Modern British & Irish Art Day Sale
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art.
Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for New Statesman and Arts New York, this continued periodically in later years.
Hans Coper was an influential German-born British studio potter. His work is often coupled with that of Lucie Rie due to their close association, even though their best known work differs dramatically, with Rie's being less sculptural, while Coper's was much more abstract, but also always functional.
Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
Sign up for updates related to Bridget Louise Riley to stay informed about new product sales and auction events showcasing her groundbreaking work. Join us in celebrating the legacy and ongoing journey of one of the foremost exponents of optical art.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
George Claude Leon Underwood was a British artist, although primarily known as a sculptor, printmaker and painter, he was also an influential teacher and promotor of African art. His travels in Mexico and West Africa had a substantial influence on his art, particularly on the representation of the human figure in his sculptures and paintings. Underwood is best known for his sculptures cast in bronze, carvings in marble, stone and wood and his drawings. His lifetime's work includes a wide range of media and activities, with an expressive and technical mastery. Underwood did not hold modernism and abstraction in art in high regard and this led to critics often ignoring his work until the 1960s when he came to be viewed as an important figure in the development of modern sculpture in Britain.
William Patrick Roberts was a British artist.
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an «English Cubist».
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Michael Ayrton was a British artist and writer, renowned as a painter, printmaker, sculptor and designer, and also as a critic, broadcaster and novelist. His varied output of sculptures, illustrations, poems and stories reveals an obsession with flight, myths, mirrors and mazes.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Sean Scully is an Irish-born American-based artist working as a painter, printmaker, sculptor and photographer. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee. Moving from London to New York in 1975, Scully helped lead the transition from Minimalism to Emotional abstraction in painting, abandoning the reduced vocabulary of Minimalism in favor of a return to metaphor and spirituality in art.
Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Terence Ernest Manitou Frost was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
George Peter Lanyon was a British painter of landscapes leaning heavily towards abstraction. Lanyon was one of the most important artists to emerge in post-war Britain. Despite his early death at the age of forty-six he achieved a body of work that is amongst the most original and important reappraisals of modernism in painting to be found anywhere. Combining abstract values with radical ideas about landscape and the figure, Lanyon navigated a course from Constructivism through Abstract Expressionism to a style close to Pop. He also made constructions, pottery and collage.
Terence Ernest Manitou Frost was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Rosa Winifred Nicholson was a British painter. Winifred Nicholson was a colourist who developed a personal impressionistic style, concentrating on domestic still life objects and landscapes. She often combined the two subjects as seen in her painting From Bedroom Window, Bankshead showing a landscape viewed through a window, with flowers in a vase in the foreground.
Walter David Jones was a Welsh painter and modernist poet. As a painter he worked mainly in watercolour on portraits and animal, landscape, legendary and religious subjects. He was also a wood-engraver and inscription painter.
Walter David Jones was a Welsh painter and modernist poet. As a painter he worked mainly in watercolour on portraits and animal, landscape, legendary and religious subjects. He was also a wood-engraver and inscription painter.
Paul Nash was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
Paul Nash was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Jessica Stewart Dismorr was an English painter and illustrator. Dismorr participated in almost all of the avant-garde groups active in London between 1912 and 1937 and was one of the few English painters of the 1930s to work in a completely abstract manner. She was one of only two women members of the Vorticist movement and also exhibited with the Allied Artists Association, the Seven and Five Society and the London Group. She was the only female contributor to Group X and displayed abstract works at the 1937 Artists' International Association exhibition. Poems and illustrations by Dismorr appeared in several avant-garde publications including Blast, Rhythm and an edition of Axis.
Dora de Houghton Carrington was an English painter and decorative artist, remembered in part for her association with members of the Bloomsbury Group, especially the writer Lytton Strachey.
Roger Eliot Fry was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
John Lavery was an Irish artist, renowned for his portraits and wartime depictions, hailing from the influential Glasgow School. Born on March 20, 1856, Lavery's artistry was a blend of the Ulster, Irish, and British Schools, celebrated for breathing life into sketches and creating atmospheric depth with each brushstroke.
His technique, leaving each touch of the brush visible, added a vibrant quality to his works, making him a standout artist of his time. Lavery's education and practice in Glasgow, London, and Paris at the Académie Julian honed his skill, leading to a mastery of landscapes and everyday scenes that carried the subtle influence of French painters.
Lavery's legacy endures in galleries and collections, where his magic touch with landscapes and portraiture continues to inspire awe. Collectors and aficionados of fine art regard Lavery's works as a significant part of Irish and Scottish art heritage. His pieces are not only visually stunning but also historically important, encapsulating the spirit of an era that bridged traditional and modern art forms.
For those who appreciate the allure of landscapes and the intimacy of portraiture, John Lavery's works are a must-have. Signing up for updates from galleries and auctions that feature his work is essential for any serious collector or expert in art and antiques, ensuring you don't miss the opportunity to own a piece by this master of the canvas.
Emily Young is a sculptor, who has been called «Britain's greatest living stone sculptor». She was born in London into a family of artists, writers and politicians. She currently divides her time between studios in London and Italy.
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
To stay informed about the latest David Hockney sales and auction events, sign up for our updates. This subscription ensures that you receive timely notifications about new product sales and auction events related to David Hockney, offering unique opportunities for collectors and enthusiasts alike.
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
Sir Gordon Howard Eliott Hodgkin CH CBE was a British painter and printmaker, one of the most prominent colorists of his generation. His abstract paintings, often of a small format, are based on real events (as a rule, these are impressions from meetings with people).
Grayson Perry is an English contemporary artist, writer and broadcaster. He is known for his ceramic vases, tapestries, and cross-dressing, as well as his observations of the contemporary arts scene, and for dissecting British "prejudices, fashions and foibles".
Sir Gordon Howard Eliott Hodgkin CH CBE was a British painter and printmaker, one of the most prominent colorists of his generation. His abstract paintings, often of a small format, are based on real events (as a rule, these are impressions from meetings with people).
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
Sign up for updates related to Bridget Louise Riley to stay informed about new product sales and auction events showcasing her groundbreaking work. Join us in celebrating the legacy and ongoing journey of one of the foremost exponents of optical art.
Elizabeth Fritsch (born 1940) is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture.
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
Sign up for updates related to Bridget Louise Riley to stay informed about new product sales and auction events showcasing her groundbreaking work. Join us in celebrating the legacy and ongoing journey of one of the foremost exponents of optical art.
William Patrick Roberts was a British artist.
In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an «English Cubist».
Henry Spencer Moore was an influential English sculptor and artist, renowned for his semi-abstract monumental bronze sculptures that have found homes around the world as public works of art. Born on July 30, 1898, in Castleford, Yorkshire, Moore showed early talent in art, but his journey towards becoming a sculptor was not straightforward. His experiences as a young teacher and a soldier in the First World War, where he was injured in a gas attack, significantly shaped his perspectives and artistic direction.
After the war, Moore pursued his passion for art, winning a scholarship to the Royal College of Art in London, where he began to experiment with modernist influences and direct carving techniques, moving away from the traditional Victorian style. His works, characterized by organic shapes and a blend of abstraction and figuration, were inspired by a wide range of sources, including primitive art, the human body, and the natural world.
Moore's sculptures are celebrated for their unique ability to blend form with space in the landscape, offering viewers a dynamic interaction with his works. His dedication to public art made his sculptures accessible to a wide audience, contributing to his status as one of the 20th century's most significant sculptors. Moore's legacy is preserved through the Henry Moore Foundation, which supports artists and promotes public appreciation of sculpture.
For collectors and experts in art and antiques, Moore's work remains a testament to the power of sculpture to evoke emotion and thought. His contributions to modern art and sculpture continue to inspire and influence artists around the world.
To stay informed about new exhibitions and opportunities to view Henry Spencer Moore's work, sign up for updates. This subscription will ensure you are alerted to new product sales and auction events related to Moore's influential body of work.
Henry Spencer Moore was an influential English sculptor and artist, renowned for his semi-abstract monumental bronze sculptures that have found homes around the world as public works of art. Born on July 30, 1898, in Castleford, Yorkshire, Moore showed early talent in art, but his journey towards becoming a sculptor was not straightforward. His experiences as a young teacher and a soldier in the First World War, where he was injured in a gas attack, significantly shaped his perspectives and artistic direction.
After the war, Moore pursued his passion for art, winning a scholarship to the Royal College of Art in London, where he began to experiment with modernist influences and direct carving techniques, moving away from the traditional Victorian style. His works, characterized by organic shapes and a blend of abstraction and figuration, were inspired by a wide range of sources, including primitive art, the human body, and the natural world.
Moore's sculptures are celebrated for their unique ability to blend form with space in the landscape, offering viewers a dynamic interaction with his works. His dedication to public art made his sculptures accessible to a wide audience, contributing to his status as one of the 20th century's most significant sculptors. Moore's legacy is preserved through the Henry Moore Foundation, which supports artists and promotes public appreciation of sculpture.
For collectors and experts in art and antiques, Moore's work remains a testament to the power of sculpture to evoke emotion and thought. His contributions to modern art and sculpture continue to inspire and influence artists around the world.
To stay informed about new exhibitions and opportunities to view Henry Spencer Moore's work, sign up for updates. This subscription will ensure you are alerted to new product sales and auction events related to Moore's influential body of work.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Paul Nash was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Laurence Stephen Lowry was an English artist. His drawings and paintings mainly depict Pendlebury, Lancashire (where he lived and worked for more than 40 years) as well as Salford and its vicinity.
Lowry is famous for painting scenes of life in the industrial districts of North West England in the mid-20th century. He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death.
Walter Richard Sickert was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Roger Hilton was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avante-garde movements such as tachisme and CoBrA.
Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
Terence Ernest Manitou Frost was a British abstract artist, who worked in Newlyn, Cornwall. Frost was renowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment.
Sandra Betty Blow was an English abstract painter and one of the pioneers of the British abstract movement of the 1950s. Blow's works are characteristically large scale, colourful abstract collages made from discarded materials.
