Photography — Post-War and Contemporary Art Day Sale
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Andreas Gursky, a German photographer born in 1955, is renowned for his large format architectural and landscape color photographs, which often feature a high vantage point. Gursky's work has garnered attention for its unique perspective on modern life and contemporary scenes, capturing the grandeur and intricacy of his subjects with a meticulous eye for detail. His pieces, such as "Rhein II" and "99 Cent II Diptychon," showcase his skill in transforming ordinary locales into extraordinary visual narratives, often with the aid of digital manipulation to enhance and refine the final image.
Andreas Gursky's photography is celebrated for its ability to capture the essence of globalization and the human impact on the environment, presenting scenes that are both familiar and alien in their scope and detail. His work has been exhibited worldwide and is held in high esteem in the art market, with some of his pieces achieving record-breaking auction prices.
For art collectors and experts, Andreas Gursky's photographs offer a profound commentary on the world we live in, blending technical prowess with a deep conceptual framework. His exhibitions and publications provide insight into his creative process and the evolution of his artistic vision.
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Michael Kelley was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."
Richard Prince is an American painter and photographer. In the mid-1970s, Prince made drawings and painterly collages that he has since disowned. His image, Untitled (Cowboy), a rephotographing of a photograph by Sam Abell and appropriated from a cigarette advertisement, was the first rephotograph to be sold for more than $1 million at auction at Christie's New York in 2005. He is regarded as "one of the most revered artists of his generation" according to The New York Times.
Cynthia Morris Sherman is an American artist whose work consists primarily of photographic self-portraits, depicting herself in many different contexts and as various imagined characters.
Her breakthrough work is often considered to be the collected Untitled Film Stills, a series of 70 black-and-white photographs of herself evoking typical female roles in performance media (especially arthouse films and popular B-movies). In the 1980s, she used color film and large prints, and focused more on costume, lighting and facial expression.
Jeff Wall is a renowned Canadian artist, celebrated for his large-scale backlit Cibachrome photographs and insightful art history writings. His artistic journey began in the late 1970s, creating images that balance between painting and photography, often resembling movie stills in their complexity and narrative depth. Wall's unique approach involves elaborate setups with actors, sets, and post-production, akin to single-frame movies, leading to works that demand viewers' attention similar to paintings or films.
His seminal piece, "Picture for Women" (1979), reflects his deep engagement with art history, referencing Édouard Manet's "A Bar at the Folies-Bergère" and exploring themes like the male gaze within a contemporary context. Another notable work, "A Sudden Gust of Wind (after Hokusai)" (1993), showcases Wall's digital montage technique, combining numerous photographs to create a seamless image that reimagines a 19th-century Japanese print in a modern setting.
Jeff Wall's transition to using digital technology in the 1990s allowed him to merge various negatives into a coherent whole, pushing the boundaries of traditional photography. His works, often displayed as transparencies on lightboxes, introduce a novel way of experiencing photographic art, blending narrative depth with meticulous attention to detail.
For art collectors and experts, Jeff Wall's work represents a profound intersection of photography, cinema, and painting, offering a rich field for exploration and appreciation. His pieces, found in major museums and galleries worldwide, continue to influence and inspire discussions in the realms of art and photography.
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