Paintings — Old Masters
Pieter Brueghel the Younger was a Flemish artist celebrated for his detailed landscapes, religious themes, proverbs, and vibrant village scenes. Despite being the son of the illustrious Pieter Bruegel the Elder, Brueghel the Younger carved out his own niche in the art world, earning the moniker 'Hell Brueghel' for his dynamic scenes of fires and energetic copies of his father's peasant life portrayals.
Brueghel the Younger's original creations, such as "The Village Lawyer," showcase his keen observation of village life, merging the energy and boldness of 17th-century style with his father's idiom. His work is characterized by its lively, picturesque depiction of peasants, albeit some critics argue they lack the subtlety and humanism of his father's creations. Despite this, Brueghel the Younger's legacy includes a significant number of original works and copies that were rediscovered in the 20th century, highlighting his contribution to the Flemish painting tradition.
His workshop was known for its prolific output, especially in producing copies of Bruegel the Elder's compositions, a testament to the enduring popularity and influence of the Bruegel family's artistic legacy. However, Brueghel the Younger also impressed with his unique compositions, contributing to the genre of still life and village scenes with a distinct style that resonated well into modern times.
For collectors and experts in art and antiques, Pieter Brueghel the Younger's works represent an important period in Flemish art, offering insights into the evolution of genre painting and the detailed portrayal of rural life. His paintings, held in esteemed collections worldwide, continue to be studied and admired for their vibrancy, narrative quality, and historical value.
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Frans Pourbus the Elder was a Flemish Renaissance painter born in 1545 in Bruges, known for his portraiture and religious compositions, as well as a few genre scenes. He inherited a rich artistic legacy as the son of the painter Pieter Pourbus and the father of Frans Pourbus the Younger, an internationally recognized portraitist.
Pourbus’ art is celebrated for its meticulous detail and psychological depth, particularly in his portraits which primarily featured members of the rising middle class, high clergy, local aristocrats, and foreign dignitaries. His acute observational skills and subtle modeling of facial features provided a vivid psychological insight into his sitters, as seen in the Portrait of an Unknown Man.
His religious works were often commissioned by patrons outside Antwerp and included significant projects like the History of Saint Andrew and the Triptych of Viglius Aytta for St Bavo's Cathedral in Ghent. After the Iconoclastic Fury in 1566, he received a prestigious commission to redecorate the choir of the St. Martin's Abbey church in Tournai.
Pourbus’ works are held in high esteem and can be found in several museums and galleries, such as the National Galleries of Scotland and The National Gallery in London, where his pieces continue to draw the admiration of art collectors and experts in the field.
For enthusiasts and experts in Renaissance art and those interested in the intricate craft of portrait painting, Frans Pourbus the Elder’s work stands as a significant reference point for the cultural and artistic achievements of the period. To remain updated on sales and auction events related to Frans Pourbus the Elder, art collectors and antiques experts are encouraged to sign up for updates. This will ensure that you are always informed about new opportunities to acquire works by or related to this master artist.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
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Jan Gossaert was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity.
Herri met de Bles is a Flemish artist, along with Joachim Patinir, one of the founders of European landscape painting. He painted mainly landscapes with multi-figured compositions. Like Patinir, his style is characterized by stylized images of rocks and a careful rendering of aerial perspective.
Gerard ter Borch was one of the leading masters of Dutch genre painting of the Golden Age. His realistic aesthetic was developed by the Delft masters Pieter de Hooch and Jan Vermeer.
Paul Bril was a prominent Flemish painter, best known for his significant contributions to landscape painting. Born around 1554 in Antwerp, he later moved to Rome, where he became a central figure in the art scene, influencing the Italian and Northern European landscape painting traditions.
Paul Bril's early works were steeped in the Flemish manner, exhibiting a picturesque arrangement of landscape elements with dramatic contrasts of light and dark. His style evolved during his stay in Rome, influenced by the work of Annibale Carracci and Adam Elsheimer. By around 1605, Bril's compositions became more serene and classical, showcasing calmer transitions from foreground to background and embracing pastoral and mythological themes.
Paul Bril's contributions extended beyond his paintings. He was a respected figure in Rome's art community, becoming the first foreign director of the Accademia di San Luca in 1621. His patrons included some of the most influential families in Rome, and his work was sought after by collectors and fellow artists. Bril's influence was profound, impacting future generations of artists, including the Dutch Italianates and genre painters active in Rome.
His works can be found in prestigious galleries worldwide, illustrating his enduring legacy in the art world. For collectors and art and antiques experts, Paul Bril's work represents a significant period in the evolution of landscape painting, blending Flemish traditions with Italian classicism.
For those interested in exploring the captivating landscapes and historical significance of Paul Bril's art, staying informed about new product sales and auction events is essential. Signing up for updates can provide valuable insights and opportunities to acquire pieces associated with this influential artist.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
Jacob van Ruisdael, a preeminent Dutch painter, etcher, and draughtsman of the 17th century, is celebrated for his masterful landscape paintings, which significantly influenced the course of Western landscape art. Born around 1628/29 in Haarlem, Netherlands, into a family of artists, Ruisdael was an integral part of the Dutch Golden Age of painting.
Although the specifics of his training are unclear, it's believed that he was influenced by his father, uncle, and other local Haarlem landscapists like Cornelis Vroom and Allaert van Everdingen. Ruisdael's works are renowned for their dramatic depictions of Dutch landscapes, combining detailed natural observation with a monumental composition style. His paintings often feature striking forest scenes or sweeping panoramic views of cities like Haarlem.
Ruisdael's oeuvre spans a wide range, from serene forest scenes and turbulent seascapes to bustling cityscapes and desolate ruins. His handling of light and atmosphere in these settings is particularly noteworthy, adding a dramatic and emotional depth to the landscapes.
Some speculation surrounds Ruisdael's life, including the possibility of him practicing medicine in Amsterdam; however, this remains a topic of debate among historians. His travels seem to have been limited within the Netherlands and possibly to Germany, but he never visited Scandinavia, despite painting numerous Norwegian landscapes.
Today, Ruisdael's works are held in high esteem and are a part of major collections worldwide, including the National Gallery in London, the Rijksmuseum in Amsterdam, and the Hermitage Museum in St. Petersburg. Notable works include "The Jewish Cemetery," "View of Haarlem with Bleaching Grounds," and "Bentheim Castle," all showcasing his characteristic treatment of nature and light.
For art enthusiasts and collectors, Ruisdael's works offer a profound insight into the landscape painting of the Dutch Golden Age. His influence extends across various art movements and continues to be celebrated in the art world. Those interested in his work are encouraged to explore collections in renowned museums and keep informed about new sales and auction events related to Ruisdael's artworks.
For those with a keen interest in the works of Jacob van Ruisdael and the rich heritage of Dutch landscape painting, there is an exclusive opportunity to stay connected with the latest developments in this field. By subscribing to our updates, you will receive timely information on new product sales and auction events specifically related to the art of Jacob van Ruisdael. This service is particularly valuable for collectors and experts in art and antiques, offering insights into available pieces and upcoming opportunities to acquire works from this influential artist.
Roelant Savery was a Flanders-born Dutch Golden Age painter.
Savery primarily painted landscapes in the Flemish tradition of Gillis van Coninxloo, often embellished with many meticulously painted animals and plants, regularly with a mythological or biblical theme as background. He also painted multiple flower still lifes; bouquets in stone niches, sometimes with lizards such as Flowers with Two Lizards, insects or fallen petals and regarded as his best work.
His unique style of painting, related to the then reigning Mannerism, has been highly popular with collectors and can be found in many museums in Europe and North America. His preparatory drawings are also valued highly.
Joos de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Balthasar van der Ast was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.
Matthias Withoos, also known as Calzetta Bianca and Calzetti, was a Dutch painter of still lifes and city scenes, best known for the details of insects, reptiles and undergrowth in the foreground of his pictures.
Anthonius Leemans or Antonie Leemans was a Dutch painter of the Golden Age.
He is the elder brother of the painter Johannes Leemans (1833-1688). Like his brother, Antonie Leemans painted trompe l'oeil, but also mainly on subjects related to hunting. He created still-lifes with hunting trophies and ammunition, and depicted hunters with dogs in camp.
Simon de Vlieger was a maritime painter of the Golden Age of Dutch painting. He is best known for his paintings depicting the naval fleet of the Republic of the United Provinces of Holland. He painted ships in port, on the high seas, during storms, or shipwreck scenes. Flieger also made tapestries, engravings, and stained-glass windows for the Nieuwe Kerk in Amsterdam.
Marten van Cleve the Elder was a Flemish painter and draftsman active in Antwerp between 1551 and 1581. Van Cleve is mainly known for his genre scenes with peasants and landscapes, which show a certain resemblance with the work of Pieter Bruegel the Elder. Marten van Cleve was one of the leading Flemish artists of his generation. His subjects and compositions were an important influence on the work of Pieter Brueghel the Younger and other genre painters of his generation.
Johann König was a German painter. The son of a Nuremberg goldsmith, König was a follower of Adam Elsheimer. He is known today primarily because of his very finely painted copper panels.
Jacob van Ruisdael, a preeminent Dutch painter, etcher, and draughtsman of the 17th century, is celebrated for his masterful landscape paintings, which significantly influenced the course of Western landscape art. Born around 1628/29 in Haarlem, Netherlands, into a family of artists, Ruisdael was an integral part of the Dutch Golden Age of painting.
Although the specifics of his training are unclear, it's believed that he was influenced by his father, uncle, and other local Haarlem landscapists like Cornelis Vroom and Allaert van Everdingen. Ruisdael's works are renowned for their dramatic depictions of Dutch landscapes, combining detailed natural observation with a monumental composition style. His paintings often feature striking forest scenes or sweeping panoramic views of cities like Haarlem.
Ruisdael's oeuvre spans a wide range, from serene forest scenes and turbulent seascapes to bustling cityscapes and desolate ruins. His handling of light and atmosphere in these settings is particularly noteworthy, adding a dramatic and emotional depth to the landscapes.
Some speculation surrounds Ruisdael's life, including the possibility of him practicing medicine in Amsterdam; however, this remains a topic of debate among historians. His travels seem to have been limited within the Netherlands and possibly to Germany, but he never visited Scandinavia, despite painting numerous Norwegian landscapes.
Today, Ruisdael's works are held in high esteem and are a part of major collections worldwide, including the National Gallery in London, the Rijksmuseum in Amsterdam, and the Hermitage Museum in St. Petersburg. Notable works include "The Jewish Cemetery," "View of Haarlem with Bleaching Grounds," and "Bentheim Castle," all showcasing his characteristic treatment of nature and light.
For art enthusiasts and collectors, Ruisdael's works offer a profound insight into the landscape painting of the Dutch Golden Age. His influence extends across various art movements and continues to be celebrated in the art world. Those interested in his work are encouraged to explore collections in renowned museums and keep informed about new sales and auction events related to Ruisdael's artworks.
For those with a keen interest in the works of Jacob van Ruisdael and the rich heritage of Dutch landscape painting, there is an exclusive opportunity to stay connected with the latest developments in this field. By subscribing to our updates, you will receive timely information on new product sales and auction events specifically related to the art of Jacob van Ruisdael. This service is particularly valuable for collectors and experts in art and antiques, offering insights into available pieces and upcoming opportunities to acquire works from this influential artist.
Livio Mehus, née Lieven Mehus, was a Flemish and Italian Baroque painter, draughtsman, and printmaker.
Mehus lived and worked most of his life in Florence, painting allegories, battle scenes and landscapes, portraits and self-portraits.
Lucas Cranach the Younger was a German painter of the mid-16th century. He is known as a Renaissance painter and portraitist, one of the sons of the painter and graphic artist Lucas Cranach the Elder.
Cranach the Younger painted portraits and paintings of the mythological genre. Despite his lack of courtly status, he worked for the social elite, including princes and nobles. After the artist's death, his works were distributed to various churches, schools, castles and homes. As a member of the new generation, he favored rich and flamboyant images. Cranach the Younger is believed to have created a new artistic program for the Protestants.
Pieter Claeszoon Soutman was a Dutch portrait painter and printmaker of the Golden Age.
Soutman was a respected portrait painter in Haarlem, painting single and group portraits as well as genre and religious paintings.
Giovanni Battista Caracciolo, known as Battistello Caracciolo, was an early Baroque Italian painter.
Caracciolo was a follower of Caravaggio, a style that became the foundation for his work. He painted paintings and frescoes with scenes on religious themes.
Cristoforo Munari, also known as Cristofano Monari, was an Italian Baroque painter who specialized in still lifes.
He painted still lifes with dishes and other objects in disorder, suggesting past merriment and gluttony.
Giuseppe Vermiglio was an Italian Baroque painter who worked in Rome.
Vermiglio, like many other artists of the early 17th century, was strongly influenced by the art of Caravaggio. He painted pictures on religious subjects.
Giovanni Paolo Pannini (Panini) was an Italian painter and architect who worked in Rome and is primarily known as one of the vedutisti. As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute — paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.
Tilly Kettle was an English portrait painter known for being one of the first British artists to travel to India.
In addition to portraits of European contemporaries, he also created many portraits of oriental princes and nabobs, as well as everyday genre pictures from their lives.