Paintings — From Peale to Peto: American Masters from the Pollack Collection
Sarah Miriam Peale was an American portrait painter, considered the first American woman to succeed as a professional artist. One of a family of artists of whom her uncle Charles Willson Peale was the most illustrious, Sarah Peale painted portraits mainly of Maryland, Pennsylvania and Washington, D.C. notables, politicians, and military figures. Lafayette sat for her four times.
John Frederick Peto was an American trompe-l'œil ("fool the eye") painter who was long forgotten until his paintings were rediscovered along with those of fellow trompe-l'œil artist William Harnett.
Charles Peale Polk was an American portrait painter and the nephew of artist Charles Willson Peale.
Polk’s earliest paintings were copies of his uncle's originals and he was highly dependent on his uncle's training and guidance. He continued to make copies of many paintings including his own. It is said that he produced fifty-seven reproductions of his George Washington portrait.
William Michael Harnett was an American painter of the second half of the 19th century. He became known as a master of still life. William Harnett was famous for his pictures of deception with extremely accurate depictions of everyday objects, which the viewer often could not distinguish from real things.
William Harnett, unlike most of his colleagues, never sought fame and popularity, so he forever remained faithful to the still life genre he had chosen as a young artist. His biography is a typical example of a successful career of a self-taught artist without academic education.
Harnett's best masterpieces are now preserved in museums in the United States.
Titian Ramsay Peale was an American artist, naturalist, and explorer from Philadelphia, Pennsylvania. He was a scientific illustrator whose paintings and drawings of wildlife are known for their beauty and accuracy.
Peale was a member of several high-profile scientific expeditions. In 1819-1820, he and Thomas Say accompanied Stephen Harriman Long on an expedition to the Rocky Mountains. He was also a member of the United States Exploring Expedition (1838-1842).
Starting around 1855 Peale became an enthusiastic amateur photographer. Many of his photographs featured buildings and landscapes in and around Washington D.C. He joined a local club with other amateur photographers and participated in field trips, photo exchanges and contests. By the end of the Civil War, his interest in photography waned and he only occasionally took pictures.
John Frederick Kensett was an American landscape painter and engraver born in Cheshire, Connecticut. He was a member of the second generation of the Hudson River School of artists. Kensett's signature works are landscape paintings of New England and New York State, whose clear light and serene surfaces celebrate transcendental qualities of nature, and are associated with Luminism. Kensett's early work owed much to the influence of Thomas Cole, but was from the outset distinguished by a preference for cooler colors and an interest in less dramatic topography, favoring restraint in both palette and composition. The work of Kensett's maturity features tranquil scenery depicted with a spare geometry, culminating in series of paintings in which coastal promontories are balanced against glass-smooth water. He was a founder of the Metropolitan Museum of Art.
Gilbert Munger was a late 19th-century American landscape painter whose romantic yet topographically accurate landscapes helped to introduce the newly opened West to the American public.
Munger's work is in the collections of numerous regional American museums as well as museums in Paris, Berlin, Munich, and Weimar. The largest collection is at the Tweed Museum of Art, University of Minnesota Duluth. His artwork is also featured in the Utah Museum of Fine Arts collection.
Alfred Thompson Bricher was a painter associated with White Mountain art and the Hudson River School.
In the 1870s, he primarily did maritime themed paintings, with attention to watercolor paintings of landscape, marine, and coastwise scenery. He often spent summers in Grand Manan, where he produced such notable works as Morning at Grand Manan (1878). In 1879, Bricher was elected into the National Academy of Design as an Associate member.
James Edward Buttersworth was an English painter who specialized in maritime art and is considered among the foremost ship portraitists in the United States of the nineteenth century. His paintings are particularly known for their meticulous detail, dramatic settings, and grace in movement.
Fitz Henry Lane (born Nathaniel Rogers Lane) was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.
A contemporary of the Hudson River School, he enjoyed a reputation as America's premier painter of marine subjects during his lifetime, but fell into obscurity soon after his death with the rise of French Impressionism. Lane's work would be rediscovered in the 1930s by the art collector Maxim Karolik, after which his art steadily grew in popularity among private collectors and public institutions. His work can now command at auction prices ranging as high as three to five million dollars.
Thomas Birch was an English-born American portrait and marine painter.
He exhibited regularly at the Pennsylvania Academy of the Fine Arts for forty years, beginning in 1811, and managed the museum, 1812-1817. His work is collected at PAFA, the Library Company of Philadelphia, the Philadelphia Museum of Art, the Smithsonian American Art Museum, the U.S. Naval Academy, and the Museum of Fine Arts, Boston, among others. In 1833, he was elected into the National Academy of Design as an Honorary member.
Levi Wells Prentice was an American still life and landscape painter. Prentice was associated with the Hudson River School.
Self-taught artist Levi Wells Prentice is best known for his realistic still life compositions of fruit arranged within a landscape, or abundantly spilling from bushel baskets. Early in his career, he painted portraits and landscapes of the Adirondack Mountain region of Lewis County, New York, his birthplace.
Samuel Marsden Brookes was an English-born American painter. He specialized in still lifes of fish and game, but began as a portrait painter and also produced some landscapes. He was also a member of the Bohemian Grove.
Thomas Sully was a portrait painter in the United States. Born in Great Britain, he lived most of his life in Philadelphia, Pennsylvania. He painted in the style of Thomas Lawrence. His subjects included national political leaders such as United States presidents: Thomas Jefferson, John Quincy Adams, and Andrew Jackson, Revolutionary War hero General Marquis de Lafayette, and many leading musicians and composers. In addition to portraits of wealthy patrons, he painted landscapes and historical pieces such as the 1819 The Passage of the Delaware. His work was adapted for use on United States coinage.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
Rembrandt Peale was an American artist and museum keeper. A prolific portrait painter, he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. Peale's style was influenced by French Neoclassicism after a stay in Paris in his early thirties.
John Frederick Peto was an American trompe-l'œil ("fool the eye") painter who was long forgotten until his paintings were rediscovered along with those of fellow trompe-l'œil artist William Harnett.
George Henry Hall was an American still-life and landscape artist. He studied art in Düsseldorf and Paris and he worked and lived in New York City, the Catskills of New York and in Europe. His works are in museum collections in the United States and Europe. Over the course of his career he sold 1,659 paintings.
George Cochran Lambdin was an American Victorian artist, best known for his paintings of flowers.
He was elected to the National Academy of Design in 1868, and was an academician of the Pennsylvania Academy of the Fine Arts.
John La Farge was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics.
La Farge is best known for his production of stained glass, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.
George Henry Hall was an American still-life and landscape artist. He studied art in Düsseldorf and Paris and he worked and lived in New York City, the Catskills of New York and in Europe. His works are in museum collections in the United States and Europe. Over the course of his career he sold 1,659 paintings.
