods. Tinguely's innovative approach is exemplified in his Metamatic drawing machines, allowing viewers to create abstract images automatically, and his spectacular self-destroying sculpture "Homage to New York" at MoMA in 1960, showcasing his flair for blending performance and art.
His artistry evolved through collaboration with other artists, including his wife Niki de Saint Phalle, leading to vibrant, large-scale projects like the colorful "Stravinsky Fountain" near the Centre Pompidou in Paris. Tinguely's works, characterized by their use of scrap metal and mechanical parts, not only challenge the conventional boundaries of art but also engage with themes of destruction, renewal, and the intersection of art and life. His significant contributions to kinetic art and his involvement with the Nouveau Réalisme group highlight his pioneering role in post-war European art.
Tinguely's legacy is preserved in the Museum Tinguely in Basel, dedicated to his life and work, ensuring his innovative spirit continues to inspire. His works, such as "Méta-Harmonie" and the "Carnival Fountain" in Basel, remain influential, blending artistic exploration with mechanical invention.
For art collectors and experts, Tinguely's creations represent not only significant artistic achievements but also compelling investments, as his works continue to command high prices at auctions, reflecting their enduring appeal and historical importance.
To stay updated on sales and auction events featuring Jean Tinguely's art, sign up for updates. This subscription will ensure you're informed about new opportunities to explore and acquire pieces by this visionary artist, bringing the dynamic energy of kinetic art into your collection.
