Lamps and luminaires — Design
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Georges Jouve was an important ceramist of the 20th century. At 17 years old, Jouve enrolled at the prestigious Ecole Boulle in Paris where he received theoretical instruction in Art History in addition to his technical studies as a sculptor. After Graduation in 1930 he first embarked on his artistic career as a theatrical set designer. During World War II, Jouve was captured by the Germans and interned in a German camp. After several attempts he escaped from the camp and took refuge at his step parents home in a potters village in the South of France called Dieulefit. In 1944, Jouve and his family moved back to Paris. He opened his studio in Paris and was invited by Jacques Adnet to participate in the exhibition “La Ceramique Contemporaine” by the Compagnie des Arts Francais. He then participated annually in numerous 'Salons' in France and internationally such as the “Salon des Artistes Decorateurs” in Paris, Association Francaise d'Action Artistique in Rio de Janeiro, and Vienna, Toronto, Rome, Milan, and Cairo.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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François-Xavier Lalanne was a French painter and sculptor. He studied sculpture, drawing and painting at the Académie Julian. Since the 1960s he has worked as a couple with his wife Claude Lalanne.
François-Xavier Lalanne was a French painter and sculptor. He studied sculpture, drawing and painting at the Académie Julian. Since the 1960s he has worked as a couple with his wife Claude Lalanne.