Paintings — 19th Century American and Western Art
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
John Frederick Kensett was an American landscape painter and engraver born in Cheshire, Connecticut. He was a member of the second generation of the Hudson River School of artists. Kensett's signature works are landscape paintings of New England and New York State, whose clear light and serene surfaces celebrate transcendental qualities of nature, and are associated with Luminism. Kensett's early work owed much to the influence of Thomas Cole, but was from the outset distinguished by a preference for cooler colors and an interest in less dramatic topography, favoring restraint in both palette and composition. The work of Kensett's maturity features tranquil scenery depicted with a spare geometry, culminating in series of paintings in which coastal promontories are balanced against glass-smooth water. He was a founder of the Metropolitan Museum of Art.
George Inness was a prominent American landscape painter.
Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career. He also studied the Old Masters, and artists of the Barbizon school during later trips to Europe. There he was introduced to the theology of Emanuel Swedenborg, which was significant for him; he expressed that spiritualism in the works of his maturity (1879-1894).
Thomas Worthington Whittredge was an American artist, a prominent figure of the Hudson River School, and is celebrated for his poetic forest scenes and serene landscapes. Born near Springfield, Ohio, Whittredge embarked on a journey that would see him become a household name in American art. His works are known for their depiction of the vastness and silence of the Plains, which he described as having a profound impact on him. He is particularly remembered for his trips to the West, which greatly influenced his art, leading to masterpieces that are treasured for their linear horizons and stark beauty.
Whittredge's legacy is preserved in the collections of esteemed institutions such as the Metropolitan Museum of Art in New York and the Louvre in Paris. His works, like 'The Trout Pool' (1870) and 'The Old Hunting Grounds' (1864), continue to enchant viewers with their tranquility and aesthetic appeal. His life, detailed in his autobiography, reflects a passionate dedication to capturing the essence of the American landscape.
For collectors, auctioneers, and experts in art and antiques, the works of Thomas Worthington Whittredge offer a timeless investment. His paintings are a testament to the Hudson River School's vision and skill, reflecting a deep connection to the American spirit. To stay informed about new product sales and auction events related to Whittredge, sign up for updates and ensure you don't miss the opportunity to own a piece of American art history.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Severin Roesen was a Prussian-American painter known for his abundant fruit and flower still lifes, and is today recognized as one of the major American painters in that genre from the nineteenth century.
While Roesen's paintings reveal a meticulous attention to detail in their precise arrangements and close brushwork, his subject matter, even down to specific motifs, did not change throughout his career. Sometimes he made near-identical copies of paintings, but usually he merely rearranged and reassembled stock elements.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Ernest Martin Hennings (Jr.) was an American artist and member of the Taos Society of Artists. In 1901 that Hennings began taking classes at the School of the Art Institute of Chicago, which was largely based on the great European art schools and made particularly emphasis on the importance of drawing. Hennings took up work as a commercial artist, mostly painting murals and portraits around Chicago. Hennings' primary interest was in portrait painting, with his primary subject being the Native Americans living in and around Taos Pueblo. In 1922 he was awarded the Clyde M. Carr Prize from the Art Institute of Chicago as well as the Institute's Fine Arts Building Prize. By the 1920s, the now established painter was building his reputation on the national scene, with exhibitions and awards including. Many art collectors throughout America sought out his paintings. Today paintings by Hennings are housed in the Smithsonian American Art Museum, Stark Museum of Art, Booth Western Art Museum etc.
Ernest Martin Hennings (Jr.) was an American artist and member of the Taos Society of Artists. In 1901 that Hennings began taking classes at the School of the Art Institute of Chicago, which was largely based on the great European art schools and made particularly emphasis on the importance of drawing. Hennings took up work as a commercial artist, mostly painting murals and portraits around Chicago. Hennings' primary interest was in portrait painting, with his primary subject being the Native Americans living in and around Taos Pueblo. In 1922 he was awarded the Clyde M. Carr Prize from the Art Institute of Chicago as well as the Institute's Fine Arts Building Prize. By the 1920s, the now established painter was building his reputation on the national scene, with exhibitions and awards including. Many art collectors throughout America sought out his paintings. Today paintings by Hennings are housed in the Smithsonian American Art Museum, Stark Museum of Art, Booth Western Art Museum etc.
Joseph Henry Sharp was an American artist and one of the founders of the Taos Society of Artists. He painted portraits, landscapes as well as paintings of Native American cultural life.
Joseph Henry Sharp began his career as an artist in the 1880s, working in New York and Paris. His colourful and emotional paintings were characterised by a high degree of realism and detail.
Joseph Henry Sharp was an American artist and one of the founders of the Taos Society of Artists. He painted portraits, landscapes as well as paintings of Native American cultural life.
Joseph Henry Sharp began his career as an artist in the 1880s, working in New York and Paris. His colourful and emotional paintings were characterised by a high degree of realism and detail.